29,347 research outputs found
Karl Shapiro papers
No full textKarl Shapiro (1913-2000) was an American poet and literary critic who was born in Baltimore, Maryland. He was strongly influenced by the works of W. H. Auden, Walt Whitman, and William Carlos Williams. His work has been recognized with a number of major awards, including the Pulitzer prize for V-Letter and Other Poems in 1945; he later became consultant in poetry at the Library of Congress. He also published a novel, an autobiography, and poetry anthologies. Shapiro taught at many universities, including Johns Hopkins University, University of Nebraska, University of Illinois at Chicago Circle, and University of California, Davis. His papers consist of correspondence, manuscripts of poems, and photographs and are mostly from 1941 to 1944
Interview between William Gropper and David Shapiro
No full textTranscription of audio recording.An interview by Pariciat Hills between William Gropper and David Shapiro, conducted on May 31, 1975
Portrait of Wm. L. Bowles, author of Fourteen sonnets, 1786 [picture] /
No full textIn: Album of William Romaine Govett, 1828-1847.; Inscriptions: "Author of Fourteen sonnets, 1786"--Below drawing.; Also available online at: http://nla.gov.au/nla.pic-an4699386-s12-a1
Faculty concert: Bayla Keyes and Lois Shapiro, January 24, 1999
No full textThis is the concert program of the Faculty Concert of Bayla Keyes and Lois Shapiro performance on Sunday, January 24, 1999 at 3:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Suite for Violin and Piano by William Grant Still, Companion Piece by Marjorie Merryman, Sonata for Violin and Piano by Aaron Copland, Second Sonata for Violin and Piano by Charles Ives, and Who Let the Cat out Last Night? by Paul Schoenfield. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
For it's Hi! Hi! Hee! in the Field Artillery [first line of chorus]
No full textstrophic with choruspiano and voiceDedicated to the U.S. Field Artilleryads on inside bottom margins and on back cover for Shapiro, Bernstein & Co. stock, and on front cover for War BondsJohns Hopkins University, Levy Sheet Music Collection, Box
189, Item 053aby Brig. Gen. Edmund L. Gruber. The author acknowledges with thanks the contributions of Robert M. Danford and William Bryden to the words.George Montgomery, Maureen O'Hara, and John Sutton in Ten Gentlemen From West Point. With Laird Cregar, John Shepperd, Victor Francen. Directed by Henry Hathaway. Produced by William Perlberg.unattrib. photo of Montgomery, O'Hara, Sutton, and other members of cas
For it's Hi! Hi! Hee! in the Field Artillery [first line of chorus]
No full textstrophic with choruspiano and voiceDedicated to the U.S. Field Artilleryads on inside bottom margins and on back cover for Shapiro, Bernstein & Co. stock, and on front cover for War BondsJohns Hopkins University, Levy Sheet Music Collection, Box
189, Item 053aby Brig. Gen. Edmund L. Gruber. The author acknowledges with thanks the contributions of Robert M. Danford and William Bryden to the words.George Montgomery, Maureen O'Hara, and John Sutton in Ten Gentlemen From West Point. With Laird Cregar, John Shepperd, Victor Francen. Directed by Henry Hathaway. Produced by William Perlberg.unattrib. photo of Montgomery, O'Hara, Sutton, and other members of cas
Portrait of M. Faraday, author of Chemical manipulation [picture] /
No full textIn: Album of William Romaine Govett, 1828-1847.; Also available online at: http://nla.gov.au/nla.pic-an4699386-s14-a1
Portrait of Anna Maria Hall, author of Buccaneer [picture] /
No full textIn: Album of William Romaine Govett, 1828-1847.; Also available online at: http://nla.gov.au/nla.pic-an4699386-s11-a2
Portrait of G.R. Gleig, author of The subaltern [picture] /
No full textIn: Album of William Romaine Govett, 1828-1847.; Also available online at: http://nla.gov.au/nla.pic-an4699386-s8-a1
Antitrust Policy: A Century of Economic and Legal Thinking
No full textPassage of the Sherman Act in the United States in 1890 set the stage for a century of jurisprudence regarding monopoly, cartels, and oligopoly. Among American statutes that regulate commerce, the Sherman Act is unequaled in its generality. The Act outlawed "every contract, combination or conspiracy in restraint of trade" and "monopolization" and treated violations as crimes. By these open-ended commands, Congress gave federal judges extraordinary power to draw lines between acceptable cooperation and illegal collusion, between vigorous competition and unlawful monopolization. By enlisting the courts to elaborate the Sherman Act' s broad commands, Congress gave economists a singular opportunity to shape competition policy. Because the statute' s vital terms directly implicated economic concepts, their interpretation inevitably would invite contributions from economists. What emerged is a convergence of economics and law without parallel in public oversight of business. As economic learning changed, the contours of antitrust doctrine and enforcement policy eventually would shift, as well. This article follows the evolution of thinking about competition since 1890 as reflected by major antitrust decisions and research in industrial organization. We divide the U.S. antitrust experience into five periods and discuss each period' s legal trends and economic thinking in three core areas of antitrust: cartels, cooperation, or other interactions among independent firms; abusive conduct by dominant firms; and mergers.
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