680 research outputs found

    Lost conversations: finding new ways for black and white Australians to lead together

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    It\u27s time for a game-changer in how black and white Australians relate.   The difficulties we have in coming together—to talk, to work, to lead change—are core to our challenge to reconcile, as a country. But if we want to shift the status quo, if we want to lead change on entrenched Indigenous disadvantage, we don\u27t need another program, initiative or money to try and \u27fix\u27 the problem. We need to start having a different conversation.  The result of two years experience working together as part of a Social Leadership Australia initiative, Lost Conversations brings together the diverse perspectives and personal stories of five Aboriginal and four non-Indigenous authors, all with first-hand knowledge of what happens when black and white Australians come together to try and work on change.  Lost Conversations asks the questions and starts the conversations that we daren\u27t have in Australia ... until now:  What is \u27black\u27 power? What is \u27white\u27 power?  What qualifies someone to lead in this cross-cultural space?  Why is this so hard to talk about?  Can we start to name these things and try to shift the status quo?  Can we change?  Should we?  &nbsp

    COVID-19 Nursing

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    The author draws a parallel of working in a hospital is what it must have been like for the Israelites walking in the desert. Lucky reflects on her own experience of caring for people during the pandemic

    Seven Lucky Stars

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    Jana Meador's Seven Lucky Stars is a book for all ages. It tells the true story of a sled dog left to fend for himself only to find his second chance in life. Sveinn's incredible story began in the middle of the forested mountains, where he was eventually found. His journey takes him on an unexpected 2000 mile adventure, where he meets his seven lucky stars. Jana Meador is also author of three novels: Of Thorns, Roses, and a Devil's Lie; The Edward Hewitt's Story; Under the Magpie Wings; and two screen plays, "Road To Earl (adapted from the Edward Hewitt's Story) and the comedy Cul-de-sac. She is a recent graduate from the New York Film Academy's screenwriting program

    Book Review: The Lucky Man Bar

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    The action of The Lucky Man Bar is set in both Zambia and Nepal. There are also snippets of action that occur in Congo and Greece. In Zambia, the action vacillates mostly between the city of Lusaka and the small town of Kafue. The descriptive narration of the Kafue area suggests that the author is very familiar with the geography of the area in and around Kafue. A good example is the description of the physical features of the area where the drive takes place in the prologue. This is indicative of the fact that the author actually worked in the area for Sino Hydro, a Chinese construction company. Some of the similarities between the author and the narrator, as a matter of fact, invite questions regarding whether or not the novel is a palimpsest of part-fact and part-fiction

    ANALYSIS OF THE STORY 'LUCKY ARTISTAND' BY ENGLISH AUTHOR SOMERSET MAUGHAM

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    Analyzing the artistic work by its form and content, it is possible to show the author’s approach to the work. This article analyzes the English writer Somerset Maugham’s ‘Lucky Artistand’ story by its form and content components

    A Lucky Man

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    Jamel Brinkley is the 2018 Sister Mariella Gable Award-winning author of A Lucky Man (Graywolf Press/A Public Space Books). His fiction has appeared, or is forthcoming, in The Best American Short Stories 2018, A Public Space, Ploughshares, Gulf Coast, The Threepenny Review, Glimmer Train, American Short Fiction, Epiphany, and LitMag. A graduate of the Iowa Writers\u27 Workshop, he was also the 2016,17 Carol Houck Smith Fiction Fellow at the Wisconsin Institute for Creative Writing. His work has received support from Kimbilio Fiction, the Callaloo Creative Writing Workshop, the Napa Valley Writers\u27 Conference, the Tin House Summer Workshop, and the Bread Loaf Writers\u27 Conference. Beginning this fall, he will be a 2018-2020 Wallace Stegner Fellow in Fiction at Stanford University. (credit: Jamel Brinkley website

    The lucky ones

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    The Lucky Ones is a coming-of-age novel set in the near future, when the seas have risen and hurricanes are no longer limited to a season. No one goes to Gull Island anymore. Wealthy summer people have abandoned this once bustling Jersey Shore town, and only the most stubborn long-time residents have refused to leave this shrinking island. Tallie Koilor-Kitterman’s parents refused to leave, and Tallie grew up knowing that her town was drowning. Now nineteen-years-old, Tallie was thrilled to escape to college in Manhattan, where frivolity and leisure are still possible. But as another hurricane bears down on the coast, Tallie returns to her family on Gull Island. Tallie finds much of the island under the control of a reclusive wealth manager, who flouts the state-wide prohibition on surfing and seems strangely eager for the flood. The hurricane strands Tallie’s family on Gull Island. As they wade through the ruins of their island, they begin to suspect they are not alone. Those who remain must begin again, learn to survive together, and find beauty in what remains.M.F.A.Includes bibliographical reference

    Credo of a Lucky Textbook Author

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    At war's end, introductory economics textbooks were overdue for a revolutionary advance. Change conspired to tempt the author to bring to the beginning course the rudiments of Keynesian macroeconomics. The impact was explosive. In reaction to criticisms of the subsequent evolutionary revisions, the author here describes the transition beyond the 1936 Model T General Theory paradigm from the standpoint of advances on the frontier, at the same time correcting erroneous claims about the saving process. Finally, he tells the tales of rightist censorship of Lorie Tarshis's 1947 pioneering Keynesian textbook and of later thunder from the left. </jats:p

    Credo of a Lucky Textbook Author

    No full text
    At war's end, introductory economics textbooks were overdue for a revolutionary advance. Change conspired to tempt the author to bring to the beginning course the rudiments of Keynesian macroeconomics. The impact was explosive. In reaction to criticisms of the subsequent evolutionary revisions, the author here describes the transition beyond the 1936 Model T General Theory paradigm from the standpoint of advances on the frontier, at the same time correcting erroneous claims about the saving process. Finally, he tells the tales of rightist censorship of Lorie Tarshis's 1947 pioneering Keynesian textbook and of later thunder from the left.
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