43,455 research outputs found

    Cave Hermitages and Chapels in Eastern Lo

    No full text
    In this chapter the author reviews the main cave temples excavated in easten Lo, with particular reference to their wall paintings, most of which are published here for the first time

    An Introduction to the Cultural History of Lo (Mustang)

    No full text
    In this introduction the author describes the cultural and political situation that allowed the flourishing of religious arts at the peak of the power of the kingdom of Lo, in the 15th century

    Wonders of Möntang

    No full text
    In this chapter the author describes the history of the two main temples at Möntang, the capital of Lo, one devoted to the Bodhisattava and future Buddha Maitreya, the other to the historical Buddha Mahamuni, focusing on their wall paintings, which range among the finest in 15th- century geo-cultural Tibet

    Some of the works of Serigne Mouhammadou Masokhna Lo

    No full text
    Date created: 1980s.The entire manuscript is available for download below as a single PDF file. Each page is also available as a separate, larger, JPG file. If higher-resolution JP2 files are needed (WARNING: files average 11-14MB in size), please contact [email protected]. Fieldwork Team: Dr. Fallou Ngom (PI), Cheikh Tidiane Fall (Co-applicant), Ablaye Diakite (Researcher), Birane Gassama (Researcher) Technical Team: Roger Brisson (Head of Metadata Services, BU Libraries), Vika Zafrin (Institutional Repository Librarian, BU Libraries), Jack Ammerman (Associate University Librarian for Digital Initiatives and Open Access, BU Libraries), and Dr. Peter Quella. This collection of Wolofal (Wolof Ajami) materials is copied as part of the EAP 334 Project (Digital Preservation of Wolof Ajami manuscripts of Senegal) led by Dr. Fallou Ngom in collaboration with WARA/WARC and Boston University Library. The project is funded by the British Library/Arcadia Endangered Archives. Access Condition and Copyright: The materials are subject to copyright. Access is for research and educational purposes only. Materials are not to be reproduced without written permission. Citation: Materials in this web edition may be cited as: Ngom, Fallou. 2011. African Ajami Library: EAP 334. Digital Preservation of Wolof Ajami Manuscripts of Senegal. Boston: Boston University Library: http://dcommon.bu.edu For Inquires: Please, contact Professor Fallou Ngom ([email protected])These manuscripts are the originals handwritten by Serigne Mouhammadou Masokhna Lo. Based on the interview with the author, they were written in the 1980s. Red, green, and black ink are used in the manuscripts. The red and green ink are used to highlight key words and phrases. There are frequent insertions of Arabic phrases, which include quranic quotations and opening and closing formulae. The manuscripts contain several poems written by Serigne Mouhammadou Masokhna Lo, including a biographical eulogy of Serigne Mor Mbaye Cisse, a renowned Murid scholar and educator who lived and taught in Diourbel; and criticisms of social problems such as lack of discipline and good behavior, disorderly conduct, adultery, the negative consequences of alcoholism among men, women, young and old, and among leaders and their followers. The materials also include historical accounts of the five year long construction of the mosque of Diourbel (Jumaay Ndiaareem) using chronograms; the discussion between Serigne Modou Moustapha (who led the effort) and the French engineer responsible for the construction on the equipment needed; the construction of the railway between Diourbel and Touba; the personal qualities of Serigne Bassirou Mbacke; a tribute to Cheikh Ahmadou Bamba and to Serigne Mbacke Madina; the motivation of 28 kaamil (copies of the Qur'an) written by Serigne Fallou Mbacke for his father and spiritual guide Cheikh Ahmadou Bamba; and a tribute to Serigne Bousso, among others. The materials also contain a poem on coffee and its benefits. Digitized on 17 July 2011. According to the author, the documents were written in the 1980s. Some images are difficult to read due to the poor condition of both the originals, which have ink stains, and the writing (especially those entirely written with black inks). The ink has faded away in some pages.This collection of Wolofal (Wolof Ajami) materials is copied as part of the EAP 334 Project (Digital Preservation of Wolof Ajami manuscripts of Senegal) led by Dr. Fallou Ngom in collaboration with WARA/WARC and Boston University Library. The project is funded by the British Library/Arcadia Endangered Archives

    Premessa di Simon Callow

    No full text
    l libro, Orson Welles e il teatro, Shakespeare e oltre, esamina la carriera teatrale di Orson Welles (1915-1985) dal 1946 al 1960, dopo il grande successo del Mercury Repertory Theatre e del film Quarto potere (Citizen Kane) e prima che lui abbandonasse il teatro per sempre, con uno speciale sguardo alle sue opere shakespeariane. Sebbene non sia possibile recuperare alla nostra esperienza il teatro di Orson Welles, e sebbene la sua reputazione sia destinata a restare per sempre basata, almeno fino a un certo punto, su frammenti e tracce, sono rimasti tuttavia tanti ricordi vivi e appassionati di Welles attore e regista teatrale. È indubbio che, per capire meglio l’intera carriera di Welles, è importante cogliere l’originalità anche della sua poetica teatrale. Quando Welles sarà meglio conosciuto come attore e regista teatrale, un aspetto importante della sua arte emergerà: dal principio alla fine Welles è stato un vero uomo di teatro. Aleksandra Jovićević è professore ordinario presso il dipartimento SARAS (Storia Antropologia Religioni Arte Spettacolo) della Sapienza Università di Roma, dove insegna teorie teatrali e performance studies. Oltre ad essere autrice di vari saggi e volumi, ha curato il libro di Richard Schechner, Il nuovo terzo mondo dei performance studies, per Bulzoni nel 2017. Con le premesse di Ferruccio Marotti e Simon Callo

    New Roads for Patron-Driven E-books:Collection Development and Technical Services Implications of a Patron-Driven Acquisitions Pilot at Rutgers

    No full text
    Collection development librarians have long struggled to meet user demands for new titles. Too often, required resources are not purchased, while some purchased resources do not circulate. E-books selected through patron-driven plans are a solution but present new challenges for both selectors and catalogers. Radical changes to traditional technical services workflows are required, and selectors must modify the selection process to give more choice to the user. Rutgers University librarians have adopted an innovative new technical services workflow and collection-development model to manage a successful, patron-driven acquisitions project for e-books in the fields of math and computer science.This is an Accepted Manuscript of an article published by Taylor & Francis Group in Journal of Electronic Resources Librarianship on 13/12/2011, available online at: http://www.tandfonline.com/10.1080/1941126X.2011.627043

    Abbey Simon, piano (Estados Unidos)

    No full text
    Concierto interpretado por el piansita Abber Simon. Abbey Simon nació en Nueva York y recibió parte de su educación en el Instituto Curtis de Filadelfia. Allí frecuentó los cursos de Josef Hofmann, Arthur Schnabel, Leopold Godowsky y Harold Bauer. Graduado en 1939, luego de obtener el premio Walter W. Naumburg se presentó con gran éxito en el Town Hall de Nueva York. Unidos y Canadá. En 1949 realizó su primera gira por Europa. Abbey Simon ha participado en importantes festivales internacionales, ofreciendo además centenares de conciertos en los principales centros artísticos de Europa y América. Sus actuaciones lo han vinculado asimismo como .solista a las más famosas orquestas del mundo, actuando en colaboración con los más afamados directores, recordándose entre los más eminentes a Sir John Barbirolli, Sir Malcolm Sargent, J osef Krips, Rafael Kubelik, Dimitri Mitropoulos, Eduard van Beinum, Georges Szell, Willem van Otterloo, Sir Adrian Boult y Albert · Wolff
    corecore