16,716 research outputs found
Stephen Graham Jones - Sowell Conference 2017
No full textStephen Graham Jones, University of Colorado-Boulder, author of "Mongrels" and "Growing Up Dead in Texas
Geneva express: Graham Ellard and Stephen Johnstone
No full textGraham Ellard and Stephen Johnstone’s ‘Geneva Express’ was a multi-screen video installation that received its maiden outing as part of the group exhibition ‘Airport’, curated by Film and Video Umbrella and the Photographers’ Gallery. Tracking the routine arrivals and departures of the same 747 jumbo jet, as if counting it in and counting it out from its ‘home’ airport of Gatwick, two facing screens capture the miraculous if lumbering beauty of each take-off and landing as the ear-splitting boom of the aircraft’s passage reverberates around the spac
Anthony McCall: Notebooks and Conversations
No full textCharting the development of the studio practice of New York based artist Anthony McCall (b.1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade between McCall and the artists Graham Ellard and Stephen Johnstone.
Anthony McCall is known for his ‘solid-light’ installations, a series that he began in 1973 with his seminal Line Describing a Cone, in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Since creating this ground-breaking piece, McCall has had work exhibited at museums and galleries throughout the world, including the Museum of Modern Art, New York; Tate; Whitney Museum of American Art; Serpentine Gallery; Centre Pompidou; Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin.
Examining McCall's work of the 1970s and the pieces developed since his return to making art in 2003, the conversations explore McCall's over-riding preoccupations as an artist whose work occupies a space between sculpture, cinema and drawing. In doing so, the book also narrates how McCall has transformed the way he understands his own practice, particularly in relation to notions of performance, the body, projected installation, durational structure and spectatorship.
Emphasising both the continuities and shifts in McCall's working methods in the studio over the last 40 years, Anthony McCall: Notebooks and Conversations presents unique insights into his extraordinary body of work.Contents: Introduction: Thinking in notebook form, Graham Ellard and Stephen Johnstone; Conversations - Tate Britain, London;10 September 2004; Centre Georges Pompidou, La Maison Rouge, Paris; 5 October 2004; Anthony McCall Studio, New York; 3 March 2005; Ellard and Johnstone Studio, London; 25 March 2006; Ellard and Johnstone Studio, London; 20 March 2011; Gallerie Martine Aboucaya, Paris; 22 October 2013; Flims; Performances; Slide works; Chronological list of notebooks; Biographies.About the Author: Graham Ellard and Stephen Johnstone have collaborated since 1993. Their large-scale video installations and 16mm films, concerned with the parallels between film and architecture, have been exhibited in galleries and museums internationally, including Tate Liverpool; Museum of Contemporary Art, Sydney; Centre Pompidou; the Internationale Kurzfilmtage Oberhausen; The Aichi Triennale, Nagoya and Tate Britain. Graham Ellard is Professor of Fine Art at Central Saint Martins, University of the Arts London. Stephen Johnstone is Professor of Fine Art at Goldsmiths, University of London.Reviews: 'The handsome volume Anthony McCall: Notebooks and Conversations ... is the kind of book that will increase in importance to students of art and art history over time ... it is the kind of invaluable document that will help us access his [McCall's] artworks in their own terms far into the future.' Jarrett Earnest, The Brooklyn Rail
'...this compendium offers readers a fascinating insight into the working methods and thought processes of this groundbreaking British artist...Illuminating.' StateF22Co-publisher: Published by Lund Humphries in association with Kunstmuseum St Gallen, Switzerlan
Stephen Graham Jones
No full textThis lesson explores different understandings of readings, genres, and the writing process through the use of Stephen Graham Jones' short essay, "What You Can Remember".
This resource includes materials for four class periods. Created for English Language Arts and Reading III.
Texas Essential Knowledge and Skills (TEKS)
Discuss and write about the explicit and implicit meanings of text; analyze the author's purpose, audience, and message within a text; compose informational texts such as explanatory essays, reports, resumes, and personal essays using genre characteristics and craft;This lesson explores different understandings of readings, genres, and the writing process through the use of Stephen Graham Jones' short essay, "What You Can Remember"
The Faster Redder Road The Best UnAmerican Stories of Stephen Graham Jones
No full textEdited by Van Alst, this collection showcases the best writings of Stephen Graham Jones, whose career is developing rapidly from the noir underground to the mainstream. The Faster Redder Roadfeatures excerpts from Jones’s novels—including The Last Final Girl, The Fast Red Road: A Plainsong, Not for Nothing, and The Gospel of Z—and short stories, some never before published in book form. Examining Jones’s contributions to American literature as well as noir, Theodore C. Van Alst Jr.’s introduction puts Jones on the literary map.
Theodore C. Van Alst Jr. is an assistant professor of Native American studies at the University of Montana and the former assistant dean and director of the Native American Cultural Center at Yale University. He is a chapter contributor in the work Seeing Red—Hollywood’s Pixeled Skins: American Indians and Film. Stephen Graham Jones is a professor of English and creative writing at the University of Colorado. He is the author of twenty-one books, including The Fast Red Road: A Plainsong, Ledfeather, The Gospel of Z, and Bleed into Me: A Book of Stories. The honors his work has received include the Texas Institute of Letters Jesse H. Jones Award for Fiction and the Independent Publisher Book Award for Multicultural Fiction. He is the recipient of the Writers’ League of Texas Fellowship in Literature and a National Endowment for the Arts Fellowship in Literature
2015: Stephen Graham Jones
No full textStephen Graham Jones gave the keynote and presented a Craft Talk at the 2015 Lions In Winter literary festival.https://thekeep.eiu.edu/lionsinwinter_writers/1018/thumbnail.jp
No End To Enderby
No full textNo End To Enderby is an artwork by Graham Eatough and Stephen Sutcliffe in the form of two short films that adapt the writings of Anthony Burgess. Based on the very first and last chapters of Burgess' four novel Enderby series, the films deal with themes such as posterity, historicisation and the role of the artist. No End To Enderby was first presented at Whitworth Art Gallery as part of the Manchester International Festival in 2017 and then as part of the Director's Programme at Glasgow International Festival of Visual Art 2018. The work was commissioned by Whitworth Gallery Manchester, Manchester International Festival, Glasgow International Festival and supported by Creative Scotland and Outset Scotland. The project won the Contemporary Arts Society Prize for 2016
The Faster Redder Road (Stephen Graham Jones)
No full textBook review of Stephen Graham Jones's The Faster Redder Roa
Dr Hannah Graham on Australian leadership: Integrity, relational leadership and tenacious courage of conviction
No full textHannah Graham talks to Victor Perton about Australian Leadership. Criminologist, author and university lecturer Dr Hannah Graham was born in Tasmania and studied and worked at the University of Tasmania, before moving to Scotland to work in the Scottish Centre for Crime and Justice Research at the University of Stirling. Hannah has worked on justice and health-related projects with the EU, the Scottish Government, the Australian Government and Tasmanian Government, and she does ongoing research and writing on innovation and justice. Connect to Hannah on Twitter: @DrHannahGraham and @Innovative_Jus
Dataset for an article: A Chiral Macrocycle for the Stereoselective Synthesis of Mechanically Planar Chiral Rotaxanes and Catenanes
No full textThis dataset supports the publication: A Chiral Macrocycle for the Stereoselective Synthesis of Mechanically Planar Chiral Rotaxanes and Catenanes
AUTHORS: Shu Zhang, Arnau Rodríguez-Rubio, Abed Saady, Graham J. Tizzard, Stephen M. Goldup
JOURNAL: Chem
This dataset contains:
Characterisation data (NMR, MS, x-ray) for all the compounds reported in the manuscript
Licence: CC-BY</span
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