4,450 research outputs found
Harbinger, 1983
No full textHarbinger is a student-edited and designed magazine published each spring since 1980.TABLE OF CONTENTS: CARMEN MARTI – Patchwork, After the Rain, Beat; TERI DIANNE CIACCHI – Waxing Glorious, Coming Out for Air; DOREN MELIUS – Photograph; AMY KNOX BROWN – Elements, Limitations; LYNDON JENSEN – Chicago Dance; JANE EPPERSON – Photograph; AMY WILSON – Fireflies, Deer Season, The Mall; RUBY SPRANG – Pen and Ink; CAROLYN KELLEHER – Nickelodeon, Guises; MARIE KLEIN – Photograph; SHARON O’NEIL – Where the Shoe Ends, Preparations, Twelfth Night; NORA B. INFANTE – Your Book of Song, Braided Cycle, No Sacrifice as Such; JANICE OLSON – Photograph; JOHNAJ. RAMOS – Rounding Corners, Self-Satisfaction, Woman’s Best Friend; JO ANN M. BUSH – Photograph; MARIANNE TURKALJ BOST – Preparation; ROBIN L. LARSON – The Delivery, The Black Slate, Fall; DEDRA BENSON – Photograph; JOANNA MCKEE – The Private; COLLEEN BEVINS –Photograph; PENNEY LUTHI – Special Moments; BARBARA THOMAS – Best Laid Plans; TRACI LA ROSE – Photograph
Beyond Stephens Issue 1 Fall/Winter 2011
No full textFROM DIANNE
Stephens President Dianne Lynch guides you through your new magazine.
A closer look
A numerical view of Stephens today
A STEPHENS SNAPSHOT
From finger bowls and five-course meals to hard hats and s’mores, it’s just another day in
the life of Stephens students.
Beyond Stephens
Six Stephens Women, new graduates and seniors alike, share their internship experiences
in the worlds of high fashion, theatre, marketing and equestrian.
True to the Red, White & Blue
Julie Dennison Reiser ’92 is co-founder and president of MADE IN USA CERTIFIED®.
historic gem
Brianna Taylor Firestone ’01 is helping to raise money to restore historic Elitch Theatre, the nation’s first and oldest summer stock theatre.
A&E
Go behind the scenes with Carey Len Smith ’89, post-production supervisor on the hit movie The Social Network, winner of the 2011 Golden Globe for Best Picture.
Travel
Catch a glimpse of Spain with Joyce McClure ’69 and Sara Jane Johnson ’56.
Entertaining
Chocolate City: The Candy Factory shares secrets for creating holiday chocolates.
Health
American Bone Health spokesperson Anne Appleby ’81 helps you bone up on bone health.
Style
Open a window into the world of in-demand interior designer Amy Lau ’91.
News & Notes
Milestones * Magic Moments Fund * Aviation Memories * Remembrance
Harbinger, 1982
No full textIncludes poetry and prose. 84 pages.TABLE OF CONTENTS: MARY BETH LEON – First Fall; LAURA E.A. PRITCHETT – Dachau; SUZETTE MILLER – Illustration; SHARON HELENE O’NEIL – Tourist, His Sister; TERRI CIACCHI – Near Miss, Obesity, Living Alone; LISA SINGER –Illustration; CAROLYN KELLEHER – Sheilah, Your Smile; JOANN M. BUSH -- Birthday Bouquet; MARIE WILSON – The Swallowtail; MEGAN RADDANT – Sit-Com, Detroit Impression; ROHENA DIANE AXTELL – Illustration; BARBARA THOMAS -- Valora Fruit Market, On Thanksgiving; ALICE GOODMAN – New York; STEPHEN CARROLL – Illustration; ALICE GOODMAN – Martin Luther King Was Shot in my Hometown; CAROLINE ST. JOHN – Coy; KIRSTY BUCHANAN – Illustration; ROBIN LARSON – Utopia; ANDREA SKOWRONEK – Dance with Me; CHELLA McNEICE GARRETT – Illustration; CAM-LELSIE WILDER – a preference for j.d.; STEPHEN CARROLL – Illustration; AMY KNOX BROWN – Transparency; PAM SUMNERS – The Magician’s Daughter, For Your Leaving; ROHENA DIANE AXTELL – Illustration; PATTY D. DAVIS – Illustration; JOAN RANQUET – An Aversion to Blondes; CHELLA McNEICE GARRETT – Illustration; SHARON HELENE O’NEIL – Mama; JUSTINE MANGANO – Illustration; PAM SUMNERS – A Ball of Twine; CHELLA McNEICE GARRETT – Illustration; BARBARA THOMAS – Autumn Exit; KATIE WILSON – Illustration
Towards a description of vocal features in adults with acquired hearing loss presenting for cochlear implantation
No full textAssessing expressive language skills following early confirmation of permanent childhood hearing impairment
No full textFIT Authors Talks: "The Miracles" with Amy Lemmon
No full textProfessor and Chair of English and Communication Studies Amy Lemmon reads from and talks about her book The Miracles.With lyricism and grace, Amy Lemmon gives us a worldview to live by. The all-too-familiar “wear of sorrow’s rub” is presented alongside the world’s miracles, including the author’s two children. Fearlessly bridging the gap between tradition and artistic innovation, the author moves us forward with her into the unknown, to entertain new relationships with herself, her children, and the world
American Women Writers: Amy M. Clark
No full textA 2011 conversation with the author Amy M. Clark about her life and the inspiration for her work
Dr. Amy Howard – Faculty Author Interview
No full textAmy Howard, executive director of the Bonner Center for Civic Engagement and associated faculty in American studies, discusses her new book, More Than Shelter: Activism and Community in San Francisco Public Housing, published recently by the University of Minnesota Press. Her research and book looks closely at three public housing projects in San Francisco and brings to light the dramatic measures tenants have taken to create communities that mattered to them
Payton, Amy Louise. "Looking Back" radio show on Paytons book on Georgina Stirling.
No full textCBC freelance broadcaster Cathy Porter talking to author Amy Louise Payton about the life of Georgina Stirling, Soprano Premadonna from Twillingate. Payton talks about her interest in the singer and her book on Stirling; Hiram Silk interviews Amy Louise Payton on the program Looking Back about her book Nightingale of the North about Georgina Stirling. Payton talks about Stirling and the history of the Twillingate area
Sparrows can't sing : East End kith and kinship in the 1960s
No full textSparrows Can’t Sing (1963) was the only feature film directed by
the late and much lamented Joan Littlewood. Set and filmed in
the East End, where she worked for many years, the film deserves
more attention than it has hitherto received. Littlewood’s career
spanned documentary (radio recordings made with Ewan MacColl
in the North of England in the 1930s) to directing for the stage
and the running of the Theatre Royal in London’s Stratford East,
often selecting material which aroused memories in local audiences
(Leach 2006: 142). Many of the actors trained in her Theatre
Workshop subsequently became better known for their appearances
on film and television. Littlewood herself directed hardly any material
for the screen: Sparrows Can’t Sing and a 1964 series of television
commercials for the British Egg Marketing Board, starring Theatre
Workshop’s Avis Bunnage, were rare excursions into an area of practice
which she found constraining and unamenable (Gable 1980: 32).
The hybridity and singularity of Littlewood’s feature may answer,
in some degree, for its subsequent neglect. However, Sparrows Can’t
Sing makes a significant contribution to a group of films made in
Britain in the 1960s which comment generally on changes in the
urban and social fabric. It is especially worthy of consideration,
I shall argue, for the use which Littlewood made of a particular
community’s attitudes – sentimental and critical – to such changes and
for its amalgamation of an attachment to documentary techniques
(recording an aural landscape on location) with a preference for nonnaturalistic
delivery in performance
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