38,315 research outputs found

    Reception - Kevin Martin, Sean Martin

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    Kevin T. Martin (Class of 1967) and Sean Martin at the 125 Alumni of Distinction reception.https://scholarship.kentlaw.iit.edu/alumni_125/1163/thumbnail.jp

    Field Methods 2011-11-09

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    Field Session Recording for 2011-11-09ecorder: Marantz Professional PMD 660, microphone: Audio-Technica ATM 75Recorded at Department of Linguistics, New York University, 10 Washington Place, New York, NY 1000

    David Skidmore, Robert Dillon, Peter Martin, Sean Connors percussioni

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    Third Coast PercussionDavid Skidmore, Robert Dillon, Peter Martin, Sean Connors percussion

    Field Methods 2011-11-16

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    A large minimal set of vowels in the context [t_z]. 'Bicycle' (which shows [d] when followed by vowel-initial suffixes) with various suffixes. Genitive case on various vowel-final words. Different ways to form passive voice. The suffix /-Sa/, 'according to'Recorder: Marantz Professional PMD 660, microphone: Audio-Technica ATM 75Recorded at Department of Linguistics, New York University, 10 Washington Place, New York, NY 1000

    Field Methods 2011-10-19

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    Near and distant past tense in matrix and embedded clauses. Some agreement examples.Recorder: Marantz Professional PMD 660, microphone: Audio-Technica ATM 75Recorded at Department of Linguistics, New York University, 10 Washington Place, New York, NY 1000

    Field Methods 2011-09-14

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    Recording from field session on 9/14/2011.ecorder: Marantz Professional PMD 660, microphone: Audio-Technica ATM 75Recorded at Department of Linguistics, New York University, 10 Washington Place, New York, NY 1000

    Jack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden

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    This essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.

    Robert Martin Tiffin's Mystery Man Newspaper Articles

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    Advertiser-Tribune newspaper clippings featuring a story about Robert Martin (written by Nancy Kleinhenz), a local author from Tiffin (Ohio) who wrote under the pseudonym of Lee Roberts, and two of his short stories. Martin wrote mystery novels in his spare time, creating more than 22 mystery novels. For more information about Robert Martin and a list of books go to http://www.mysteryfile.com/RMartin/JBennett.html
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