207 research outputs found
Il Piemonte e il PNRR. Una nuova fase della programmazione regionale?
Next generation UE; PNRR; programmazione e pianificazione regionale, governo del territorio; rapporto Stato autonomie territoriali e local
Computing with lambda-terms: A special issue dedicated to Corrado Böhm for his 90th birthday
We are very proud and honoured to dedicate this volume to Corrado Böhm, who has been for us a teacher, mentor, colleague, and friend. But most of all, he was a brilliant role-model to follow
Note al testo della Fraudiphila attribuita ad Antonio Cornazzano
L'articolo contiene una serie di note filologiche ed esegetiche sulla Fraudiphila, commedia di epoca umanistica attribuita ad Antonio Cornazzano, a partire dalla più recente edizione curata da Stefano Pittaluga
"La mia cara Cecchina è baronessa": livelli stilistici e assetto drammaturgico ne “La buona figliuola” di Goldoni-Piccinni
Lo studio propone un'analisi drammaturgico-musicale della Buona figliuola di Goldoni-Piccinni dimostrando l'esistenza di una efficace e studiata strategia compositiva atta ad assecondare e valorizzare le indicazioni drammaturgiche allestite dell'autore del testo poetico.The study provides an analysis of the musical-dramatic daughter of Goldoni Good-Piccinni proving the existence of an effective and studied musical composition adapted to accommodate and enhance the signs of drama staged the author of the poetic text
SOLERTI, CANIGIANI, I "NOSTRI COMMEDIANTI FAVORITI" E STEFANO BOTTARGA. SULLA 'PRIMA' DI "AMINTA" A FERRARA
Self-reported gait unsteadiness in mildly impaired neurological patients: an objective assessment through statistical gait analysis
Background Self-reported gait unsteadiness is often a problem in neurological patients without any clinical evidence of ataxia, because it leads to reduced activity and limitations in function. However, in the literature there are only a few papers that address this disorder. The aim of this study is to identify objectively subclinical abnormal gait strategies in these patients. Methods Eleven patients affected by self-reported unsteadiness during gait (4 TBI and 7 MS) and ten healthy subjects underwent gait analysis while walking back and forth on a 15-m long corridor. Time-distance parameters, ankle sagittal motion, and muscular activity during gait were acquired by a wearable gait analysis system (Step32, DemItalia, Italy) on a high number of successive strides in the same walk and statistically processed. Both self-selected gait speed and high speed were tested under relatively unconstrained conditions. Non-parametric statistical analysis (Mann-Whitney, Wilcoxon tests) was carried out on the means of the data of the two examined groups. Results The main findings, with data adjusted for velocity of progression, show that increased double support and reduced velocity of progression are the main parameters to discriminate patients with self-reported unsteadiness from healthy controls. Muscular intervals of activation showed a significant increase in the activity duration of the Rectus Femoris and Tibialis Anterior in patients with respect to the control group at high speed. Conclusions Patients with a subjective sensation of instability, not clinically documented, walk with altered strategies, especially at high gait speed. This is thought to depend on the mechanisms of postural control and coordination. The gait anomalies detected might explain the symptoms reported by the patients and allow for a more focused treatment design. The wearable gait analysis system used for long distance statistical walking assessment was able to detect subtle differences in functional performance monitoring, otherwise not detectable by common clinical examination
L'ecotomografia colorimetrica doppler nella diagnostica degli angiomi cutanei: studio comparativo con la teletermografia in 20 casi
Da Orfeo ad Anfione: mitizzazioni corelliane e il primato di Roma (ripensando la classicità di Corelli)
Lo studio interpreta la musica orchestrale di Corelli nel contesto del progetto pontificio (Clemente XI) di rilancio dell'imago Urbis tramite imponenti iniziative architettoniche. Detto «Anfione dei nostri tempi», Corelli venne inteso 'architetto' in quanto autore in grado di costruire con geometrica razionalità la composizione strumentale e, pertanto, di edificare monumenti sonori a maggior gloria di Roma e del papato. The study reconsiders Corelli's role within Pope Clement XI's project of renewal of the imago Urbis by means of great architectural initiatives. Named «Amphion of our times», Corelli was considered a musical architect since he was able to give geometric rationality to the instrumental composition and was then able to built musical monuments to the glory of Rome and of the Pope. Si richiede che il prodotto sia sottoposto a peer review e non a valutazione con criteri bibliometrici.The study interprets the orchestral music of Corelli in the context of the papal project (Clement XI) recovery of the imago Urbis by imposing architectural initiatives. Said, "Amphion of our times," Corelli was intended 'architect' as the author can build with geometric rationality and instrumental composition, therefore, to build monuments to sound greater glory of Rome and the papacy. The study reconsiders Corelli's Role Within Pope Clement XI's project of renewal of the Imago Urbis by means of great architectural Initiatives. Named "Amphion of our times," Corelli was Considered a musical architect since he was Able to give to the geometric rationality and instrumental composition was then built Able to musical monuments to the glory of Rome and of the Pope. It requires that the product is subjected to peer review and assessment with bibliometric criteria
La facciata del Gesù Nuovo di Napoli: la lettura del bugnato e l’intervento di restauro
The conservation project of the facade of the Chiesa del Gesù Nuovo in Naples dealt with the chal-
lenge of preserving not only an important architectural heritage, but also its perception and iconicity
in the city’s memory. This facade, with its characteristic diamond masonry in piperno, has deep roots
in the history of Naples, recorded in historical views, postcards and photographs. The restoration has
made it possible to approach the monument in a new way, revealing hidden details and construction
techniques that contribute to an impressive view from below. The intervention also had to consider
the relationship with the city and the importance of maintaining the consolidated appearance of the
facade, including the colour characteristic of the piperno stone ashlars. The conservation approach re-
quired a deep understanding of the construction phases and previous restorations, through surveys and
archive research, comparing historical data and materials to understand the evolution of the building
over time. This complex methodological approach, known as ‘cantiere della conoscenza’ is essential for con-
sciously intervening on buildings of great historical and cultural value. Although diagnostics can reveal
specific pathologies and thus guide interventions, many other elements may emerge during the process.
The vast extension of the facade and the complex texture of the ashlars required adaptations during
restoration to deal with problems such as hidden cracks and degradation phenomena of a high severity
that could not be read until on site. The degradation of the stone materials was analysed in detail, re-
vealing layers of extraneous materials, probably a residue of previous undocumented restorations. This
constant research and continuous adaptation to technical aspects constitute the heart of the restoration
works on the facade of the Gesù Nuovo, an authentic ‘labor of knowledge’
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