1,228 research outputs found
Bruce Sinclair & Gail Cooper
No full textViewing Chilean art pieces are Prof. Bruce Sinclair, Georgia Tech & Lehigh History Prof. Gail Coope
Author Gail Gibbons Holds Open Book, circa 1988
No full textAuthor Gail Gibbons is shown holding open a book titled, Sunken Treasure by Gail Gibbons. The book was published in 1988. (circa 1988 or after)https://digitalcommons.jsu.edu/lib_ac_histimg_1980/1142/thumbnail.jp
The 100 Greatest Literary Characters
No full textIn The 100 Greatest Literary Characters, James Plath, Gail Sinclair, and Kirk Curnutt identify the most significant figures in fiction published over the past several centuries. The characters profiled here represent a wide array of storytelling, and the authors explore the significance of the figures at the time they were created as well as their relevance today. Included in this volume are characters from literature produced around the world, such as Aladdin, James Bond, Holden Caulfield, Jay Gatsby, Hercule Poirot, Don Quixote, Lisbeth Salander, Ebenezer Scrooge, Jean Valjean, and John Yossarian.https://digitalcommons.iwu.edu/bookshelf/1103/thumbnail.jp
'The ceasing from the sorrow of divided life: may Sinclair’s women, texts and contexts (1910-1923)
No full textThis thesis explores May Sinclair's female protagonists in her Modernist texts, 1910-1923. 1 look at how Sinclair's work bears witness to her scene of writing and offer an analysis that places Sinclair, most centrally, in a dialogue with contemporary literary, psychoanalytical, and cultural influences.1 draw upon a wealth of unpublished material, medical archives and journals, newspapers, propaganda, novels of fellow female writers, and other artefacts of the day. By appraising these works together, the critical distinction between Modernism and the topical issues of early twentieth century Britain is seen to dissolve, and Sinclair’s writing emerges as an important oeuvre for reading the life of the modem woman. Women’s fiction of the period typically searches for autonomy and agency. However, as 1 show, the desire for radical social change is problematic and often in conflict with the prescribed code of an idealised, fixed female identity. Through an exploration and development of her own concept of sublimation, Sinclair confronts these complex ideological structures in her engagement with the position of women in her fiction. She places her women in a variety of situations—from the tightly knit, domestic home to the unfettered, open terrain of wild landscapes—and analyses the forces that hold women back or set them free. In my study of Sinclair's Modernist texts, 1 argue that Sinclair urges for psychic freedom for women from their cramped, repressive conditions; this is achieved through sublimation
Revisiting the Code: Female Foundations and The Undiscovered Country in \u3cem\u3eFor Whom the Bell Tolls\u3c/em\u3e
No full textLooks beyond traditional and reductive readings of Maria and Pilar to find both women exemplifying the Hemingway code. Sinclair compares Maria’s wounds to those of Jake Barnes and Frederic Henry, while Pilar is shown to exhibit survival skills typical of a code hero. Sinclair also considers the function of androgyny and twinning in the relationship between Jordan and Maria to demonstrate the latter’s autonomy
Reading
No full textExamination of Hemingway’s literary influences, tracing his reading habits from early childhood through his writing career. Sinclair concludes that Hemingway’s reading informed his artistic vision, focusing and replenishing his creative drive
An Interview with Paula McLain, Author of \u3cem\u3eThe Paris Wife\u3c/em\u3e
No full textInterview with the author of the bestselling fictional biography on Hemingway’s first wife, Hadley. McLain comments briefly on the book’s critical reception and her research methodology
Gail Buckley: Black America at War: From George Washington to George Bush
No full textGail Buckley is a best-selling author and historian.
Her first book, The Hornes: An American Family, is an inspired history of Buckley’s mother, musical legend Lena Horne, and her family. Buckley traces the Hornes’ roots from the post-Civil War Reconstruction era up to the present day, writing with great insight about a family with ties to every major event in the United States during the past 150 years.
Buckley is a chronicler of “undiscovered American history – the people and events that are left out of the textbooks.” Buckley’s new book, The Black Calhouns (released February 2016), follows her family history from the Civil War to Civil Rights, starting with her great-great grandfather Moses Calhoun, a slave-turned-businessman
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