1,721,472 research outputs found
Map of the Welland Canal including the store house and waste weir no.1 drawn by Shamus A. Begly
No full textMap of the Welland Canal including the store house and waste weir no.1 drawn by Shamus A.
Begly of Public Works, n.d
'Shamus O'Brien' program
No full textThis program is for a romantic Irish comedy-drama titled "Shamus O'Brien" by Fred Maeder, performed on Saturday evening, January 29, 1887. The actor in this production was Charles Verner, with singing and dancing soubrettes performed by Miss Annie Lewis. "Shamus O'Brien" was a ballad, reproduced here, written in 1850 by Joseph Sheridan Le Fanu and later adapted into an opera
Shamus
No full textWhen I tried to explain Shamus to the Girl of my Dreams, I succeeded only in picturing an amusing and drunken gangster. She seemed to think he was an Undesirable Character, so I guess I unintentionally stressed the rougher side of the diamond
Sullivan, Edward Shamus, NX49117
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/419942Surname: SULLIVAN. Given Name(s) or Initials: EDWarD SHAMUS. Military Service Number or Last Known Location: NX49117. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 29171.244521
Item: [2016.0049.52203] "Sullivan, Edward Shamus, NX49117
Morgue amour ; Shamus your slip is showing
No full textTwo novels in one volume. Morgue amour [with] Shamus your slip is showing
Dear Shamus O'Brien, why don't you come home?
No full textvoiceColl. by M.C. Parler Sung by R.E.L. Flowers:
Quitman, Ark.
September 5, 1953
Item 6
Shamus O'Brien
Oh, sweet is the smile of the beautiful dawn
4s i t peeps through the curtains of night
And the voice of the nightingale singing his tune
While the stars seem to smile with delight
All Nature now lingers in silent repose
And the sweet breath of summer i s ca'm
I sit and I wonder i f Shamus I know
How sad and unhappy I am
Dear Shamus O'Brien, why don't you come home?
You don't know how happy I'd be
Oh, I've but one darling wish, that is you'd come
And forever be happy with me.
I'll smile when you smile and I ' l l weep when you weep
And I ' l l give you a kiss for a kiss
And every fond vow that I've made you I ' l l keep
What more can I promise than this?
(untelligible)
That your (?) will not leave it for me
Oh, how did I let you go out of my l i fe
Like a bird that was caged and is free
Dear Shamus 0'Brien, etc.
Dear Shamus O'Brien I'M loving you yet
And my heart is s t i l l trusting and kind
It was you who f i r s t took i t , and would you forget,
That love for another you'd find?
OH, ?) that you'd break i t with sorrow and pain
(unint e l l i g i b l e)
If you'd bring it back to me I 'd mend i t again
And take i t , dear Shamus, to you
Dear Shamus O'Brien etc.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
05-28-2014 Shamus Moore New Registrar at SWOSU
No full textShamus Moorehttps://dc.swosu.edu/barkpic14/1207/thumbnail.jp
Aqua City Poets: A CMI Alternative to Colby’s Music Scene
No full textShamus Connelly (Colby College ’20) takes a close look at the Colby Music Incubator as an artistic, creative, and collaborative outlet for students on campus.https://digitalcommons.colby.edu/sounds/1005/thumbnail.jp
Shamus, your slip is showing : and, Perfumed poison
No full textTwo novels in one volume ; Shamus, Your Slip Is Showing :Main Character: Johnny Malloy ; Second Collector’s Series V2 #9, June 1960 ; Perfumed Poison : Main Character: Joe Kah
ShaMus -- A Sensor-Based Integrated Mobile Phone Instrument
No full textShaMus is a sensor-based approach to turning mobile devices into musical instruments. The idea is to have the mobile device be an independent instrument on its own right. The sensors used are accelerometers and magnetometers as can now be found in some commercial mobile devices. The sound generation is also embedded on the phone itself and allows individual and untethered gestural performance through striking, shaking and sweeping gestures
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