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Weinisi shang ren.
No full text方平譯.原書名: The merchant of Venice.Fang Ping yi.Yuan shu ming: The merchant of Venice
MATLAB codes of four figures and two methods in the manuscript submitted to Nature of "Ocean currents show global intensification of weak tropical cyclones".
No full textThe attached Matlab codes are used to perform analysis and produce the main figures in the manuscript submitted to Nature of "Ocean currents show global intensification of weak tropical cyclones" by Guihua Wang, Lingwei Wu, Wei Mei and Shang-Ping Xie. The codes are provided as is, and make use of local files that are not included here
Ping modo gráfico com Software PING TEST
No full textMostra uma ferramenta chamada Ping Test que dá um "Ping" através de uma interface gráficaEducação Profissional::Informação e Comunicaçã
Ping modo gráfico com Software PING TEST
No full textMostra uma ferramenta chamada Ping Test que dá um "Ping" através de uma interface gráficaEducação Profissional::Informação e Comunicaçã
Ping modo gráfico com Software PING TEST
No full textMostra uma ferramenta chamada Ping Test que dá um "Ping" através de uma interface gráficaEducação Profissional::Informação e Comunicaçã
Yu zhu shang han lun yi: si juan. v.1
No full text柯韻伯著 ; 能靜居士評閱 ; 余景和重訂 ; 埽閒居士校刊.綫裝.框18.8x13.2公分, 10行25字. 下黑口, 左右雙邊, 單黑魚尾. 版心上鐫題名, 中鐫小題, 下鐫葉次及卷次. 眉端刻註解.書名頁刻"傷寒論翼, 余聽鴻先生註, 施覺盦題", 又有紅色戳記"蘇州綠蔭堂福記精造書籍章". 背頁牌記刻"蘇州綠蔭堂藏板, 上海文瑞樓發行"前有光緖十九年[1893]埽閒居士孫思恭序及光緖癸己余景和書序. 目錄末及卷四末刻有"蘇城郡廟東首謝文翰齋刊印"《中國中醫古籍總目》01082著錄光緖十九年[1893]會稽掃閑居士孫思恭刻本, 蘇州謝文翰齋刻本, 蘇州綠蔭堂刻本及上海文瑞樓石印本.鈐"莊兆祥印", "莊兆祥"Xian zhuang.Kuang 18.8 x 13.2 gong fen, 10 hang 25 zi. Xia hei kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan xiao ti, xia juan ye ci ji juan ci. Mei duan ke zhu jie.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Ke Yunbo zhu ; Nengjing ju shi ping yue ; Yu Jinghe chong ding ; Saoxian ju shi jiao kan.Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang
An Interflow between Yang-Ping and Qu : in comparison with an interflow between Shang and Qu
No full textA total of 333 characters have been found in the interflow between the tones Yang-Ping and Qu ; 75 of which, also involve Shang, making it a three-way interflow. The changes from Qu to Yang-Ping have a completion rate of 62. 1 % and a reversal rate of 10.3 %, as compared to the 21.9 % of completion rate and 50.0 % of reversal rate for changes from Yang-Ping to Qu. These are indications that Qu -> Yang-Ping change was not only the more dominant move but also an earlier move. The wave of changes that began at earlier times not only shows a higher rate of completion but also exerted pressure on changes in the opposite direction, making them turn back halfway.L'auteur montre qu'au total 333 caractères aux tons Yang-Ping et Qu ont évolués entre le chinois ancien et le chinois moderne de Pékin. Ceci confirme les résultats d'autres auteurs sur les changements de ton et nous autorise à nous poser la question de la validité des règles phonétiques universellement acceptées, qui auraient régi jusqu'à aujourd'hui l'évolution tonale de la langue incluant les transitions du ton Ru.Chen Chung-yu. An Interflow between Yang-Ping and Qu : in comparison with an interflow between Shang and Qu. In: Cahiers de linguistique - Asie orientale, vol. 24 1, 1995. pp. 97-138
Shang han fu yi
No full textV.1-4. 傷寒論註 : 四卷 / 張機原文 ; 柯琴編註 ; 馬中驊較訂 -- v.5-6. 傷寒附翼 : 二卷 / 柯琴編 ; 馬中驊較.V.1-4. Shang han lun zhu : si juan / Zhang Ji yuan wen ; Ke Qin bian zhu ; Ma Zhonghua jiao ding -- v.5-6. Shang han fu yi : er juan / Ke Qin bian ; Ma Zhonghua jiao.柯韻伯先生原本.綫裝.框18x12.7公分, 10行21字. 白口, 四周單邊, 單黑魚尾. 版心上鐫題名, 中鐫卷次及小題, 下鐫葉次.題名據內封頁.書名頁刻"傷寒來蘇集, 古吳葉天士評批, 慈溪柯韻伯先生原本, 文聚堂梓"前有乾隆乙亥[1755]馬中驊序, 言刻書事.《中國中醫古籍總目》00697著錄清乾隆二十年[1755]刻本.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 18 x 12.7 gong fen, 10 hang 21 zi. Bai kou, si zhou dan bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci.Ti ming ju nei feng ye.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Ke Yunbo xian sheng yuan ben.Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Shang han lun ben yi
No full text張志聰註釋 ; 高世栻纂輯 ; 朱景韓...[et al.]參訂.綫裝.框15.3x10.7公分, 9行22字. 白口, 四周單邊, 單黑魚尾. 版心上鐫"傷寒集註", 中鐫卷次, 下鐫葉次.內封題頁刻"張隱菴傷寒論集註, 同治庚午年鐫, 内邑公局藏板"《中國中醫古籍總目》(00692)著錄.卷前附: 傷寒論本義.鈐"莊兆祥印", "莊兆祥".Xian zhuang.Kuang 15.3 x 10.7 gong fen, 9 hang 22 zi. Bai kou, si zhou dan bian, dan hei yu wei. Ban xin shang juan "Shang han ji zhu", zhong juan juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Zhang Zhicong zhu shi ; Gao Shichi zuan ji ; Zhu Jinghan ...[et al.] can ding.Juan qian fu: Shang han lun ben yi.Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang"
The politics of fashion: perceptions of power in female clothing and ornamentation as reflected in the sixteenth-century Chinese novel Jin Ping Mei
Get PDFThis thesis examines issues of female power and influence in sixteenth-century China focusing on how women and their roles were perceived in the changing social environment of the mid-late Ming dynasty. Using aspects of a New Historicist approach, information from contemporary literary and historical sources are analysed alongside each other. With its emphasis on the lives of women and preoccupation with the description of material objects, the late Ming novel Jin Ping Mei forms an important element in the thesis. China in the sixteenth century saw expanding urbanisation, the emergence of a new wealthy merchant class, increasing visibility of women and a questioning of traditional morality. Fashion consciousness, as one of the most conspicuous aspects of the new material culture, is a possible indicator of these trends. Traditional Western theories contend that fashion began in the particular context of Renaissance Europe. However, this study argues that a similar fashion awareness existed in China too, and was manifested in a competitive striving for social status, in this case specifically among women. In contrast to previous studies which downplayed the impact women had on defining traditional Chinese culture, this thesis demonstrates how women and their sartorial choices began to redefine the boundaries of material culture, influencing literati discourse which, in turn, re- influenced female behaviour
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