4,008 research outputs found

    Tre anni di progetto «SPRING»

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    Tra le azione che Regione Lombardia ha promosso a favore dei percorsi di internazionalizzazione delle proprie imprese il progetto SPRING riveste un ruolo fondamentale collocandosi certamente tra le best practices regionali. Il progetto – che è ormai giunto al suo quarto ciclo annuale – ha completato un primo percorso triennale coinvolgendo circa 300 imprese, l’attuazione della politica è stata sistematicamente accompagnata da un percorso di monitoraggio, analisi e verifica dei risultati che ha consentito l’introduzione di quei correttivi nella gestione che ne hanno migliorato l’efficacia e il grado di soddisfazione da parte delle imprese partecipanti, contribuendo a fare di SPRING una policy innovativa e di successo. Un primo elemento di innovatività sta nella scelta di incidere su di un ostacolo chiave all’internazionalizzazione: la mancanza di competenze all’interno della micro impresa, una barriera che difficilmente una piccola organizzazione può superare da sola e di cui spesso non percepisce neppure il bisogno. Un secondo elemento è inoltre l’aver scelto quale target le piccole imprese – quelle con meno di 50 addetti – e, soprattutto, le microimprese. Se questi due primi elementi attengono al disegno della policy, in fase applicativa SPRING ha rappresentato un intervento di successo per almeno i seguenti tre motivi: i) ha agevolato una trasformazione profonda delle imprese permettendo loro, non solo di affacciarsi sui mercati internazionali, ma di prendere coscienza innanzitutto di tutti quegli aspetti organizzativi, gestionali e di posizionamento del prodotto che ne riducevano fortemente la capacità competitiva su qualsiasi mercato, interno o estero che fosse; ii) ha aperto nuove opportunità di business in nuovi segmenti di mercato, a non poche imprese; infine, iii) perché ha dimostrato come anche imprese molto piccole possano, quando ricorrono specifiche condizioni, affacciarsi con successo sui mercati internazionali

    Michele Castagna

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    Michele has been a quadriplegic since contracting poliomyelitis in 1952. She was with her twin sister, they were boarders at the Catholic school in Alice Springs. She was the first case of polio to be admitted to the Alice Springs Hospital, she was transferred to Adelaide by air for treatment. Michele worked at the Sunny Centre (now Acacia Hill Special School) where she taught literacy, numeracy, cooking and many other skills she was also able to pass these onto others. She was offered a position working in a retail business selling electrical equipment including record players and musical records. In 1981, she was selected as the Northern Territory representative on the International Committee for Disabled people because of her acquired knowledge and skills in this area and received an achievement award for her contribution. In 1983, she applied for her first government employment to head the Disabled Persons Bureau in Alice Spring, now known as Disabilities Services and Liaison. From 1984 to 1987, Michele stood as alderman on the Alice Springs Council where she served two terms. In 1988, she received the Order of Australia Medal (OAM) for services to people with disabilities in the Alice Springs community. In 2003 Michele was made a 'Paul Harris Fellow' by Alice Springs Mbantua Rotary Club. Michele was the chairperson of the Multi-Cultural Community Services and convener of the Catholic Church of Refugees to bring to Australia refugees from Sudan. She is a dedicated Centralian and committed Territorian. She also chairs the Arts Access Central Australia (Arts ACA) and is chairperson for InCite in Alice Springs. Michele with Incite Arts Alice Springs, was instrumental in founding Arts Access Central Australia in response to recommendations from the ?Mapping New Territory' project in 2003, (auspiced through casa Central Australia): 'To develop an independent community organisation with an inclusive, holistic and cross-cultural membership; to progress opportunities for people with disability to explore creative arts and to promote broader community participation and integration.' (information supplied by Virginia Heydon)Government Administratio

    Michele Taruffo: el magisterio y la obra ejemplares del genial procesalista «todoterreno»

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    The author reflects on Michele Taruffo’s extraordinarily important contribution to the renewal of both conventional procedural law scholarship and the theoretical background of law-court professionals. Taruffo’s contribution was achieved by means of introducing to mainstream culture in those circles the necessary knowledge of the underlying epistemic dimension, which was traditionally suppressed by the strictly legal one.El autor discurre acerca de la importantísima contribución de Michele Taruffo a la renovación del procesalismo convencional y del bagaje teórico de los profesionales de la jurisdicción, mediante la incorporación a la cultura dominante en tales medios del imprescindible conocimiento de la dimensión epistémica subyacente y tradicionalmente sofocada por la propiamente jurídica

    Looking for Japan in contemporary Italy

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    Ph. D.Includes bibliographical referencesIncludes vitaby Michele Monserrat

    The Author Reply. Letter to the Editor

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    The Author reply to the Letter sent to the Editor about a previus article on low anterior resection

    Fugue -Spring/Summer 1995 (No. 11)

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    THE FIRST TIME WE WENT HUNTING Marc Philip Taurisano 4 AWAY FROM THE SMOKE AND NOISE Mark Nadeau 10 GHOSTS Michael James Mcfarland 17 ROADSMITH Kenneth C. Andersen 29 NEW MAN IN TOWN William Meyer Jr. 35 MAKE OF ME A WEEPING WILLOW Richard Paul Schmonsees 16 HOW MY NAME BECAME MUD or THE SCAPEGOAT Tristan Trotter 23 NIGHT BEAST(S) Meagan Macvie 24 ACCOMPANIMENT James Owen 26 PILOT OPENING Robert S. King 27 CONVERSATION Curt Seubert 28 REVISITING KLIMT'S KISS Cindy Bell 34 GRAFFITI Editorial Comments, Etc. 2 GUIDELINES For Submissions 43 Fugue is funded entirely through support readership and the English department at the University of Idaho. Executive Editor, Managing Editor Eric Isaacson Poetry Advisor Marla Maggi Associate Editors Trevor Dodge Leann Harvey Karney Talbott Hatch Klmberll Kelshelmer Chris Miller Michele Neurauter Wendy Noonan Staff Advisor/Copy Editor Lance Olsen Production Manager/ Editorial Consultant J.C. Hendee Cover Art Chris Miller FUGUE#11 Spring/Summer 1995 (ISSN 1 054-6014) Ul English Dept. Brink Hall, Room 200 Moscow, Idaho 83843 C1995 in the names of the Individual creators. Subsidiary rights revert upon publication. Published bi-annually in Fall and Spring at the University ofldaho. Single Copy (3)andUSASubscriptionsavailableat3) and USA Subscriptions available at 3.00/issue, p&h included. All payment in US funds. Unsolicitedsubmissionsencouraged (within guidelines), but FUGUE is not responsible for such. Opinions expressed herein are not necessarily those of FUGUE, its staff, the Universityofldahooritsstaff. Ad rates are available. Postmaster: address correction requested

    Il trionfo della morte di Palermo. Un'allegoria della modernità

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    Originariamente collocato nel cortile dell’Ospedale Grande e Nuovo in Palazzo Sclafani, il Trionfo della morte – ora custodito nella Galleria di Palazzo Abatellis, a Palermo – è una straordinaria enciclopedia iconografica medievale e moderna, di cui non conosciamo l’autore. Il libro di Michele Cometa è una guida all’interpretazione del tessuto narrativo di questo formidabile affresco. Le molteplici fonti pittoriche e letterarie che ne costituiscono la trama convergono nel tratteggiare – evocando la peste nera che imperversava in Europa da più di un secolo – una sorta di confutazione iconologica del retribuzionismo medievale. Le pene mondane, infatti, non sono qui più riconducibili al peccato, ma si stemperano in una melanconia tutta modernaOriginally located in the courtyard of the Great and New Hospital in Palazzo Sclafani, the Triumph of Death - now housed in the Gallery of Palazzo Abatellis, in Palermo - is an extraordinary medieval and modern iconographic encyclopedia, of which we do not know the author. Michele Cometa's book is a guide to interpreting the narrative fabric of this formidable fresco. The multiple pictorial and literary sources that make up the plot converge in outlining - evoking the black plague that raged in Europe for more than a century - a sort of iconological refutation of medieval retribution. In fact, worldly pains are no longer attributable to sin, but are dissolved in a wholly modern melancholy
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