168,747 research outputs found
Newen Inseln so hinder Hispaniam gegen Orient bey dem Landt Indie gelegen; America, die newe Welt
No full textRelief shown pictorially.; Text in German; place names in Latin and Spanish.; On verso, with ill.: America, die newe Welt, oder Inseln so hinder Hispaniam gegen Orient bey dem Landt Indie gelegen. xxvi
FACULTY RECITAL CSABA ERDELYI, Viola Wednesday, November 18, 1992 8:00 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Suite in G major, BVW 1007 / Johann Sebastian Bach (1685-1750) -- Suite in D minor, BWV 1008 / Johann Sebastian Bach (1685-1750) -- Suite in C major, BWV 1009 / Johann Sebastian Bach (1685-1750)
CHAMBER MUSIC CONCERT featuring students of The Shepherd School of Music The Complete Brandenburg Concertos by Johann Sebastian Bach Tuesday, May 9, 2006 8:00 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Concerto No. I in F Major, BWV 1046 / Johann Sebastian Bach (1685-1750) -- Concerto No. 2 in F Major, B WV 1047 / Johann Sebastian Bach -- Concerto No.3 in G Major, BWV 1048 / Johann Sebastian Bach -- Concerto No.4 in G Major, BWVJ049 / Johann Sebastian Bach -- Concerto No. 5 in D Major, BWV1050 / Johann Sebastian Bach -- Concerto No. 6 in B-flat Major, BWV 1051 / Johann Sebastian Bach
Festival Johann Sebastian Bach: Concert I Solo Works for Cello by Johann Sebastian Bach, January 15, 1993
No full textThis is the concert program of the Festival Johann Sebastian Bach: Concert I Solo Works for Cello by Johann Sebastian Bach performance on Friday, January 15, 1993 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were the following by Johann Sebastian Bach: Suite No. 1 in G major, BWV 1007, Suite No. 2 in D minor, BWV 1008, and Suite No. 3 in C major, BWV 1009. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Ad divum Sebastianum martyrem
No full text[Sebastian Brant ; mit Holzschnitt von Albrecht Dürer]Einblattdruck (einseitig bedruckt in drei Spalten)Impressum nach Schluss der Vorlage: ".1.4.9.4. Nihil sine causa. .I. .B."Ausmasse nach GWTitel nach Überschrift unter HolzschnittLiteratur zum Thema: The illustrated Bartsch, New York 1978-, Vol. 10 (1981), S. 466 = Nr 1001.409; Sebastian Brants Gedicht an den heiligen Sebastian, von W. D. Wackernagel, V. Sack und H. Landolt, in: Basler Zeitschrift für Geschichte und Altertumskunde, Vol. 75, S. 7-50; Mende, Matthias. Dürer-Bibliographie, Nürnberg 1971, No. 78; Hieronymus, Frank. Sebastian Brants "Sebastians-Ode", illustriert von Albrecht Dürer, in: Gutenberg-Jahrbuch, 1977, S. 271-30
Festival Johann Sebastian Bach: Concert III, March 19, 1993
No full textThis is the concert program of the Festival Johann Sebastian Bach: Concert III performance on Friday, March 19, 1993 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were the following by Johann Sebastian Bach: Preludes and Fugues in C major, C minor, C-sharp major, D major, D minor, E-flat major, E major, E minor, and F major from the Well-Tempered Clavier Book I and Preludes and Fugues in C major, C minor, C-sharp major, C-sharp minor, D major, D minor, E minor, F major, and F minor from the Well-Tempered Clavier Book II. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Das Narrenschiff
No full textolim a clariss. viro d. Sebastiano Brant iurisconsulto, Germanicis rhythmis conscriptus ; & per Iacobum Locher Suevum Latinitati donatus ; nunc vero revisus, & elegantissimis figuris recens illustratusIllustrationen, ZierinitialenSignaturen: [alpha]-[beta]⁸, a-s⁸Mit einem Einleitungsgedicht von Theobald MüllerDrucker und Erscheinungsjahr aus Kolophon: "Basileae, ex officina Sebastiani Henricpetri, anno recuperatae salutis humanae M.D.LXXII. mense Martio."Digitalisierung=Digitization=Numérisation April 2021 TIF
"Cronica der Turckey" Sebastian Franck's Translation of the "Tractatus de Moribus, Condicionibus et Nequitia Turcorum" by Georgius de Hungaria
No full textThe Tractatus de moribus, condicionibus et nequitia Turcorum is one of the most important first-hand accounts of life in fifteenth-century Turkey known to modern scholarship. It is the work of a Christian former slave of the Turks, writing after his return to the West. Although the author does not name himself, he can be identified as a
Dominican priest, Georgius de Hungaria, who died in Rome in 1502. His Tractatus is conceived as a work of anti-Islamic polemic, yet it contains a surprisingly unbiased appraisal of Turkish customs.
First printed c.1480 when European apprehension in the face of Ottoman expansion was at its height, the Tractatus was reprinted in numerous editions, and was widely used as a
source by other authors. Luther edited the text in 1530, using the positive account of Turkish customs and religious observance as a weapon in his polemic against the Roman
Catholic Church: if heathens could perform such exemplary works, who could fail to doubt the efficacy of works as a means of salvation?
Sebastian Franck in his German translation of the Tractatus went further: replacing Georgius' commentary with his own, he used the text to attack institutional religion as a
whole and to promote his concept of a non-dogmatic, spiritual Church of individuals united with each other only through their union with God -a Church which was not closed to Moslems or members of any other creed. This translation or adaptation, the Cronica der Türckey, marks Franck's decisive break with the Lutheran cause and the beginning of his lonely path as a 'spiritual individualist'. Franck reworked his translation of the Tractatus for his major geographical work, the Weltbuch of 1534.
This thesis concerns itself primarily with Franck's Cronica, providing the first modern critical edition of this text, in a near-diplomatic transcription with an extensive glossary. The thesis also includes transcriptions of the Tractatus; of Türckei, an anonymous translation of the Tractatus, and of relevant additional material from Franck's Weltbuch. None of these texts has been published in full in a modern edition.
In the Introduction Franck's Cronica is compared in detail with the Tractatus, highlighting the changes that occur in translation; the character and the significance of these changes are then discussed. It is established that Franck, whilst being unwilling to reverse any of Georgius' value judgements on Islam and Turkish culture, is highly selective in his choice of material for translation, and frequently gives the text new nuances and adds his own
comment. The question of the Tractatus' influence on Franck's further development as a writer and thinker is also raised.
The investigation then turns to Franck's use of the Tractatus material in his Weltbuch. His eclecticism becomes apparent in this text, in which Georgius' account is juxtaposed - but not synthesised - with material from other sources, often of lesser veracity and greater anti-Islamic bias. Franck's distortion of the Tractatus material to suit his own line of argument is clearly discernible: from the unique phenomenon presented in the Tractatus the Turks
become one more example of the general human tendency to externalise and dogmatise faith.
In addition, the transmission of Cronica and Türckei is examined, and the relationship between these two translations is clarified: Franck certainly used Türckei in writing his Cronica, but is unlikely to be the author of the anonymous work
"Bisher bin ich noch auf keine Fälschung hereingefallen – oder ich habe es nicht gemerkt"
No full textEin Gespräch mit Prof. Sebastian Dobrusskin über den Fachkurs zum Erkennen von gefälschter Grafik an der Hochschule der Künste Bern HK
George Neikrug, cello: Six Suites for Unaccompanied Cello, Johann Sebastian Bach, November 16, 1992
No full textThis is the concert program of the George Neikrug, cello: Six Suites for Unaccompanied Cello, Johann Sebastian Bach performance on Monday, November 16, 1992 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were the following by Johann Sebastian Bach: Suite No. 1 in G major, Suite No. 2 in D minor, Suite No. 3 in C major, Suite No. 4 in E-flat major, Suite No. 5 in C minor, and Suite No. 6 in D major. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
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