1,722,698 research outputs found
Step by Step 25 Sajian Segar Dari Buah-Buahan ala Sisca Soewitomo
No full textSiapa tidak kenal Sisca Soewitomo? Pakar kuliner Nusantara ini telah malang melintang di dunia kuliner sejak usia belia. Lebih dari 100 acara demo masak sudah dilakukannya di samping juga pernah membawakan program memasak kuliner Nusantara di salah satu stasiun televisi sejak 1997 hingga 2008. Buku ini berisi 25 resep sajian segar dari buah-buahan yang digemari banyak orang. Dengan cita rasa Indonesia. Dilengkapi dengan foto step by step yang semakin memudahkan untuk dipraktikkan.56 hlm; 15x23 c
Introduction to Aesthetics and Affectivity, n. 60 (1/2021) of The Polish Journal of Aesthetics
No full textEmotions, feelings, and, generally, the whole sphere of affectivity make up one of the most fundamental elements of human life, and also play an essential (although sometimes problematic) role in art and aesthetic experience. In this regard, let us simply consider this: on one hand, it is certainly possible to think and talk of something like a “common world” in terms of sensations shared by all human beings; on the other hand, if we focus on each individual’s emotions and feelings, and the way the latter often condition our perception of the real, this same notion becomes somewhat ambiguous. If this is true concerning our experience of the world in general, it is even truer and clearer in the specific case of our experience with art. Reflections on the fundamental role played by affectivity in the whole realm of human experience leads us to recognize, for example, that every experienced object, apart from its purely factual properties, presents some “splits” into which the subject fits, so to speak—specifically, to recognize (following Merleau-Ponty) that our description of reality, even as it appears in perceptual experience, is always full of “anthropological predicates.” This becomes fully apparent if we consider such experiences as fantasizing and dreaming (or, in a more radical and even dramatic way, certain psychological pathologies in which the subject’s “private world,” especially influenced by his/her emotions and feelings, sometimes almost completely eclipses evidence of what we conventionally consider “real”), and also applies to a great extent to art and aesthetic experiences of different kinds. From Plato and Aristotle to modern and contemporary times, philosophers have always assumed a close connection between art and what we may call the realm of affectivity (passions, feelings, emotions), sometimes also developing forms of skepticism and suspiciousness towards them as supposedly non-rational or irrational components of human life. However, throughout the history of philosophy there have always been also other voices, so to speak, that have proposed to think about affectivity, feelings, and emotions in a different way, leading to identification with emotional and even instinctual aspects, such as that of the feeling of horror, no less than with the obscure origin of the brightness of ancient Greek culture and art (Nietzsche), or to acknowledgment of the undeniably powerful and indeed constitutive role of “attunement” and “mood” in human existence (Heidegger), or to the proposal for the rediscovery and rehabilitation of the specific “intelligence of emotions” (Nussbaum). Of course, philosophical reflection on affectivity, with a specific focus on its role in the aesthetic dimension, can also lead to questioning of the validity and appropriateness of categories such as “rational” and “irrational” that we sometimes tend to use in an easy, unproblematic, and somehow dualistic way, both in everyday language and in philosophical discourses. In fact, it is a widely shared and quite common belief that our feelings and emotions (or at least some of them) are irrational, but it is also true that many philosophers and especially artists (poets, novelists, composers, painters, performers, etc.) have shown that it is often very difficult to simply draw a line sharply differentiating between the rational and emotional components of our knowledge, inasmuch as the affective component is not at all marginal in the general economy of our convictions and beliefs
Step by Step 25 Resep Sajian Tahu Sehat & Lezat ala Sisca Soewitomo
No full textSiapa tidak kenal Sisca Soewitomo? Pakar kuliner Nusantara ini telah malang melintang di dunia kuliner sejak usia belia. Lebih dari 100 acara demo masak sudah dilakukannya di samping juga pernah membawakan program memasak kuliner Nusantara di salah satu stasiun televisi sejak 1997 hingga 2008. Buku ini berisi 25 resep sajian sehat olahan tahu yang digemari banyak orang. Dengan cita rasa Indonesia, dan Oriental. Dilengkapi dengan foto step by step yang semakin memudahkan untuk dipraktikkan.56 hlm; 15x23 c
Il politically correct è una forzatura? Una riflessione a partire da L’utilità del senso comune di Anna Maria Lorusso
No full textThe debate around political correctness is currently one of the predominant topics within the public discourse. More precisely, given that the conduct to which this term refers to has been a cause of social dispute since the 1980s, it would be more accurate to say that political correctness is an issue that has been inflaming the minds of the diverse and articulate fabric that is public opinion for about half a century. The aim of this review article is to sketch out a possible key to interpret this phenomenon, presenting the reader with the point of view expressed by the Italian semiologist Anna Maria Lorusso in her last book L’utilità del senso comune (2022)
Günter Figal, Il manifestarsi dell’arte. Estetica come fenomenologia, Milano-Udine, Mimesis, 2015
No full textRANCANG BANGUN SISTEM INFORMASI BUTIK SISCA SIGNATURE
Get PDFButik Sisca Signature merupakan sebuah toko butik, yang menjual berbagai jenis
baju dan setelan. Beberapa produk yang dijual seperti baju kemeja, gaun
pengantin, baju pesta dengan tingkat pemakai anak-anak hingga dewasa. Pada
proses bisnisnya, yakni pendataan baju, pengelolaan stock baju, dan pembuatan
laporan penjualan pada butik sisca signature hingga saat ini sepenuhnya masih
dilakukan sistem manual dengan memanfaatkan buku besar. Dengan adanya
sistem yang manual, permasalahan yang biasanya terjadi yakni adanya
kehilangan dan kerusakan data pada buku, sulitnya dalam menggali data secara
cepat, dan keterlambatan dalam melakukan pencatatan. Berdasarkan
permasalahan tersebut, solusi yang ditawarkan oleh penulis yakni merancang
bangun sistem informasi butik Sisca Signature Surabaya berbasis localhost. Pada
penelitian ini menggunakan metode waterfall dengan Bahasa pemrograman PHP
dan MySQL untuk databasenya serta Codeigniter untuk Frameworknya. Pengujian
sistem ini menggunakan dua macam teknik, yaitu blackbox testing dan usability
testing. Teknik usability testing dilakukan oleh owner dan asisten butik.
Berdasarkan pengujian yang dilakukan, Teknik blackbox testing menghasilkan
hasil 100% sukses dengan 34 testcase. Sedangkan usability testing memberikan
hasil bahwasanya sistem memberikan kemudahan dalam penggunaanya karena
telah sesuai dengan kebutuhan pihak butik
Maaike Bleeker, Jon Foley Sherman, Eirini Nedelkopoulou (a cura di), Performance and phenomenology. Traditions and transformations, New York, Routledge, 2015, pp. 254
No full textLa prova del filosofo: domandare inizialmente nell’epoca della finale determinazione tecnica
No full textStarting from the general question “What is philosophy?”, and trying to answer it by
developing a thoughtful dialogue with Martin Heidegger, this article proposes to reflect upon
our original philosophical “gestures” and practice them. This may prove to be useful in order
to understand what are the real matters at issue for contemporary philosophers in the time of
the widespread diffusion in the whole world of the Western civilization determined by
technology
Maurice Merleau-Ponty, La prosa del mondo, tr. it. di P. Dalla Vigna, Milano-Udine, Mimesis, 2019
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