220,175 research outputs found
The reduction of metaphysics and the play of violence in the poetry of Wallace Stevens
PhDThe thesis demonstrates how Wallace Stevens' poetry utilises pre-Socratic philosophy in overcoming post-Kantian dislocation from the 'thing-in-itself'. I initially consider Stevens’ poetry in terms of Hans-Georg Gadamer's ontological conception of the 'play' of art, an interactive existence overlooked by Kant. Through the ‘play’ of Stevens’ poems the reading audience are implicated in their reduction to being. The origin of this conception leads Gadamer back to Parmenides who Stevens had read. I argue that Stevens’ poetry ‘plays’ its audience into an ontological ground in an effort to show that his ‘reduction of metaphysics’ is not dry philosophical imposition, but is enacted by our encounter with the poems themselves. Through an analysis of how the language and form of Stevens’ poems attempt to reduce mind and world to concepts that parallel Parmenides’ poetic sense of being, and Heraclitus’ notion of becoming, the thesis uncovers the ground in which Stevens attempts a reconnection with the ‘thing-in-itself’. It is through the experience of reconnecting to an ontological centre, which his poetry presents as the human project, that Stevens’ poetry also presents itself as a means of replacing religion.From here we turn to Emmanuel Levinas and Jacques Derrida for an exposition of how such a reduction reduces the ‘Other’ to ‘otherness’ and their worry that this reduction legitimates violence within the thought of Martin Heidegger and Parmenides. From this I make a case for how such reductions are connected to what I refer to as 'the play of violence' in Stevens' poetry, and to refer this violence back to the mythology Stevens' poetry shares with certain pre-Socratics and with Greek tragedy. This shows how such mythic rhythms are apparent within the work of Friedrich Nietzsche, Heidegger and Gadamer, and how these rhythms release a poetic understanding of the violence of a ‘reduction of metaphysics’
Florence Stevens
Florence travelled with her parents, brother and sisters from Queensland in a ?table top' wagon and a smaller wagon originally heading to Western Australia, but her sister became ill so they stopped at Pine Creek. In 1905 Florence at thirteen years old caught the train from Pine Creek to Palmerston (Darwin) for the opening of the A.H. and I. Society's Show on the August 1st by Government Resident, Mr Justice Herbert. After a week in Palmerston, staying at the Hotel Victoria, she caught the train back to Pine Creek.
Florence wrote down in the form of an essay an account of the adventurous journey and it won first prize at the 'Show'. It was composed in a beautiful copper-plate, written with an exactitude and elegance slice of history.
On Thursday 22 January 1913 Florence married her husband George Stevens of Hodgson Downs at All Soul's Church, Pine Creek and after the ceremony drove to the Institute Hall for the reception. They managed Elsey Station and in 1939 after moving from one station to another settled in Darwin then after the bombing in 1942 she was evacuated with '13 Nuns and 30 half castes'.
Firth Court in Malak is named after her parents Francis and Harriet Firth.Domestic WorkerPionee
James P. Stevens, Sr., oral history interview
James P. Stevens served as a South Carolina State Senator for over 20 years. He introduced a bill in the General Assembly to make Coastal Carolina College a four-year college. Catherine Lewis interviews Senator Stevens about his role in growing the profile of the institution at that time.
This interview focuses on Senator Stevens’ life growing up in Loris and Myrtle Beach and his professional life as a practicing lawyer and State Senator. The interview is included in this collection because the only surviving video focuses mostly on his work with Coastal Carolina College. This video clip corresponds with the transcript pages 18-20.
Senator Stevens was posthumously named an Honorary Founder in 2002.https://digitalcommons.coastal.edu/founders/1017/thumbnail.jp
Cover of booklet advertising J. P. Stevens Engraving Company
Cover of booklet advertising the J. P. Stevens Engraving Company in Atlanta, Georgia
Sample stationary from the J. P. Stevens Engraving Company
Packet of samples of engraved stationary from the J. P. Stevens Engraving Company
Gwendolyne Stevens
"Gwendolyne Daphne was born on 7 June 1908 at Quorn, South Australia, daughter of Hugo Albert Valentine Healey, painter and later publican, and his wife Jessie Gwendolyne, n?e Napier, both South Australian born.
Gwendolyne attended several rural schools, including Innamincka Public, before proceeding to St Peter's Collegiate Girls' School, Adelaide. Miss Healey trained at Burra public and (Royal) Adelaide hospitals, and was registered as a nurse on 11 July 1929. She then moved to Parkside Mental Hospital where she gained a certificate in psychiatric nursing in 1931 and became sister-in-charge. In 1934 she bought a large house at Payneham that had been built by James Marshall, converted it into a private psychiatric hospital and named it St Margarets. As its owner and matron for eighteen years, she cared for patients suffering the early stages of nervous disorders, and provided them with a secure and restful setting, with aviaries amid beautiful gardens. That she took on such a task during the depression, and succeeded in it, testified to her business acumen, organizing ability and compassion for those in need.
At the chapel of the Collegiate School of St Peter, Adelaide, on 12 April 1940, she married George Dempster Stevens, a clerk employed by Dalgety & Co. Ltd. They were to have two daughters.
Pursuing her interest in community health, Mrs Stevens was founding president (1944-50) and a committee-member (until 1961) of the Payneham branch of the Mothers' and Babies' Health Association.
After she sold her hospital in 1952, she set up Sterling Downs, a Poll Dorset stud on 2200 acres (890 ha) at Currency Creek, in 1957. She employed a manager to supervise the stud and visited it each week. In the 1960s she sold part of the land and moved the stud to Sterling Park, McLaren Vale. The stud was later sold and its sheep replaced with cattle.
Having noticed particular outcrops of rock at Sterling Park, Stevens arranged for drilling to be conducted, as a result of which she opened a quarry and sold building sands to the local council.
In 1968 she became interested in the mining potential of the Northern Territory. She studied maps, obtained advice from geologists and concentrated on an area near Oenpelli, Arnhem Land. She received permission to prospect on 1282 sq. miles (3320 km?) of Aboriginal reserve and negotiated an exploration programme with Queensland Mines Ltd.
In 1970 that company discovered what was then described as the richest body of uranium ore in the world, at a site known to local Aborigines as Nabarlek.
Newspapers referred to Stevens as 'probably the first woman in the world with a right to mine uranium'. She visited the area twice during the early stages of exploration and was staggered by the size of the find.
In August 1971, however, Queensland Mines downgraded the ore reserves to about one-sixth of those announced a year earlier. Intending to use some of the proceeds of her investment to benefit the health of the Aborigines, she transferred the exploration licences to Queensland Mines in May 1973 and negotiated a royalty agreement. Mining at Nabarlek began in 1979.
Mrs Stevens both created and took advantage of opportunities in the areas of mental health, sheep-breeding and mining. Suffering from hypertension, she died of a cerebral haemorrhage on 3 March 1974 in her Kensington Park home and was cremated. She was survived by her husband and their daughters. Her estate was sworn for probate at $416,266." [author Tony Bott].NurseSheep BreederMining EntrepreneurHospital Proprieto
Inescapable choice: Wallace Stevens's new Romanticism and English romantic poetry
The aim of this thesis is to investigate how Stevens creates a new Romanticism. It argues that Stevens demonstrates a double view of Romanticism as having positive and negative aspects and it relates discussion of this double view to the development of his poetry and theories of poetry. Stevens shares with the Romantics the belief that through the power of imagination the problem of dualism - especially the split between art and existential reality - can be solved. Prom Stevens's perspective, thinking about what should be respected and what should be corrected in Romanticism provides grounds for the creation of his own new Romanticism. In chapters one and two, by examining the conflict between imagination and reality in the works of Coleridge, Wordsworth, Shelley and Keats, I explore the intertextual relations between Stevens and the Romantics from a perspective informed by the implications of Stevens's work and thought. In chapters three and four, focusing on Stevens's treatment of the relation between imagination and reality, I examine the nuanced differences between his work and that of the Romantics. Chapter five provides a prologue to 'Notes toward a Supreme Fiction', the culmination of Stevens's concern with imagination and reality. In the final chapter I examine how Stevens's new Romanticism, especially its emphasis on the imagination's activity, is concretised in 'Notes toward a Supreme Fiction'. I also explore how the later development of his sense of reality affects his poetic creativity. By examining the influence of the Romantics on Stevens and his response to them, the nature of his poetry can be more accurately understood. Throughout the thesis, I engage, as appropriate, with the work of many critics who have written on Stevens. It is my hope that my own approach gives a folly considered and detailed account of a topic often addressed more briefly by other commentators
World War I record of service survey for Clarence L. Stevens, signed 13 August 1926.
Questionnaire about Clarence Lee Stevens' service in World War I, 1917-1919, signed by Stevens on 13 August 1926.Questionnaire originally part of a survey of Norwich University alumni conducted by a “Norwich in the World War” committee consisting of Charles N. Barber (chairman), Carl V. Woodbury, K.R.B. Flint, and Gustaf A. Nelson. Data from these questionnaires may have been used in a chapter of "Vermont in the world war, 1917-1919" by Harold P. Sheldon (1928)
Letter to Mary P. Stevens from Robert S. Stevens, dated 1875-10-05
Hannibal and St. Joseph Railroad Co.The original of this document is in the Stevens Family Papers, #1210, at the Division of Rare and Manuscript Collections, Cornell University Library, Ithaca, New York 14853
Stevens 2017 Ecological Applications data - first release
<p>This is the first release</p>
<p>Full workflow, data and code for: Stevens 2017. Scale-dependent effects of post-fire canopy cover on snowpack depth in montane coniferous forests. Ecological Applications 27:1888-1900.</p>
<p>http://dx.doi.org/10.1002/eap.1575</p>
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