642 research outputs found
Raymond Holden, Jr.
No full textB&W; 200dpi TIFFA portrait of Raymond Holden, Jr., the son of the author of the Alma Mater. Dr. Holden made an estate gift to endow the Raymond F. Holden, Sr. Scholarship in Science in honor of his father. This digital file was provided by the Holden family in 2009 and may only be used for purposes of promotion of Kalamazoo College, with permission from the family. See PDF correspondence file
Raymond Holden, Sr.
No full textSepia; 200dpi TIFFA portrait of Raymond Holden, Sr., Kalamazoo College class of 1907 and author of the Alma Mater. This digital file was provided by the Holden family in 2009 and may only be used for purposes of promotion of Kalamazoo College, with permission from the family. See PDF correspondence file
Newspaper Clipping: 'William Holden Fought Way From Rural School Post to Fame as Historian, Author at Texas Tech'
No full textA newspaper clipping from the Houston Post published on December 18, 1938, with an article titled 'William Holden Fought Way From Rural School Post to Fame as Historian, Author at Texas Tech,' which highlights the career of William Holden, a leading educator in Texas
Newspaper Clipping: 'William Holden Fought Way From Rural School Post to Fame as Historian, Author at Texas Tech'
No full textA newspaper clipping from the Houston Post published on December 18, 1938, with an article titled 'William Holden Fought Way From Rural School Post to Fame as Historian, Author at Texas Tech,' which highlights the career of William Holden, a leading educator in Texas
Newspaper Clipping: 'William Holden Fought Way From Rural School Post to Fame as Historian, Author at Texas Tech'
No full textA newspaper clipping from the Houston Post published on December 18, 1938, with an article titled 'William Holden Fought Way From Rural School Post to Fame as Historian, Author at Texas Tech,' which highlights the career of William Holden, a leading educator in Texas
Home - between screens
Get PDFThis paper offers a representation of the author’s complex and gendered experiences of ‘home’ during the Covid 19 pandemic (March 2020 - Sept 2021), experienced from the autoethnographic perspective of an arts practitioner. The theme is explored in the experimental spaces and intersections ‘between screens’ (home/work, virtual/actual, digital/textile, professional/domestic, academic/creative). The enquiry is pursued through an interdisciplinary practice, which generates both theory through practice and a theorised practice, to enact and illuminate the entanglement of the professional/domestic, embodied by this artist/mother/lecturer/Ph.D. candidate whilst performing her/my role(s) and homeworking within the domestic environment. Viewing Chantal Akerman’s 1975 film, Jeanne Deilman, 23, quai du Commerce, 1080 Bruxelles in early lockdown was instrumental in thinking through this professional/domestic ‘work(wo)manship’ (my neologisms). When witnessed through Microsoft TEAMS and Zoom technologies, domestic gestures can become lasting artefacts of daily house/home life, whilst also operating as a method of arts production. My intention within this paper is to develop a practice-based discourse on the professional/domestic phenomenon of working from home, situated between Jeanne Dielman and Bracha L. Ettinger (a psychoanalyst, visual analyst, and artist/painter), as a method to reflect upon the (in)visibility of occupations in the home. Professional/domestic life is explored through my D.I.Y. matrixial making methods to address how work(woman)ship can be ‘pieced’ or ‘stitched’ together, and where the (im)materiality of the screen is (re)positioned between textile theory and digital assemblage, intertwined with bricolage, assemblage, (Deleuze & Guattari) matrixial theory, (Ettinger) and art activism (Deepwell et al.) as a context for making work(wo)manship visible
In self-defense : catching Holden, and the Salingerian outsider
No full textHolden Caulfield, the sardonic and cynical narrator of The Catcher in the Rye, is one\ud
of the world???s most recognized literary characters. The novel???s reclusive author, J.D.\ud
Salinger, remains equally famous since the book???s publication in 1951. Over the past\ud
60 Years, Holden has become a staple of American literature and modem culture that\ud
remains compelling, yet troubling, in his brutal moments of honesty. This thesis\ud
examines Holden Caulfield???s lasting impression as a character of literature; the\ud
enduring power of J.D. Salinger as mythical American writer and owner of Holden???s\ud
intellectual property; and the ever-evolving character of Holden Caulfield, whose\ud
literary representation is re-imagined in other novels and recalled in multiple\ud
translations through the visual medium
A splice of life (home, laptop, wi-fi)
Get PDFMetramorphosis is a process of change on borderlines and thresholds between being and absence,
memory and oblivion, 1 and non-I, a process of transgression and fading away. The metramorphic
consciousness has no centre, cannot hold a fixed gaze -or, if it has a centre, it constantly slides to the
borders, to the margins.1
This paper examines Bracha Lichtenberg Ettinger’s matrixial theory in relation to her concept of
Metramorphosis as “a process of change on borderlines and thresholds” 2 when experienced from the
perspective of living at home during the pandemic. It attempts to do this by addressing the
circumstances of the artist/author of this paper, as a way to (re)produce encounters, firstly lived
through the screen, then later developed upon through a palimpsestic process whereby layers and
layers of ‘artworking’ are applied through interdisciplinary virtual, digital and analogue methods, as a
response to working through the pandemic
Audrey and Bill a romantic biography of Audrey Hepburn & William Holden
No full text"Here for the first time is the complete, captivating story of an on-set romance that turned into a lifelong love story between silver screen legends Audrey Hepburn and William Holden. In 1954, Hepburn and Holden were America's sweethearts. Both won Oscars that year and together they filmed Sabrina, a now-iconic film that continues to inspire the worlds of film and fashion. Audrey & Bill tells the stories of both stars, from before they met to their electrifying first encounter when they began making Sabrina. The love affair that sparked on-set was relatively short-lived, but was a turning point in the lives of both stars. Audrey & Bill follows both Hepburn and Holden as their lives crisscrossed through to the end, providing an inside look at the Hollywood of the 1950s, '60s, and beyond. Through in-depth research and interviews with former friends, co-stars, and studio workers, Audrey & Bill author Edward Z. Epstein sheds new light on the stars and the fascinating times in which they lived"-
In self-defense: catching Holden, and the Salingerian outsider
No full textHolden Caulfield, the sardonic and cynical narrator of The Catcher in the Rye, is one of the world's most recognized literary characters. The novel's reclusive author, J.D. Salinger, remains equally famous since the book's publication in 1951. Over the past 60 Years, Holden has become a staple of American literature and modem culture that remains compelling, yet troubling, in his brutal moments of honesty. This thesis examines Holden Caulfield's lasting impression as a character of literature; the enduring power of J.D. Salinger as mythical American writer and owner of Holden's intellectual property; and the ever-evolving character of Holden Caulfield, whose literary representation is re-imagined in other novels and recalled in multiple translations through the visual medium
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