5,541 research outputs found
21. Le pareti e i pilastri con storie di San Clemente e sant’Alessio nella chiesa inferiore di San Clemente, 21.d. Il secondo pilastro della navata centrale, 4. Sant’Egidio e miracolo di san Biagio, con S. Romano
No full textscheda epigrafica in La pittura medievale a Roma 312-1431, Corpus e Atlante, IV vol., Riforma e Tradizione, a cura di S. Romano, Milano, Jaca Book, 200
La historia del derecho romano de Castillejo. A propósito de su reimpresión.
No full textLa autora aborda el estado de la enseñanza del derecho romano en el primer tercio del siglo XX en las facultades de derecho de España y su relación con otros países occidentales. Toma como pretexto para sus notas la reedición de la histona del derecno
romano publicada en 1935 por Castillejo.The author describes the standing of Roman law teaching in Spanish law schools during the first part of the XX century and how it relates with its teachig in other western countries. She bases her discussion of this topic on a new edition ot Castillejo
1935 book, The History of Román Law.Publicad
Rethinking Gjirokastra - can architecture and city planning stimulate hope and growth for shrinking cities? A hypothesis of a possible development of the city of Gjirokastra through a vital connection between buildings, public space and works of art.
No full textThe Time Agent A hypothesis of a possible development of the city of Gjirokastra through a vital connection between buildings, public space and works of art. PhD candidate: Stefano Romano In this paper, we would try to investigate how art can act as a temporal agent and as a turning point to reflect on the past, present and future of cities. The city of Gjirokastra in Albania has been explored as case study, during a one-week workshop in December 2019. Time might seems a simple concept, to a superficial reflection, perhaps because we all experience it in our life, considering that we develop our very existence within it, over time. The timeline that inexorably seems to flow in only one direction (from the beginning towards the end, from the present that becomes past, towards the future), is however the result of a superficial response to that complex structure which we call, for convenience, with a single name: Time. Time is a complex structure, first because it is not unique. Einstein understood it and developed this concept in his Theory of Relativity. The theory evolve from the measurement of different Times in different spaces and the influence that these proper times have in relationship with things. Secondly, because there is still no law in physics that demonstrates a difference in structure between past, present and future, that is, no law can possibly prevents time from being cyclic rather than linear. For example, if we try to imagine a cyclical Time, we can link it to the idea not only of the seasons on our planet in its movement around the Sun, but also to the idea of life and death of living beings and why not, of cities in their physical structure. Analyzing the temporal cycle of architecture and public spaces. The fact that cities live by cycles is not a new thing, several authors in different fields have dealt with it, analyzing the intrinsic causes of the birth, life and death of some of them. In this case, in the case of Gjirokastra, we will analyze how in the old city, which is currently experiencing a phase of depopulation, art outside institutional spaces can become a temporal agent of analysis of the past, reflection on the present and lure for the future. Not simply as a tourist attraction, on the contrary as a subject capable of revealing a mechanism, located in the depths of a temporal, social and economic cycle. Art outside institutional spaces, that is, located in the urban spaces of the city is an extraneous element that act as a vector in the context, to convey reflections, emotions, physical and social changes. The old town of Gjirokastra has in its urban fabric many abandoned or decaying buildings. These buildings can become integral parts of the structures of as many works of art that use architecture and nature. In this case, art becomes narration over time, through site-specific installation of artworks that can affect reality through reflection and interaction with people and spaces. Keywords: Art in public space; architecture; interaction; water; performance; empty-space; tim
21. Le pareti e i pilastri con storie di San Clemente e sant’Alessio nella chiesa inferiore di San Clemente, 21.a, La parete dell’arcata destra del nartece, 3. I committenti e il medaglione con san Clemente
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8. La decorazione pittorica della basilica inferiore di S. Crisogono. 8e. tre figure di Santi sulla parete destra della navata
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L'ordine liberale: tra crisi e critica
No full textGruppo di brevi recensioni (curate da Stefano De Luca) dei seguenti volumi: Vittorio Emanuele Parsi, Titanic. Il naufragio dell’ordine liberale, Bologna,
Il Mulino, 2018, pp. 220 (autrice Giulia Iacovelli); Sonia Lucarelli, Cala il sipario sull’ordine liberale? Crisi di un sistema che ha cambiato il mondo, Milano, Vita e Pensiero, 2020, pp. 284 (autrice Giulia Iacovelli); G. John Ikenberry, Un mondo sicuro per la democrazia. Internazionalismo liberale e crisi dell’ordine globale, Milano, Vita e Pensiero, 2021, pp. 390 (autore Antonio Campati); Jan Zielonka, Contro-rivoluzione. La disfatta dell’Europa liberale, Roma-Bari, Laterza, 2018, pp. 192 (autore Francesco Romano Fraioli); Jean-Claude Michéa, Il lupo nell’ovile. Diritto, liberalismo, vita comune, Milano, Meltemi, 2020, pp. 142 (autore Francesco Romano Fraioli); Andrea Zhok, Critica della ragione liberale. Una filosofia della storia corrente, Milano, Meltemi, 2020, pp. 374 (autore Giuseppe Sciara); Ivan Krastev, Stephen Holmes, La rivolta antiliberale. Come l’Occidente sta perdendo la battaglia per la democrazia, Milano, Mondadori, 2020, pp. 282 (autore Stefano De Luca); Anne Applebaum, Il tramonto della democrazia: il fallimento della politica e il fascino dell’autoritarismo, Milano, Mondadori, 2021, pp. 158 (autore Stefano De Luca)
14. La decorazione pittorica nel Pastoforio destro di San Giovanni a Porta Latina
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21. Le pareti e i pilastri con storie di San Clemente e sant’Alessio nella chiesa inferiore di San Clemente, 21.a, La parete dell’arcata destra del nartece, 1. L’angelo costruisce la tomba subacquea di san Clemente
No full textscheda epigrafica in La pittura medievale a Roma 312-1431, Corpus e Atlante, IV vol., Riforma e Tradizione, a cura di S. Romano, Milano, Jaca Book, 200
24. Il perduto ciclo con storie dei santi Lorenzo, Cirilla, Ireneo, Abbondio e altri santi già nel portico meridionale di San Lorenzo fuori le mura
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5. Il Cristo e arcangeli nell’Oratorio di Sant’Andrea al Celio
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