8,271 research outputs found
Replication data for: Sharkey, Patrick, and Alisabeth Marsteller. 2022. "Neighborhood Inequality and Violence in Chicago, 1965–2020." University of Chicago Law Review 89: 349-351.
No full textReplication data for: Sharkey, Patrick, and Alisabeth Marsteller. 2022. "Neighborhood Inequality and Violence in Chicago, 1965–2020." University of Chicago Law Review 89: 349-351
Replication Data for: Sharkey, Patrick, and Yinzhi Shen. (in press). “The Effect of Mass Shootings on Daily Emotions is Limited by Time, Geographic Proximity, and Political Affiliation.” Proceedings of the National Academy of Sciences.
No full textCode and data for: Sharkey, Patrick, and Yinzhi Shen. (in press). “The Effect of Mass Shootings on Daily Emotions is Limited by Time, Geographic Proximity, and Political Affiliation.” Proceedings of the National Academy of Sciences
Replication Data for: Sharkey, Patrick, Gerard Torrats-Espinosa and Delaram Takyar. 2017. “Community and the Crime Decline: The Causal Effect of Local Nonprofits on Violent Crime.” American Sociological Review 82(6):1214-40.
No full textReplication data and code for: Sharkey, Patrick, Gerard Torrats-Espinosa and Delaram Takyar. 2017. “Community and the Crime Decline: The Causal Effect of Local Nonprofits on Violent Crime.” American Sociological Review 82(6):1214-40
Replication Data for: Sharkey, Patrick, Gerard Torrats-Espinosa and Delaram Takyar. 2017. “Community and the Crime Decline: The Causal Effect of Local Nonprofits on Violent Crime.” American Sociological Review 82(6):1214-40.
No full textReplication data and code for: Sharkey, Patrick, Gerard Torrats-Espinosa and Delaram Takyar. 2017. “Community and the Crime Decline: The Causal Effect of Local Nonprofits on Violent Crime.” American Sociological Review 82(6):1214-40
Patrick Sharkey Retrospective: Real College Podcast
No full textRuntime (24:23).Managing editor Patrick Sharkey is graduating!Support for this program comes from the Minnesota Arts and Cultural Heritage Fund.Radio K (KUOM). University of Minnesota. (2017). Patrick Sharkey Retrospective: Real College Podcast. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/218436
Two is one, one is none
No full textAugust 2009For Back Lane West¹s inaugural show, Two is One, One is None, three artists have each chosen an artist to join forces with to produce new work in a fast and immediate manner. Patrick Lowry, Steven Paige and Alison Sharkey have chosen to work with Ben Rowe, Clare Thornton and Alex Schady respectively. The work being produced is a spontaneous and immediate reaction to the act of partnering and negotiation. Without much preamble the focus has been on making work, without any over arching theme or curatorial line. What is a concern are the practicalities of making work, having somewhere to show it and the relations that can make this happen. Part experiment and part challenge the results are as much a dialogue between the participants as pieces of work. Back Lane West, is a newly initiated space/place/repository, whose vision is to host and present national and international artists' works and projects in Cornwall, UK, and reverse this relationship to work nationally and internationally. Its mission is to enable artists to present and exhibit their work and projects to their peers and chosen audience. The potential uses of the existing project space are not limited and a variety of outcomes and events are planned for the foreseeable future, including invited artists, residency programmes, artists¹ talks and exchanges. Back Lane West is currently self-funded, being flexible in how it programmes and presents projects. In the first show the three founding members were working with artists based in Bristol and London to collaborate and create work.The results of this endeavour was exhibited in the project space Sat 29 and Sunday 30 August 2009. There was an artist discussion chaired by Megan Wakefield on Sunday 30th.To listen to the discussion, click here (coming soon) Artists: Patrick Lowry = Ben RoweSteven Paige = Clare Thornton Alison Sharkey = Alex Schady<br/
Letter from Cardinal Patrick O'Donnell to Hagan
No full textHolograph letter from Cardinal Patrick O'Donnell, Ara Coeli, Armagh, to Hagan, expressing his worries about Hagan's health. The Congregation of the Council communicated the Pope's approval of the proposed synod; O'Donnell is to designate his legate who would preside. Then asking Hagan about his preference for a spiritual director; both Dr. E. O'Doherty, and Dr.[Sharkey], Derry, had been mentioned. The standing committee will meet on Tuesday. Also commenting that the vice-rector (Curran)'s latest communication was very positive
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Patrick Chamoiseau Recovering Memory
No full textThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Title Page -- Contents -- Introduction -- 1: Beginnings: The Enigma of Origin -- 2: 'Une tracée de survie': Autobiographical Memory -- 3: Memory Re-collected: Witnesses and Words -- 4: Memory Materialized: Traces of the Past -- 5: Flesh Made Word: Traumatic Memory in Biblique des derniers gestes -- Afterword -- Notes -- Bibliography -- IndexThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
sj-docx-1-usj-10.1177_00420980211052149 – Supplemental material for The academic effects of chronic exposure to neighbourhood violence
No full textSupplemental material, sj-docx-1-usj-10.1177_00420980211052149 for The academic effects of chronic exposure to neighbourhood violence by Amy Ellen Schwartz, Agustina Laurito, Johanna Lacoe, Patrick Sharkey and Ingrid Gould Ellen in Urban Studies</p
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