30,738 research outputs found
Map showing the northwesterly lines of the Coxe and Spicer 500 Acre Survey and Somers 564 Acre Survey
Map showing the northwesterly lines of the Coxe and Spicer 500 Acre Survey recorded at Trenton in Basses Book page 224 and James Somers 564 Acre Survey recorded at Burlington in B or Bulls Book page 83
Letter from Tobias Spicer to James B. Finley
Rev. Tobias Spicer, supernumerary preacher in the Troy MEC Conference, writes to Finley concerning the June 1848 annual conference. He reports that a Mr. Magician (Ezra Sprague??) was expelled after three sessions with an almost unanimous vote. There was also a conversation about a questionable sermon preached at Troy by Rev. John Clark on Being born again. Clark told his congregation that all things are made new at conversion -- All elements of holiness are introduced into the soul, and all opposing elements removed. This stance was called into question by many of his colleagues who disputed Clark\u27s theological argument that all opposing elements are removed (no room left for perfection or sanctifying grace). Clark explained what he meant by removal of opposing elements. It is actually enmity to God that is taken away. Clark\u27s tolerable explanation was accepted by members of the conference. Following annual conference, Spicer traveled to New York to assist with the publication of the new Discipline. Abstract Number - 386https://digitalcommons.owu.edu/finley-letters/1584/thumbnail.jp
James W Spicer
James Spicer joined the first Typographical Association in 1866. He was elected President in 1901 and held that position for four years, having previously been Vice-President for several terms. For 17 years he was a delegate to the Printing Trades Federation Council and for 14 years was President of that body. He was a delegate on the Eight-Hour Committee for six years and held successively the posts of Vice-President and President. He represented the Association for 12 years on the Labour Council but declined nomination to the chair. For 18 years he was the delegate to the PLL Conferences. He was a member of the Executive of the Trades Hall Association for 22 years and for a term held the office of President. He was a Land Trustee in connection with Sydney's great Trades Hall and in recognition of his worth and ability he was appointed by the Government as a Director of Sydney Hospital. Mr Spicer was a foundation member of the Political Labour Movement and Treasurer of the first Redfern Labour Electoral League. He was nominated for selection to contest the seat in Parliament in 1891, but declined to stand. (ref. Printing Trades Journal, 21 August 1917, p. 8
W.J. Spicer of the Grand Trunk
James McMillian, President of the DSS&A, offered Mr. Spicer the general maagement of that line. The offer was taken under consideration and finally accepted on Tuesday last, when Mr. McMillian and Mr. Spicer left for New York to consult with the other officers and directors of the line regarding improvements and extensions under construction and ccontemplated
Engraved portrait of James Nayler (1618–1660)
Engraved portrait of James Nayler (1618-1660) by Robert Grave (1768-1825). Inscribed, 'Born at Ardesloe, near Wakefield, in Yorkshire. Was an Independent and served Quarter Master in ye Parliament Army, about the Year 1641. turn'd Quaker in 1651. Punish'd as a Blasphemer 1656. Author of many Books & Dyed at Holm in Huntingtonshire 1660. Aged 44.
Polyphony and the anxiety of influence in the fiction of Henry James
James's fiction, especially in the Middle Phase, centres
on the figure of the artist and is characterized by, the two
interrelated aspects which previous criticism has largely
overlooked: the Bakhtinian 'polyphonic' -creation of
'author-thinkers'; and the conflict between ephebes and
precursors, for which Harold-Bloom's concept of 'the-anxiety of
influence' is the most illuminating model. Polyphony is the
narrative mode, and influence is the intra-artistic, theme.
These, as the Introduction to the thesis makes clear, are
rehearsed in James's inaugural novel, Roderick Hudson. Rowland
Mallet is an author-thinker, and his failure is caused by
authorial limitations. His monologism -is impaired by his
mistaking empathy for the authorial sympathy. Likewise,
Hudson's failure does not arise from a mercurial temperament,
but from a polyphonic shortcoming: not possessing the power of
fiction to contain the fiction of power in, his mentor. And the
relationships among the three artists - Gloriani, Hudson and
Singleton - perfectly exemplify the Bloomian-theme. It is these
two concepts, polyphony and influence, which are the major
preoccupation in the Middle Phase; as, the works chosen
demonstrate. These are a novella, a novel, and a number of
short stories all of which have been unjustifiably neglected.
Chapter One, on The Aspern Papers, argues that Tina Bordereau,
far from being, the artless victim seen by many critics,
actually challenges and defeats the narrator by the very form
of her narrative. Her 'realist' discourse undermines his
language of 'romance', and shows up its internal unstability.
Chapter Two is an extensive study of the critical reception of
The Tragic Muse. The most common areas of critical attention
have been its contemporary topicality, its relation to previous
novels on similar themes, and the possible genealogy of Gabriel
Nash. Those have all missed the core of the work. - Chapter Three
demonstrates how polyphony and the anxiety of influence make
the novel what it really is. Influence arises from the
juxtaposition of, and the wrestling between, artistic ephebes
and their precursors (Nick and Nash,, Miriam and Madame Carre).
The dialogic quality defined by Bakhtin is crucial to the
proper, and even-handed, characterization of all, the conflicts
in the novel. And since most of James's tales in the eighties
and nineties -are about 'masters - and acolytes, the anxiety of
influence remains central. Chapter Four is a study of 'The
Author of Beltraffiol' and 'The Lesson of the Master'. Again the
characters' manipulations are a crucial focus in a way that
G6rard Genette's terminology helps to illuminate. The fact that
the ephebe is the author-thinker emphasizes the inextricability
of the Bakhtinian and the Bloomian in James. Just as
polyphony offers a different focus for explicating the poetics
of James's fiction; so the ephebal conflict provides the basis
for a fresh perception of James's own artistic struggle
From Bringland With Love: National Identity and James Bond
This examines the tensions between constructions of Englishness and Britishness in the James Bond movie franchise
Dr. James Gillam, Spelman College, September 2011
This video is a conversation with Dr. James Gillam. Dr. Gillam talks about his book, "Life and Death in the Central Highlands: An American Sergeant in the Vietnam War 1968-1970". Daniel Le, AUC Woodruff Library, is the interviewer
James Bond: international man of gastronomy
This article is concerned with the representation of food and drink in Ian Fleming’s James Bond novels. In particular, it examines how the author uses Bond’s culinary knowledge and habits of consumption as an important constituent of his hero’s character. Similarly, the food choices of other characters, notably villains, are shown to be linked, by Fleming, to core aspects of their identity − principally their ethnicity. Bond’s impulse to observe and classify, very much in evidence in the novels’ food sequences, is examined in terms of the texts’ construction of Bond as a skilled identifier of signs
A Tripartite Post-Recession Rebalancing
In this latest Advance & Rutgers Report, entitled “A Tripartite Post-Recession Rebalancing,” Dean James W. Hughes and Professor Joseph J. Seneca deliver an incisive assessment of the current market conditions and obstacles in the path of our economic recovery. They offer a statistical cautionary tale that the private and public sector need to hear and acknowledge in order for the economy to make continued progress.This report was published as Issue Paper Number 7, November 2011, in Advance & Rutgers Report
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