11,081 research outputs found
Beyond Stephens Issue 1 Fall/Winter 2011
No full textFROM DIANNE
Stephens President Dianne Lynch guides you through your new magazine.
A closer look
A numerical view of Stephens today
A STEPHENS SNAPSHOT
From finger bowls and five-course meals to hard hats and s’mores, it’s just another day in
the life of Stephens students.
Beyond Stephens
Six Stephens Women, new graduates and seniors alike, share their internship experiences
in the worlds of high fashion, theatre, marketing and equestrian.
True to the Red, White & Blue
Julie Dennison Reiser ’92 is co-founder and president of MADE IN USA CERTIFIED®.
historic gem
Brianna Taylor Firestone ’01 is helping to raise money to restore historic Elitch Theatre, the nation’s first and oldest summer stock theatre.
A&E
Go behind the scenes with Carey Len Smith ’89, post-production supervisor on the hit movie The Social Network, winner of the 2011 Golden Globe for Best Picture.
Travel
Catch a glimpse of Spain with Joyce McClure ’69 and Sara Jane Johnson ’56.
Entertaining
Chocolate City: The Candy Factory shares secrets for creating holiday chocolates.
Health
American Bone Health spokesperson Anne Appleby ’81 helps you bone up on bone health.
Style
Open a window into the world of in-demand interior designer Amy Lau ’91.
News & Notes
Milestones * Magic Moments Fund * Aviation Memories * Remembrance
1987-1988: The Diary of Anne Frank
No full textFrom left: Johanna Melamed as Margot, Tom Blair as Mr. Frank, Catherine Lynn Davis as Anne, and Linda Stephens as Mrs. FrankThe Diary of Anne Frank;Grayscal
Zhang Zhen, An Amorous History of the Silver Screen, Shanghai Cinema, 1896-1937, 2005
No full textKerlan-Stephens Anne. Zhang Zhen, An Amorous History of the Silver Screen, Shanghai Cinema, 1896-1937, 2005. In: Études chinoises, n°26, 2007. pp. 396-401
Jonathan Hay, Shitao, Painting and Modernity in Early Qing China
No full textKerlan-Stephens Anne. Jonathan Hay, Shitao, Painting and Modernity in Early Qing China . In: Arts asiatiques, tome 58, 2003. pp. 188-191
Laikwan Pang, The Distorting Mirror, Visual Modernity in China, 2007
No full textKerlan-Stephens Anne. Laikwan Pang, The Distorting Mirror, Visual Modernity in China, 2007. In: Études chinoises, n°28, 2009. Numéro spécial sur le droit chinois. pp. 309-314
Xiaobing Tang , Origins of the Chinese Avant- Garde, The Modern Woodcut Movement.
No full textKerlan-Stephens Anne. Xiaobing Tang , Origins of the Chinese Avant- Garde, The Modern Woodcut Movement.. In: Arts asiatiques, tome 64, 2009. pp. 155-158
Laikwan Pang, The Distorting Mirror, Visual Modernity in China, 2007
No full textKerlan-Stephens Anne. Laikwan Pang, The Distorting Mirror, Visual Modernity in China, 2007. In: Études chinoises, n°28, 2009. Numéro spécial sur le droit chinois. pp. 309-314
Craig Chinas, Elegant Debts. The Social Art of Wen Zhengming (1470-1559), 2004
No full textKerlan-Stephens Anne. Craig Chinas, Elegant Debts. The Social Art of Wen Zhengming (1470-1559), 2004. In: Études chinoises, n°24, 2005. pp. 405-414
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Shane MacCausland (éd.), Gu Kaizhi and the Admonitions Scroll, en association avec la Percival David Foundation of Chinese Art, 2003
No full textKerlan-Stephens Anne. Shane MacCausland (éd.), Gu Kaizhi and the Admonitions Scroll, en association avec la Percival David Foundation of Chinese Art, 2003. In: Études chinoises, n°23, 2004. pp. 513-519
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