13 research outputs found

    Oral history interview with Darrell Stiles and Nancy Chipukites

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    Fourth-generation owners of Cabin Creek Farm, Darrell Stiles and Nancy Stiles Chipukites, discuss the history of the property and the early members of their family that homesteaded the land in 1891 as part of Sac and Fox Land Run. The major crops of the farm at the time of the interview included wheat and rye grass, as well as cattle. For a long time, the farm operated as a dairy, known as Cabin Creek Dairy. Also discussed were the long held traditions of the Stiles family and the future of Cabin Creek Farm.The Oklahoma Centennial Farm Families Collection is comprised of interviews with farm owners and operators whose families have been involved in the farming and/or ranching business in Oklahoma for 100 years or more with properties designated an Oklahoma Centennial Farm or Ranch through the Oklahoma Historical Society

    "A Symbol of the New African": Drum magazine, popular culture and the formation of black urban subjectivity in 1950s South Africa.

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    PhDThis thesis examines the emergence of black urban subjectivity in South Africa during the 1950s, focussing on the ways in which popular American genres were utilised in the construction of black urban identities that served as a means of resistance to apartheid. At the centre of this process was Drum magazine: founded in South Africa in 1951 , it became the largest selling magazine on the African continent in 1956. Drum's success was due to the way in which it enabled the relocation of black identity from the "traditional" towards the "modern'. The 1940s gave rise to widespread migration of black South Africans from rural to urban areas and this newly urbanised community was seeking models of black urban identity. Yet the Nationalist government was attempting to curtail the emergence of a black urban proletariat, which posed a threat to white political supremacy. Through apartheid legislation black identity was constructed as essentially tribal and rural. As a means of resisting this, urbanised black South Africans turned to, and appropriated, readily available forms of American culture. Drum published Americanised images and stories: gangsters, black detectives, black comic heroes, and pulp romances. This popular material appeared alongside some of the finest investigative journalism ever published. While Drum magazine is widely acknowledged as having provided a platform for the emergence of black South African writing in English, its popular content has been dismissed by critics as apolitical escapism, imitation and capitulation to American culture. This thesis challenges the dismissal of the popular that has dominated analyses of Drum since the 1960s, arguing that such a position denies the agency of local writers and audiences. My analysis reveals that American forms were adopted in critically discerning ways and chosen for their ability to convey local meaning and create positions from which to resist aparthei

    Iowa History and Culture : A Bibliography of Materials Published Between 1952 and 1986, 1989

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    This bibliography was compiled by two reference librarians, Patricia Dawson and David Hudson with the goal of making it easier of tracking down material on Iowa history and culture. This supplements the Iowa History Reference Guide published in 1952 by William Petersen

    A translation and edition of the Sacrorum Parallelorum Liber Primus of Franciscus Junius : a study in sixteenth century hermeneutics

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    In his preface to the Sacrorum Parallelorum Libri Tres, Junius expresses the confidence that, if he has not attained the goal in writing the book which he yearned to achieve, he has at least pointed out to others the way of proving more successful. As the first monograph on the use of the Old Testament in the New, the Sacri Paralleli opened up new exegetical territory into which hosts of explorers and, indeed, settlers have since moved. The earlier scouts in this region often remind us that they are travelling in the pioneering footsteps of Franciscus Junius. Thus, Andreas Kesler in the seventeenth century makes use of the Sacri Paralleli, as does the great Surenhusius of Amsterdam in the eighteenth century. Even as recently as a hundred years ago Eduard Bdhl, in the historical introduction to his own dissertation on the Old Testament citations in the New Testament, wrote: "Dass ein Mann wie Franciscus Junius, welcher mit Tremellius das berühmte lateinische Bibelwerk herausgab, viel Gutes bietet, lasst sich erwarten". Yet, more recent surveys of past literature on the bi-testamental passages omit any mention of the original spade-work in the field. Ellis, for example, begins his summary of "the more direct study of NT quotations" with the notes which Drusius wrote around 1594. No account of such research, however, can justly pass over the thorough work of Franciscus Junius. Some have considered it, with good reason, the most important book of one of the most influential exegetes in the Age of Orthodoxy. As Cuno observes, the Sacri Paralleli were truly epoch-making in the history of exegesis. The present study of the Sacrorum Parallelorum Liber Primus begins with a rather full account of the life of Junius for two reasons. First, there is no delineation of his life available in English longer than the brief article in the New Schaff-Herzog Encyclopedia of Religious Knowledge. Secondly, the life of Junius not only is very interesting, but also sheds much light on the rationale of the Sacri Paralleli. There follow discussions of this rationale, the history of the Sacri Paralleli and the various editions, and the hermeneutical principles employed by Junius in the Liber Primus. In the course of his investigation of the several editions of the Sacri Paralleli, the author has examined all copies of the book which he could locate in the public repositories of Scotland and so hopes that his treatment may prove useful to the rare book librarians of the collections concerned. The translation of the Liber Primus was executed on the basis of the first folio edition (1607) of the works of Junius, this printing being a reliable, specimen of the text and the earliest copy available in the Library of the University of St Andrews. Some minor textual corruptions, however, in the 1607 edition have been corrected on the basis of the original edition of 1588. Likewise, the Biblical and patristic citations which appeared in the margins of the original edition have been noted as marginal references here, rather than being into the text in the manner of the folio editions (which sometimes match these citations to the wrong, sentences in the text). The translation here, nevertheless, follows the paragraph divisions of the folio printings, since such divisions are so few in the original edition. The third volume of this dissertation contains several pertinent appendices: The first is a photographic copy of the specimen of the original edition of the Sacrorum Parallelorum Liber Primus in the possession of the Library of New College, Edinburgh. Mention has been made in the course of this appendix if a note relating to a given page occurs in the "Errata", listed at the end of the copy of the Sacri Paralleli used here. Copies of the 1607 printing of the Sacri Paralleli are available in so many British libraries that to provide a copy of the Liber Primus of that edition here would be superfluous. The second appendix is a photographic copy of the "Praefatio" to the Sacri Paralleli (New Col- lege specimen again). The Roman numeral at the bottom of each page has been supplied here to facilitate reference to this "Praefatio" in the course of this study. There follows an annotated translation of the "Praefatio"

    Riches, Poverty, and the Faithful: Perspectives on Wealth in the Second Temple Period and the Apocalypse of John

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    The present study considers the degree to which John’s portrayal of the faithful Christian community in the Apocalypse is informed by Jewish apocalyptic traditions related to wealth in the Second Temple period. Previous studies have attributed the author’s radical stance against wealth and economic participation to an ad hoc response against the idolatry and social injustices of the Roman Empire and imperial cults. This thesis argues that there is reasonable evidence to suggest that the author may have already been predisposed to reject affluence as a feature of the present age for the ideal faithful community based on received tradition. The study begins by delineating the problem in a critical review of how scholars have attempted to deal with this language through either the social world of Roman Asia Minor or the author’s use of the biblical prophets. This discussion demonstrates the need to take a tradition-historical approach that includes an examination of Jewish apocalyptic traditions preserved among the Dead Sea Scrolls as well as other Jewish literature not found at Qumran that demonstrate a decided concern over wealth. These Second Temple texts are then examined collectively against the language of wealth and poverty in selected passages of the Apocalypse. The evidence reveals an emphasis on the part of John on the irreversible, eschatological consequences of ethical behaviour directly related to wealth based on a certain cosmological and theological understanding, an emphasis that has close analogies in some Second Temple literature. The study concludes that traditions preserved in the Epistle of Enoch and later Enochic texts have played a formative role in shaping the author’s theological perspective concerning material blessing for the faithful in the present age and the world through which he legitimised the radical stance he imposed on his readers/hearers

    Miracle-workers and magicians in the Acts of the Apostles and Philostratus' Life of Apollonius of Tyana.

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    The miracle-workers and magicians we meet in the Greco-Roman world and on the pages of Greco-Roman narratives are among the most difficult characters for modem scholars to understand. While Greco-Roman writers presume their readers will share their socio-cultural script and understand how one distinguishes between a legitimate miracle-worker and an illegitimate magician, this script is lost on modem scholars. Hindered first by absolute definitions for miracle and magic from social anthropology and then by relative definitions from the sociology of knowledge, this thesis calls for a re-engagement of the "historic imagination" with respect to these sorts of characters. In particular, this thesis suggests that a detailed investigation into the operation of characters labelled as performers of miracles or magic can reveal the criteria which distinguished the two in the minds of Greco-Roman Mediterraneans as well as revealing the practical outworking of the criteria themselves. Two narratives are chosen for this task-the canonical Acts of the Apostles, representing a Jewish- Christian angle, and Philostratus' Life of Apollonius of Tyana, representing a pagan angle. Methodologically the study proceeds by converting these narratives into "narrative worlds" and then subjecting the narrative worlds to a social investigation using models suggested by the work of Mary Douglas and Peter Brown. Under the rubric of "gaining power, " "intersecting power, " and "defending power" the two narrative worlds projected by these texts are compared and contrasted with respect to the criteria being used to distinguish miracle-worker from magician. The conclusion reached is that in both texts legitimacy for a mediator of divine power is found especially in demonstrating power without appearing desirous of personal gains. A miracle-worker is successful in this regard; a magician is one who fails in this regard

    The significance of parallels between the 'Testament of Solomon' and Jewish literature of late antiquity (between the closing centuries BCE and the Talmudic era) and the New Testament

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    The TSol is a Christian composition of late antiquity which narrates the story about how King Solomon built the Temple of God with the aid of demons he subjugated. Comparative analysis between the TSol and Jewish literature of late antiquity (between the closing centuries BCE and the Talmudic era), and the New Testament is primarily to establish any literary dependence and explore the nature of contact between the TSol and these materials; and also to isolate Jewish elements in the TSol. The Jewish materials discussed are the Hebrew Bible, the LXX, Tobit, Wisdom of Solomon, Pseudo-Philo, certain Qumran documents (11 PsApa and the Copper scroll), Josephus' Jewish Antiquities, Ecclesiastes, Proverbs, Song of Songs, rabbinic literature, and certain Aramaic incantation texts. My research has shown that parallels do exist between the TSol, the Jewish literature discussed and the New Testament. The parallels between the TSol and the aforementioned literature are twofold: verbal and conceptual. Verbal parallels occur in the form of technical terminology; quotations, allusions and echoes. The second type of parallels appears in the form of motifs, themes, structural elements and ideas. These parallels seem to dominate in my analysis. There is no need to explain the parallels between the TSol and the literature discussed in terms of literary dependence. I have attempted to demonstrate that these parallels in most of the literature are indicative of indirect influence through shared use of the biblical tradition: motifs, stories and themes regarding King Solomon; a common fund of oral tradition(s) regarding Solomon's magical power over demonic world; shared literary language, milieu, and cultural conventions. Moreover, the author of the TSol seems to have recycled Jewish materials pertaining to Solomon and related motifs in his work. Apart from the New Testament, the best case for a direct influence of a Jewish work on the TSol is Tobit

    Can we hear what they heard?: the effect of orality upon a markan reading-event

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    This dissertation arises from recent investigations in the field of orality and the potential that it has for Markan studies. Chapter one identifies the epistemological divide which separates a contemporary reading experience from one situated in the first century. Further, chapter one will focus this hermeneutical question upon the difference in how a text functions between a modern and an ancient literary critic; specifically, modern meaning versus ancient effect. Chapter two seeks to survey the nature of communication in the New Testament world and how this information was created, stored, and conveyed to its audience. Furthermore, it will seek to identify what skills were required by the manuscript’s creator, reader, and receiver(s). The goal is to define and develop the nature of a reading-event of antiquity. Chapter three will continue our prolegomena to method with a description of the complex inter-relationship between a reader, an audience, and a manuscript in the ancient world. It will be defined as a partnership whereby their respective functions commingle as they create a communal reading-event. Next, an oral hermeneutic will be described in two parts. First, it will present a summary of the historical reading-event constructed from the previous chapters. Then, an oral/performative approach will be developed under the rubric of a hypothetical reading-effect. It will be an attempt to recreate the oral/aural aspects which alert the reader and the listeners to the story’s movement. Furthermore, it will attempt to document the affective value of a hearer’s encounter with the narrative. Finally, chapter four will put into practice the aforementioned method to recreate a reading-event of the Second Gospel. We will explore how the text of Mark provides keys to the reader for how to orally present the Second Gospel. At the same time, our reading model will assist us to determine how the reading-event itself produces a controlled reading-effect upon a listening audience. Throughout the detailed work on Mark, we will attempt to show how an oral perspective reveals distinctive features which otherwise might be left unheard to silent readers

    Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon.

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    Apocalypse should not be thought of as merely a synonym for chaos or disaster or cataclysmic upheaval; more properly we should think of disclosure, unveiling and revelation. The exact status of literary apocalyptic is the subject of some debate, and in an attempt to help clarify matters an introductory historical survey examines both the formal characteristics of apocalypse and the various critical positions taken in regard to the genre's social influence. Texts considered in the chapter include the Revelation of John and Thomas Pynchon's short story Entropy (1959); theoretical works by Frank Kermode, John Barth, and Jean Baudrillard (amongst others) are also discussed. Chapter One traces the development of William S. Burroughs's apocalyptic sensibility through readings of his correspondence with Allen Ginsberg and the novel The Naked Lunch (1959); the latter's apocalyptic title referring to the "frozen moment when everyone sees what is on the end of every fork". Chapter Two considers Burroughs's experiments with the "cut-ups" and their application in a number of texts, most notably Nova Express (1964). Chapter Three is concerned with Burroughs's work in the 1970s and 80s, and specifically his concept of Here to Go, a theory of mutability presented as a transcendental antidote to the threat of nuclear annihilation (the author's alleged misogyny and the views of radical US feminists are also taken into account). Chapters Four and Five explore the apocalyptic fiction of J. G. Ballard; topics covered include Ballard's concept of inner space, his debt to Surrealism, and the coded landscapes of his more experimental texts; in particular the "condensed novels" which comprise The Atrocity Exhibition (1970). A concluding chapter returns to the work of Thomas Pynchon, offering a reading of Gravity's Rainbow (1973) which allows us to consider his treatment of such related themes as Paranoia, Holocaust, Apocalypse, and finally, Counterforce

    The view from the backbench : Irish Nationalist MPs and their work, 1910-1914

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