6,274 research outputs found
Retour sur l’oeuvre de Roberto Signorini (Milan, 1947-2009)
No full textNous remercions Maria Luisa Tornesello et Pierangelo Cavanna, qui ont mis à notre disposition les matériaux en leur possession. Photographe, essayiste, traducteur et divulgateur en Italie des théories les plus modernes du « photographique », Roberto Signorini s’intéresse à la photographie dès le début des années 1970, après avoir obtenu le diplôme de docteur ès lettres – avec une spécialité en philologie médiévale et humaniste – en 1971 à l’université catholique de Milan. Les études de philol..
Roberto Signorini, Adsignare libertum. La disponibilità del patronatus tra normazione senatoria ed interpretatio giurisprudenziale. Milan, Giuffrè, 2009
No full textJones Huguette. Roberto Signorini, Adsignare libertum. La disponibilità del patronatus tra normazione senatoria ed interpretatio giurisprudenziale. Milan, Giuffrè, 2009. In: L'antiquité classique, Tome 81, 2012. p. 546
Audiomobiles, Sculptures and Conundrums
No full textRoberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Telemaco Signorini e Diego Martelli: l'Europa in Toscana.
No full textRicostruzione dell'ambiente artistico fiorentino negli anni Cinquanta-Sessanta dell'Ottocento tramite le figure e le opere del pittore Telemaco Signorini e del critico d'arte Diego Martelli anche attraverso i rispettivi rapporti con l'ambiente culturale europeo, fra Parigi e Londra
Adsignare libertum: contributo agli studi sulla configurazione del diritto di patronato
No full textThe adsignatio libertorum seems to be introduced ex senatus consulto (the so called Ostorianum) during Claudius's reign ("claudianis temporibus"), while Suillius Rufus and Ostorius Scapula were holding the consulship (41 or maybe 45 a. D.). Through it, the paterfamilias can transfer the whole body of iura patronatus to one among his sons, leaving out all the others.
The adsignatio shows the peculiarity of a personal beneficium. In fact, it can be used una tantum only by the patronus manumissor who fears, if sentenced for a crimen capitalis, the capitis deminutio media signified by the expression "in civitate esse desinere" which can be read in the senatus consultum. In doing so, he can avoid, for himself and for his offspring, the otherwise automatic extinction of patronatus, as a result of the dissolution of the agnatic bond due to amissio civitatis
Annibale
No full textNord Africa, 237 a. C. Il generale cartaginese Amilcare sta muovendo col suo esercito verso la Spagna per assoggettarla al dominio punico. Lo accompagna il figlioletto Annibale, non ancora decenne. Ma la Spagna è solo il punto di partenza: l’obiettivo finale è Roma, la grande nemica che pochi anni prima aveva sconfitto e umiliato Cartagine. Il piccolo Annibale, condotto davanti all’altare di Zeus, giura odio eterno verso i Romani. Nasce così il più formidabile avversario della millenaria storia di Roma: il condottiero della traversata delle Alpi con gli elefanti, il raffinato stratega militare tanto abile quanto crudele, ma anche l’uomo che nel momento della scelta decisiva esita di fronte alla grandezza di Roma, segnando inesorabilmente l’inizio del proprio declino
Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
No full textThis research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
Pharmacologically active piperazino derivatives
No full textNew piperazino derivatives of formula ##STR1## in which R is a phenyl radical substituted with at least one sulphonamido group or a substituted nitrogenated heterocyclic ring, and A is CO, CH2, SO2, possessing inhibiting activity towards carbonic anhydrase.
The new products are prepared from compounds of formula R-A-X in which X is OH, SH, halogen, OR"" or SR"" in which R"" is methyl, ethyl, phenyl, carbomethoxy, carboethoxy, and from a piperazino derivative of formula ##STR2## The R' group can also be introduced on termination of the reaction, by removing and substituting a protective group present at the nitrogen.
R is 2-methoxy-5-sulphamoyl-phenyl, 2-sulphamoylimidazyl, 2-amino-1,3,4-thiadiazole or 2-acetamido-1,3,4-thiadiazole;
R' is H, linear or branched C.sub.1 -C.sub.6 alkyl; linear or branched C.sub.2 -C.sub.6 alkenyl; alkyl-phenyl or alkenyl-phenyl, wherein phenyl is optionally monosubstituted with halogen, trihalomethyl, C.sub.1 -C.sub.6 alkyl, C.sub.1 -C.sub.6 alkoxy, or sulphonamido; C.sub.2 -C.sub.6 aliphatic acyl; C.sub.3 -C.sub.6 alkylcarboxyalkoxy; alkyl-carboxyamino in which the alkyl is C.sub.1 -C.sub.3 and the amine is mono or disubstituted by linear or branched C.sub.1 -C.sub.6 alkyl and;
R" is H, or together with R' forms a 5 or 6 membered ring condensed with the piperazine;
provided that when R is a substituted phenyl group and A is CO, R' is other than H, C.sub.1 -C.sub.4 alkyl or benzyl
Filologia editoriale, Roberto Calasso in dialogo con Paola Italia e Francisco Rico
No full textPaola Italia e Francisco Rico intervengono sul libro di Roberto Calasso, presidente e fondatore di Adelphi Edizioni, L'impronta dell'editore, e discutono di problemi di filologia delle forme editoriali, dal punto di vista dell'autore, del lettore e dell'editore.Paola Italia and Francisco Ricos interview Roberto Calasso, Publisher, Writer, and Founder of Adelphi Edizioni, about his book: L'impronta dell'editore, talking about philology, publishing and editing, from the author, the reader and the publisher's point of view
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