2,386,931 research outputs found
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
Adam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
Protecting Animals 38: Artist Angela Singer
This week we are joined by Angela Singer. Angela is an artist. You can view her artwork at her website: https://www.angelasinger.com
How Might Adam Smith Pay Professors Today?
Adam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
Shakespeare Abridged program
Directed by Danny Devlin. Written by Adam Long, Daniel Singer, and Jess Winfield. Incorporates all 37 of Shakespeare's plays into a 2 hour play with 3 actors
Shakespeare Abridged postcard
Directed by Danny Devlin. Written by Adam Long, Daniel Singer, and Jess Winfield. Incorporates all 37 of Shakespeare's plays into a 2 hour play with 3 actors
Complete Works of William Shakespeare Abridged (2016)
Directed by Danny Devlin. Written by Adam Long, Daniel Singer, and Jess Winfield. Incorporates all 37 of Shakespeare's plays into a 2 hour play with 3 actors
Shakespeare Abridged poster
Directed by Danny Devlin. Written by Adam Long, Daniel Singer, and Jess Winfield. Incorporates all 37 of Shakespeare's plays into a 2 hour play with 3 actors
ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?
The conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,
Professor Peter Singer speaking at the National Press Club Canberra, 11 February 2009 [picture] /
Title devised by cataloguer based on information from acquisitions documentation.; Part of the collection: Humanitarian author Professor Peter Singer at the National Press Club, Canberra, 11 February 2009.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2009
John Adam Street [Adelphi development]
Number 8 John Adam Street (Royal Society for the Encouragement of Arts, Manufactures and Commerce), detail, medallion; Adam House (7-10 John Adam Street) is part of the Adelphi development designed in 1768-1772 by brothers Robert and John Adam. In addition to individual town houses, Robert Adam engaged in a number of urban-planning schemes. He often introduced varied shapes, including squares, crescents and circuses, although his long terraces of juxtaposed houses or unified façades on the sides of a square were more common. For these, he took the principles of his individual town-house compositions and adapted them to large and more complex groupings, often applying the delicate ornamentation in Liardet’s cement. The grandest of Adam’s schemes was the Adelphi, built on leased land between the Strand and the Thames. He embanked the Thames, raising the Royal Terrace’s houses (destroyed) above vaulted warehouses that he hoped the Government would lease. For this, and for the rest of this H-shaped development, he employed his favourite decorative elements, but in a composition without an obvious central emphasis. Though aesthetically satisfying, the Adelphi was a failure financially for the brothers. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/17/2010
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