217,216 research outputs found
Livio de Simone I.D.
No full textIl settore Interior Decoration di Livio de Simone rappresenta una anticipazione degli anni '60 rispetto a tutti i marchi di moda che solo successivamente si occuperanno del settore casa, per cui molto innovativo per la presente ricerca
SIMONE LANGLOIS - N °I
No full textComprend : AU PRINTEMPS / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - JE NE SAIS PAS / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - SUR LA PLACE : avec Jacques BREL / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - HEUREUX / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - IL NOUS FAUT REGARDER / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - LA FOULE / A. CABRAL - M. RIVGAUCH ; Simone LANGLOIS avec Franck AUSSMAN et son orchestre - BAL CHEZ TEMPOREL / G. BEART - A. HARDELLET ; Simone LANGLOIS avec François RAUBER et son orchestre - LES AMANTS DE PARIS / Léo FERRE - E. MARNAY ; Simone LANGLOIS avec Franck AUSSMAN et son orchestre - UNE ENFANT / Ch. AZNAVOUR - R. CHAUVIGNY ; Simone LANGLOIS avec Franck AUSSMAN et son orchestre - GLORIA / M. MONNOT - R. ROUZAUD ; Simone LANGLOIS avec Franck AUSSMAN et son orchestreBnF-Partenariats, Collection sonore - BelieveContient une table des matière
"La condizione neomoderna" di Roberto Mordacci
No full textNota critica di Simone Ghelli a R. Mordacci, "La condizione neomoderna", Einaudi, Torino, 2017
Simone Weil
No full textLa voce delinea l'opera e la vita di Simone Weil e comprende una bibliografia essenziale
A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy
No full textThis research provides an example of art practice employed within a metaethical framework by addressing Simone Weil‘s ethical notion of attention. In this thesis, 'metaethics‘ is defined as a second order inquiry into first order questions of normative ethics, more specifically, an inquiry into the metaphysical and epistemological premises of Weil‘s discourse on the ethical value of attention.
On one hand, I demonstrate how Weil‘s notion of attention can expand the scope of art so as to include metaethics. On the other hand, I use art to widen the current knowledge of Weilian attention.
The research projects described and analysed in this thesis are predicated on a method which I designate 'critical practical analogy‘; this is an analogy which includes art practical operations for the purpose of critical investigation. This method subsumes both theoretical and practical inquiries. I used two analogies:
– Normative analogy compares (a) the dualistic relation that Weil postulates between agent and reality in her discourse on attention to (b) the relation that I postulate between my agency through observational drawing and the object of observation. The analogy operates by using Weil‘s assertions on attention normatively in observational drawing.
– Imaginal analogy compares (a) Weil‘s use of tautology and contradiction in her arguments for ethical attention to (b) tautology and contradiction considered as argument forms. The analogy operates by giving aesthetic presence to these forms, i.e. by turning them into images through artworks.
The analogies obtained the following outcomes:
– The normative projects afford a practical knowledge of Weilian attention by interpreting it as an ethical practice of detachment. The projects also demonstrate that, notwithstanding Weil‘s transcendent view of truth, such a practice of detachment is compatible with a subjective notion of truth.
– By capitalising on the non-propositional mode of representation which is typical of visual art, the imaginal projects engender a scepticism which favours dialogue and values questions as positive research results.
The outcomes indicate the following implications for visual arts practice:
– The outcomes of the normative projects demonstrate how contemporary artists who regard notions of universal truth with scepticism need not necessarily disavow ethical intentions in their practice.
– Due to its propositional character, theoretical metaethics can reach an impasse from which it can only point discursively to the limits of language. The outcomes of the imaginal projects evidence that art can move beyond these limits non-propositionally.
The use of critical practical analogy also indicates a methodological implication for art practical, interdisciplinary research. Critical practical analogy could provide artists with both a heuristic research tool and a template for articulating a discursive representation of art practice which both acknowledges the non-linearity and indirectness of practice-led research and the need for
interdisciplinary intelligibility
Traits verbaux dans les noms et les formes nominalisées du verbe
No full textRaffaele Simone et Anna Pompei, à partir de plusieurs langues (français, italien, grec ancien, latin, turc), formulent l’hypothèse que les verbes et les noms ne forment pas deux classes de mots disjointes. Ils envisagent la possibilité d’un continuum entre le "pur" nominal (noms pleinement référentiels) et le "pur" verbal (verbes pleinement prédicatifs) ; le passage du verbe au nom et du nom au verbe se réalisant par un "gommage" progressif des propriétés distinctives de chacune des deux catégories. Un des points forts de cet article est de mettre en lumière l’existence d’un certain nombre de formes intermédiaires au statut incertain
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
No full textIn this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
Profundisepta denudata Simone & Cunha 2014
No full textdenudata, Profundisepta Simone & Cunha, 2014 Profundisepta denudata Simone & Cunha, 2014: 457–458 (figs 109–115). Gastropoda, Fissurellidae Holotype: MZSP 105507. Paratype: MZSP 105508. Locality: Brazil, São Paulo, continental slope off Ubatuba, 24°12' S, 40°23' W, 3049 m depth, R/V W. Besnard sta. PI (type locality), 1 Jun. 1971. Collectors: Researchers onboard R/V W. Besnard. Preservation: Dry.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 21, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
Cyclodontina capivara Simone & Casati 2013
No full textcapivara, Cyclodontina Simone & Casati, 2013 Cyclodontina capivara Simone & Casati, 2013: 149–151 (figs 16–22). Gastropoda, Odontostomidae Holotype: MZSP 112448. Paratypes 1 (19 spc): MZSP 111837. Paratypes 2 (18 spc): MZSP 111838. Paratypes 3 (9 spc): MZSP 111845. Localities: Brazil, Piauí, Serra da Capivara, Coronel José Dias Municipality, close to Sítio do Mocó town, Toca de Cima dos Pilão Cave, 8°51'47.10'' S, 42°33'26.96'' W; 1–2) same, sta. P1; all collected in 2012; 3) from type locality. Collector: R. Casati. Preservation: Dry. Remarks: Specimens in the lot MZSP 111835 were listed as paratypes of Rhinus gilbertus by Simone & Casati (2013, original description), but are in fact topotypes of C. capivara, which is described in the same paper. The lot MZSP 111845 contains 9 shells and not 8 as reported in the original description of C. capivara. Simone & Casati (2013) simultaneously reported the catalogue number MZSP 111845 among the paratypes of both C. capivara and Rhinus gilbertus. This catalogue number does not contain paratype specimens of R. gilbertus: this information is incorrect in the original description and should be disregarded.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 13, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
Rhinus gilbertus Simone & Casati 2013
No full textgilbertus, Rhinus Simone & Casati, 2013 Rhinus gilbertus Simone & Casati, 2013: 153–154 (figs 23–34). Gastropoda, Simpulopsidae Holotype: MZSP 112449. Paratypes 1 (27 spc): MZSP 111827. Paratypes 2 (50 spc): MZSP 111839. Paratypes 3 (9 spc): MZSP 111844. Localities: Brazil, Piauí, Serra da Capivara, Coronel José Dias Municipality, close to Sítio do Mocó Town, Toca de Cima dos Pilão Cave, 8°51'47.10'' S, 42°33'26.96'' W; 1–2) same, sta. P2; 3) same, sta. P1. Collector: R. Casati. Preservation: Dry. Remarks: Specimens in the lot MZSP 111835 are listed as paratypes of Rhinus gilbertus by Simone & Casati (2013, original description), but are in fact topotypes of C. capivara, which is described in the same paper. Simone & Casati (2013) simultaneously reported the catalogue number MZSP 111845 among the paratypes of Rhinus gilbertus and C. capivara. This catalogue number does not contain paratypes of R. gilbertus; this information is incorrect in the original description and should be disregarded.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 25, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
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