22,337 research outputs found
'Sensaround' (Spence/MacDonald/Ahmad) Japan tour concert
No full textThis performance took place as part of a tour by 'Sensaround' in Japan in 2016. Spence/MacDonald and Ahmad are committed to exploring how contingency acts on collective improvisation and real-time composition to produce surprising, unpremeditated and effective results.
The research area matches with Spence's investigation of the Experimental Composition Improvisation Continuum which explores contemporary extensions of the historical Experimental Music Movement and reconciled with Jazz through the writings of Nyman, Lewis, Bailey, Morris etc
Sensaround (Spence/MacDonald/Ahmad) Japan tour concert with special guest Yasuko Kaneko (trombone)
No full textThis performance took place as part of a tour by 'Sensaround' in Japan in 2016. Spence/MacDonald and Ahmad are committed to exploring how contingency acts on collective improvisation and real-time composition to produce surprising, unpremeditated and effective results. This includes new as well as established and intercultural collaborations, as occurred at Pepperland with well known Japanese improviser, Yasuko Kaneko.The research area matches with Spence's investigation of the Experimental Composition Improvisation Continuum which explores contemporary extensions of the historical Experimental Music Movement and reconciled with Jazz through the writings of Nyman, Lewis, Bailey, Morris etc
'Sensaround' (Spence/MacDonald/Ahmad) concert with special guest Michiyo Yagi (koto)
No full textThis performance took place as part of a tour by 'Sensaround' in Japan in 2016. Spence/MacDonald and Ahmad are committed to exploring how contingency acts on collective improvisation and real-time composition to produce surprising, unpremeditated and effective results. This includes new as well as established and intercultural collaborations, as occurred at the Pitt Inn with well known Japanese koto player, Michiyo Yagi.
The research area matches with Spence's investigation of the Experimental Composition Improvisation Continuum which explores contemporary extensions of the historical Experimental Music Movement and reconciled with Jazz through the writings of Lewis, Bailey, Morris etc
'Sensaround' (Spence/MacDonald/Ahmad) Japan tour concert, with special guests Satoko Fujii (piano) and Natsuki Tamura (trumpet)
No full textThis performance took place as part of a tour by 'Sensaround' in Japan in 2016. Spence/MacDonald and Ahmad are committed to exploring how contingency acts on collective improvisation and real-time composition to produce surprising, unpremeditated and effective results. This includes new as well as established and intercultural collaborations, as occurred at Guggenheim House with well known Japanese composers and improvisersr, Satoko Fujii and Natsuki Tamura. The research area matches with Spence's investigation of the Experimental Composition Improvisation Continuum which explores contemporary extensions of the historical Experimental Music Movement and reconciled with Jazz through the writings of Nyman, Lewis, Bailey, Morris etc
Not Everything but Enough
No full textA two CD recording of original music, composed and performed by Alister Spence (piano, samples, music box), Lloyd Swanton (double bass) and Toby Hall (drums, glockenspiel). The first CD consists of seven pre-composed song forms (chiefly by Spence) played by the trio, with individual and group improvisations. The second CD consists of twenty one short guided and non-guided trio and solo piano improvisations
The existence of the Miyazaki-Wilson-Spence equilibrium with continuous type distributions
No full textWe prove the existence of an equilibrium in competitive markets with adverse selection in the sense of Miyazaki (1977), Wilson (1977), and Spence (1978) when the distribution of unobservable risk types is continuous. Our proof leverages the finite-type proof in Spence (1978) and a limiting argument akin to Hellwig (2007)’s study of optimal taxation
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Travelogue
No full textThis recording documents ongoing research by Spence/MacDonald/Ahmad (as 'Sensaround') into collective improvisation/real-time composition and the interface with tonal and more broadly sound-based exploration in music.
The recordings are compiled intact from in-concert performances in Sydney, Canberra and Melbourne
I Think I Am Philip K. Dick
No full textFor years, noted writer Laurence A. Rickels often found himself compared to novelist Philip K. Dickthough in fact Rickels had never read any of the science fiction writers work. When he finally read his first Philip K. Dick novel, while researching for his recent book The Devil Notebooks , it prompted a prolonged immersion in Dicks writing as well as a recognition of Rickelss own long-documented intellectual pursuits. The result of this engagement is I Think I Am: Philip K. Dick , a profound thought experiment that charts the wide relevance of the pulp sci-fi author and paranoid visionary. I Think I Am: Philip K. Dick explores the science fiction authors meditations on psychic reality and psychosis, Christian mysticism, Eastern religion, and modern spiritualism. Covering all of Dicks science fiction, Rickels corrects the lack of scholarly interest in the legendary Californian author and, ultimately, makes a compelling case for the philosophical and psychoanalytic significance of Philip K. Dicks popular and influential science fiction.Intro -- Contents -- Introjection -- Part I -- Endopsychic Allegories -- Schreber Guardian -- Belief System Surveillance -- Part II -- Deeper Problems -- Veil of Tears -- Go West -- Dick Manfred -- Timing -- Glimmung -- Part III -- Spiritualism Analogy -- Imitating the Dead -- Indexical Layer -- Ilse -- Hammers and Things -- Crucifictions -- Over There -- Martyrology -- Can't Live, Can't Live -- Lola -- Umwelt, Mitwelt, and Eigenwelt -- Outer Race -- The German Introject -- Part IV -- Materialism, Idealism, and Cybernetics -- Startling Stories -- A Couple of Years -- Android Empathy -- Homunculus and Robot -- ALL OF YOU ARE DEAD. I AM ALIVE. -- Go with the Flow -- Part V -- Room for Thought -- Caduceus -- Jump -- Still -- A Wake -- Spätwerk -- Let the Dead Be -- Play Bally -- Das Hund -- Notes -- BibliographyFor years, noted writer Laurence A. Rickels often found himself compared to novelist Philip K. Dickthough in fact Rickels had never read any of the science fiction writers work. When he finally read his first Philip K. Dick novel, while researching for his recent book The Devil Notebooks , it prompted a prolonged immersion in Dicks writing as well as a recognition of Rickelss own long-documented intellectual pursuits. The result of this engagement is I Think I Am: Philip K. Dick , a profound thought experiment that charts the wide relevance of the pulp sci-fi author and paranoid visionary. I Think I Am: Philip K. Dick explores the science fiction authors meditations on psychic reality and psychosis, Christian mysticism, Eastern religion, and modern spiritualism. Covering all of Dicks science fiction, Rickels corrects the lack of scholarly interest in the legendary Californian author and, ultimately, makes a compelling case for the philosophical and psychoanalytic significance of Philip K. Dicks popular and influential science fiction.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
I am not a victim
No full textKeynote Address - Professor Shane Houston Deputy Vice-Chancellor (Indigenous Strategy and Services) TOPIC: ‘I am not a victim’. Other Speakers - Dr Jeff McMullen (MC); Mr Charles Madden (Welcome to Country); Dr Michael Spence (Vice-Chancellor & Principle) Ms Janet Mooney (Director - Koori Centre
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