521 research outputs found
The role of vitamin D in glycaemic control
Lips, P.T.A.M. [Promotor]Simsek, S. [Copromotor
Female Characters in Suat Derviş’s Novels / Suat Derviş’in Romanlarında Kadın Karakterler
This article aiming at evaluating female characters in Suat Derviş’s novels, also
identifies her position in the historical stages of female literature. From the beginning of
the debate on the women and literature relationship in the 1920s to the 1970s in which
female literature was constructed as a literature of their own, Suat Derviş continuously
wrote novels, literary criticisms, newspaper writings and existed with her author
identity. In general, most of the Suat Derviş’s novel characters are female characters
whose gender and class positions are combined by Suat Derviş. These characters, in
which gender and class positions are combined, are also settled in an historical period:
the collapse of the Ottoman Empire which evolved into the modern Repyblic of Turkey
radical social change and transformation process. When we closely look at the female
characters in Suat Derviş’s novels, we face; weird women in her gothic novels, lonely
and desperate women who are in the upper class of the disappearing Ottoman society,
opportunistic women believing in that everything could bought and sold, and mothers
who have lost their children. The most striking finding is that Suat Derviş working as
an author and journalist gave almost no place to working women in her novels
GAZETECİ SUAT DERVİŞ’TEN ROMANCI SUAT DERVİŞ’E: FOSFORLU CEVRİYE’Yİ RÖPORTAJLAR ÜZERİNDEN OKUMAK
Son yıllarda edebiyat araştırmacılarının üzerinde önemle durduğu isimlerden biri hâline gelen Suat Derviş’in eserlerini yorumlarken onun hayata bakışını ve sanat anlayışını şekillendiren gazeteci kimliğinden ve gazetelerdeki yazılarından bahsetmek gerekir. Bu yazılar içerisinde bilhassa gazetelerde yayımladığı röportajlar önem arz etmektedir. Suat Derviş’in gazeteci kimliğiyle gördüğü, karşılaştığı olayları, tanıştığı insanları röportajlarına taşıdığını, dolayısıyla bu röportajları kurgusal eserlerinde gerek karakterleri oluştururken gerekse olayı şekillendirirken pek çok kez kullandığını söylemek mümkündür. Onun hem gazeteci kimliğini hem de sanatçı muhayyilesini şekillendiren bu röportajlar vesilesiyle İstanbul’un arka sokaklarına kadar inerek halkın nabzını tutan yazar, yine bu röportajlar sayesinde edindiği deneyimleri eserlerinde malzeme olarak kullanmıştır. Bu bağlamda ilk olarak 1945 yılında Gece Postası gazetesinde tefrika edilen Fosforlu Cevriye romanı da Suat Derviş’in yaptığı röportajlardan beslenerek yazılmış bir romandır. Dolayısıyla bu yazıda öncelikle uzun yıllar gazetecilik yapan Suat Derviş’in gazeteci kimliği üzerinde durulacak, ardından Fosforlu Cevriye, yazarın yaptığı röportajlar çerçevesinde yorumlanacaktır.When interpreting the works of Suat Derviş, who has become one of the names that literature researchers have emphasized, in recent years, it is necessary to mention her journalist identity that shaped her view of life and her understanding of art and her articles in newspapers. Among these articles, especially the interviews she published in newspapers are important. It is possible to say that Suat Derviş, as a journalist, carried the events she saw, the people she met, to her interviews, and therefore she used these interviews many times in her fictional works, both when creating the characters and shaping the event. Through these interviews, which shaped both her journalist identity and her artistic imagination, the author, who went down to the back streets of İstanbul, used the experiences she gained through these interviews as material in her works. In this context, the novel Fosforlu Cevriye, which was first serialized in the newspaper Gece Postası in 1945, is also a novel written based on Suat Derviş’s interviews. Therefore, this article will primarily focus on the journalist identity of Suat Derviş, who has been a journalist for many years, and then Fosforlu Cevriye will be interpreted within the framework of the author’s interviews.</p
False Positive Findings on I-131 WBS and SPECT/CT in Patients with History of Thyroid Cancer: Case Series
Introduction. Although whole body scan (WBS) with I-131 is a highly sensitive tool for detecting normal thyroid tissue and metastasis of differentiated thyroid cancer (DTC), it is not specific. Additional information, provided by single photon emission computed tomography combined with X-ray computed tomography (SPECT/CT) and by the serum thyroglobulin level, is extremely useful for the interpretation of findings. Case Presentation. We report four cases of false positive WBS in patients with DTC: ovarian uptake corresponding to an endometrioma, scrotal uptake due to a spermatocele, rib-cage uptake due to an old fracture, and hepatic and renal uptake secondary to a granuloma and simple cyst, respectively. Conclusions. Trapping, organification, and storage of iodine are more prominent in thyroid tissue but not specific. Physiologic sodium-iodine symporter expression in other tissues explains some, but not all, of the WBS false positive cases. Other proposed etiologies are accumulation of radioiodine in inflamed organs, metabolism of radiodinated thyroid hormone, presence of radioiodine in body fluids, and contamination. In our cases nonthyroidal pathologies were suspected since the imaging findings were not corroborated by an elevated thyroglobulin level, which is considered a reliable tumor marker for most well-differentiated thyroid cancers. Clinicians should be aware of the potential pitfalls of WBS in DTC to avoid incorrect management
From mansions to streets: Interviews, stories and novels by Suat Derviş
Bu çalışma, ilk gençlik yıllarından ölümüne kadar, yaşamının yarım asıra yakın bölümünde hem edebiyatçı hem de gazeteci kimliğiyle varlık gösteren ancak dev külliyatına rağmen göz ardı edilen, yaşadığı dönemde hak ettiği değeri görmediği düşünülen Suat Derviş'i; edebiyat sosyolojisi perspektifiyle incelemeyi amaçlamıştır. 1930'ların sonuna değin şahsi konuları işleyen yazarın bu dönemden sonra topluma yönelmesindeki gerekçeleri anlamak adına hem yaşamının hem de gazeteci kimliğinin eserleri üzerindeki etkisi üzerinde durulmuştur. Bu amaç doğrultusunda giriş bölümünde edebiyat sosyolojisi alanına dair genel bir bilgilendirme yapılarak çalışma alanı netleştirilmiştir. Birinci bölümde Suat Derviş'in yaşamı, sanatı ve eserlerine değinilmiş; ikinci bölümde Türk romanının gelişim seyrine ve Toplumcu Gerçekçi yaklaşıma yer verilmiş, üçüncü bölümde ise Suat Derviş'in gazeteci kimliğiyle 1935-1937 yılları arasında Son Posta, Cumhuriyet ve Tan gazetelerinde yaptığı röportajları, bunlarla aynı dönemde kaleme aldığı ve çeşitli gazetelerde tefrika ettiği bazı hikayeleri ve toplumcu ögelerin baskın olduğu Bu Olan Şeylerin Romanıdır, İstanbul'un Bir Gecesi, Fosforlu Cevriye ve Ankara Mahpusu adlı romanları incelenmiştir.This study aims to analyze Suat Derviş, who existed as both a literary writer and a journalist for nearly half a century of her life, from her early youth until her death, but who was ignored despite her huge oeuvre and who was thought to have been underappreciated during her lifetime, from the perspective of sociology of literature. In order to understand the reasons why the author, who dealt with personal issues until the end of the 1930s, turned towards society after this period, the impact of both her life and her journalist identity on her works was tried to be understood. For this purpose, the introduction provides a general information about the field of sociology of literature and clarifies the field of study. In the first part, Suat Derviş's life, art and works are discussed; in the second part, the course of development of the Turkish novel and the Socialist Realist approach are discussed; and in the third part, Suat Derviş's interviews conducted in the newspapers Son Posta, Cumhuriyet and Tan between 1935 and 1937 as a journalist, some of her stories written in the same period and published in various newspapers, and her novels Bu Olan Şeylerin Romanıdır, İstanbul'un Bir Gecesi, Fosforlu Cevriye and Ankara Mahpusu, in which socialist elements are dominant, are analyzed
Künye
Doç. Dr. Ersin Gülsoy – Atatürk Üniversitesi Doç. Dr. İsmail Hakkı Demircioğlu - Karadeniz Teknik Üniversitesi Doç. Dr. Bahri Ata - Gazi Üniversitesi Doç. Dr. Mehmet Suat Bal - Kahramanmaraş Sütçüimam Üniversitesi Doç. Dr. Kadir Ulusoy, Mersin Üniversitesi Yrd. Doç. Dr. Selahattin Kaymakçı - Karadeniz Teknik Üniversitesi Yrd. Doç. Dr. Mehmet Salih Erkek - Dicle Üniversitesi Yrd. Doç. Dr. Ramazan Kaya - Atatürk Üniversitesi Yrd. Doç. Dr. Hüseyin Çalışkan - Sakarya Üniversitesi Yrd. Doç. Dr. Sezai Öztaş, Kırklareli Üniversites
RECALCITRANT CELILES, CAVIDES, CEVRIYES: ISSUE OF MORALITY IN THE NOVELS OF SUAT DERVIŞ
Edebiyat tarihimizin unutulmuş/unutturulmuş kadınlarının sayısı bir hayli kabarıktır. Bu isimlerden biri de 1903-1972 yılları arasında yaşamış, çeşitli gazete ve dergilerde tefrika edildiği tespit edilen otuzdan fazla roman yazmış Suat Derviş'tir. 1990'lı yıllara kadar çoğu okuyucunun ismini dahi duymadığı Derviş, Oğlak ve İthaki Yayınları'nın yazarın eserlerini yeniden basmasıyla birlikte gündeme gelir. Suat Derviş ismine aşina okuyucular ise onu ya Fosforlu Cevriye'nin Cevriye'si ya da Ankara Mahpusu'nun Zeynep'i üzerinden tanırlar. Oysaki Suat Derviş, 1920'li yıllardan beri basın-yayın dünyasının içinde yer almış, birbirinden değerli eserlere imzasını atmış bir kadındır. Üstelik Derviş, sadece siyasî görüşlerini yansıtan eserler yazmamış, gotik öğelerle örülmüş olaylardan aşk acılarına kadar uzanan geniş temalar üzerinde durmuştur. Bu anlamda onun eserlerinde “fahişe”ler, “alt” sınıftan insanlar, aldatan kadınlar olduğu kadar “aile kızları”, “üst” sınıftan kişiler, aldatılan kadınlar da vardır. Yazarın eserlerinde öne çıkan bu kadınlar, onun ataerkil bir toplumda kadın olmanın ne demek olduğuna dair algısını ortaya koyarken bir yandan da toplumun ahlâk anlayışını sorguladığı bir malzemeye dönüşür. Ayrıca bu sorgulayış sadece kadınlar üzerinden de yürütülmez. Kadını ve erkeğiyle Derviş'in roman karakterleri, bir devrin ve toplumun içerisinde büyürler ve şekillenirler. Bu anlamda, Suat Derviş'in toplum ile münasebetini anlamak ve ortaya çıkan tablonun yazarın kişiliği, kadınlığı ve yazarlığı hakkında ne anlattığını görebilmek için konu hakkında tipik örnekler veren metinlerine odaklanmak gerekirThere are quite a lot of forgotten women in the history of our literature. Suat Derviş, who lived between 1903-1972 and wrote more than thirty novels published serially in various newspapers and magazines, is one of those women. Derviş, whose name was not even known by most of the readers until the 1990s, came to the fore after Oglak and Ithaki Publishing House republished her books. For the readers who were familiar with her, Suat Derviş was famous for Cevriye of Fosforlu Cevriye or Zeynep of Ankara Mahpusu. In fact, Suat Derviş was a woman who took part in publishing business since the 1920's and produced very valuable works. Moreover, Derviş did not only write works reflecting her political views, but also focused on a wide variety of themes ranging from gothic storylines to heartaches. In this sense, there were decent girls, upper-class people and betrayed women, as well as the 'prostitutes', low-class people and betraying women in her books. Such prominent figures in the works of the author showed her opinion about what 'being a woman in a patriarchal society' meant and turned into a material questioning the sense of morality of the society. This questioning is not only made over women. Both male and female characters of Derviş's novels grow and shape in an era and society. In this sense, her texts giving typical examples about the topic should be focused in order to understand Derviş's relationship with the society and to see the general picture of the author's personality, femininity and authorship
GLOSSINESS, COLOR STABILITY, AND SURFACE ROUGHNESS OF WOOD TREATED WITH SOME BLEACHING CHEMICALS
ALTUN, Suat/0000-0002-7080-7489WOS: 000269071600008The aim of this study was to determine the effects of different bleaching chemicals and their treatment time on glossiness, color stability, and surface roughness of wood. Spruce (Picea orientalis L.) and oak (Quercus sessiliflora Salisb.) wood specimens were bleached with aqueous solutions of 25% hydrogen peroxide (H(2)O(2)), 25% ammonia (NH(3)), and their mixture (1:1; volume:volume) for 10, 20, and 30 minutes immersing. Glossiness of wood specimens parallel and perpendicular to grain values were measured with Glossmeter at 60-degree incident angle. Color measurements and surface roughness were wade according to ISO 7724 - 2, and ISO 4287 standards, respectively. Results showed that the highest glossiness decrease (0.99) was observed in oak wood treated with ammonia solution perpendicular to grain for 20 min. immersing. The highest total color chance (18.88) was observed in oak wood treated with ammonia solution for 30 minutes immersing. All bleaching solutions increased the surface roughness of wood specimens
CEP Rule Extraction From Unlabeled Data in IoT
With the recent development of the Internet of Things, produced data are increasing day by day. These data have to be analyzed in real time. To provide real time analysis, Complex Event Processing is proposed to analyze the continuous and timely annotated data. Complex event processing detects complex events from atomic events via predefined rules which are mostly determined by domain experts. Determining complex event processing rules requires thorough knowledge of the data and data relations among data sources. It will be difficult to define a rule when it is considered that the scope and quantity of data is increased. Therefore, there is a need for extracting rules automatically. In this paper, we propose a novel model that extracts rules from unlabeled data by using clustering and rule mining algorithms. The model is evaluated in terms of classification performance and the results show that the proposed model is a promising solution for extracting complex event processing rules
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