7,655 research outputs found
Ferrequitherium Scott 2019, GEN. NOV.
No full textFERREQUITHERIUM GEN. NOV. Z o o b a n k L S I D. — u r n: l s i d: z o o b a n k. org:act: AD147252-369F-40D1-A7F9-4233262A804C Type species: Ferrequitherium sweeti sp. nov. Other species: Type species only. Etymology: Ferrum, Latin noun, iron; equus, Latin noun, horse; therion, Latin noun, beast. In reference to the Canadian Pacific Railway tracks below the Trainspotting locality. Occurrence: Earliest Tiffanian (Ti1, Late Palaeocene) of south-western Alberta, Canada. Diagnosis: As for the type species by monotypy.Published as part of Scott, Craig S., 2019, Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada, pp. 431-458 in Zoological Journal of the Linnean Society 185 on page 434, DOI: 10.1093/zoolinnean/zly040, http://zenodo.org/record/571516
Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada
No full textScott, Craig S. (2019): Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada. Zoological Journal of the Linnean Society 185: 431-458, DOI: 10.1093/zoolinnean/zly04
Horolodectidae Scott 2019, FAM. NOV.
No full textHOROLODECTIDAE FAM. NOV. <p> <i>Z o o b a n k L S I D</i>. — u r n: l s i d: z o o b a n k. org:act: E0294887-BA5E-4A5D-BC17-A8B81D9390A0</p> <p> <i>Type genus:</i> <i>Horolodectes</i> Scott, Fox & Webb, 2006.</p> <i>Other genera: Ferrequitherium</i> gen. nov. <i>Etymology:</i> In reference to <i>Horolodectes</i>. <p> <i>Occurrence:</i> Earliest Tiffanian (Ti1) to Middle Tiffanian (Ti3) (Late Palaeocene) of Alberta, Canada.</p> <p> <i>Diagnosis:</i> Differs from other Eutheria in having unique combination of lower molars with talonids longer and wider than trigonids, protoconid arm of protocristid shorter than metaconid arm, and m3 with enlarged and closely approximated entoconid, entoconulid and hypoconulid positioned along the lingual margin of crown. Differs further in lower molars combining low trigonid that becomes increasingly anteroposteriorly compressed from m1 to m3, tall and trenchant paraconid lingual in position and closely positioned to metaconid, cristid obliqua contacting postvallid wall labial to protocristid notch and m1–2 hypoconulid anteroposteriorly compressed, with nearly flat basin-facing surface.</p>Published as part of <i>Scott, Craig S., 2019, Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada, pp. 431-458 in Zoological Journal of the Linnean Society 185</i> on page 434, DOI: 10.1093/zoolinnean/zly040, <a href="http://zenodo.org/record/5715169">http://zenodo.org/record/5715169</a>
Joseph S. Cullinan and Craig Cullinan portrait
No full textBlack and white photograph of Joseph S. Cullinan and Craig Cullinan sitting togethe
Figure 2 in Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada
No full textFigure 2. Ferrequitherium sweeti gen. et sp. nov. from the Palaeocene Paskapoo Formation of south-western Alberta, Canada. A–E, TMP 2015.069.0283 (Trainspotting locality), right P4 in labial (A), lingual (B), anterior (C), posterior (D) and occlusal views (E). F–H, TMP 2017.025.0317 (Trainspotting locality), incomplete left maxilla with P4, M1–2 in labial (F), lingual (G) and occlusal (H) views. Scale bar = 2 mm.Published as part of Scott, Craig S., 2019, Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada, pp. 431-458 in Zoological Journal of the Linnean Society 185 on page 435, DOI: 10.1093/zoolinnean/zly040, http://zenodo.org/record/571516
Figure 8 in Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada
No full textFigure 8. Phylogenetic relationships of Ferrequitherium sweeti gen. et sp. nov. from the Palaeocene Paskapoo Formation of south-western Alberta, Canada. A, strict consensus of two most parsimonious trees (MPTs) of 430 steps (CI = 0.6349; RI = 0.4784; RC = 0.3037), Prokennalestes trofimovi outgroup. B, single MPT of 429 steps (CI = 0.6364; RI = 0.4747; RC = 0.3021), Kennalestes gobiensis outgroup, Zhelestidae included. C, strict consensus of eight MPTs of 403 steps (CI = 0.6501; RI = 0.4835; RC = 0.3143), Kennalestes gobiensis outgroup, Zhelestidae excluded. Bremer values greater than one appear above line, bootstrap values greater than 50% appear below line.Published as part of Scott, Craig S., 2019, Horolodectidae: a new family of unusual eutherians (Mammalia: Theria) from the Palaeocene of Alberta, Canada, pp. 431-458 in Zoological Journal of the Linnean Society 185 on page 448, DOI: 10.1093/zoolinnean/zly040, http://zenodo.org/record/571516
An Interview With The Association For Spiritual, Ethical, And Religious Values In Counseling Leaders: Craig S. Cashwell And J. Scott Young
No full textAmerican Counseling Association Fellows, past presidents of the Association for Spiritual, Ethical, and Religious Values in Counseling (ASERVIC), and close friends, Drs. Craig S. Cashwell and J. Scott Young have made a significant impact on the field of spirituality counseling over the past 20 years. This interview emphasizes their involvement in ASERVIC and the spirituality counseling field over the course of their careers and in the present, as well as the wisdom they have gained from their experiences
Brief on the Investigation of Canadian Nationals for War Crimes and Crimes Against Humanity in Afghanistan
No full textActing Director of the Nathanson Centre, Professor Craig Scott, has submitted a brief to Prosecutor Fatou Bensouda of the International Criminal Court providing evidentiary reasons why Canadians in the military and civilian chain of command during Canada ‘s presence in the war in Afghanistan should fall within the scope of the Prosecutor’s efforts to investigate the “situation in Afghanistan” with respect to war crimes committed by the Taliban, the CIA and Afghan National Security Forces. Potential criminal responsibility arises from Canada ‘s policy and practices on the transfer of captives to both the US and Afghanistan. The brief also highlights the absence of any investigation in Canada into the chains of command and a general institutional unwillingness to investigate as the reasons why the ICC owes no deference to Canada, and why such failures in Canada provide added reason why Canadians should be included in the ICC investigation
Café Royal Books Archive One
No full textArchive One
Café Royal Books
100 books
423mm x 214mm x 210mm
Rigid paper covered tray with lift off lid
Three Inner compartments
1500 Microns black lined board
Black Wibalin Buckram
Foil blocked
Edition of 10. Each book is an edition of IRO200.
Published on the occasion of Café Royal Books tenth birthday. December 2015, with celebratory event at The Photographers' Gallery, London.
The first 100 books of the current series.
Contents as follows:
CRB104 Revisiting Utopia: Modernist Architecture in the Post-regenerate City Craig Atkinson & In Certain Places (Elaine Speight and Charles Quick) 300 (first edition) 140mm x 200mm 24 b/w digital
CRB105 Photograph Converted into Base 64 Code Matthew Birchall 100 140mm x 200mm 24 b/w digital
CRB110 Another Time Another Place John Claridge 100 140mm x 200mm 28 b/w digital
CRB111 Berlin Autobus Craig Atkinson 100 140mm x 200mm 40 b/w digital
CRB112 Along The Thames John Claridge 100 140mm x 200mm 28 b/w digital
CRB115 The Salvation Army John Claridge 100 140mm x 200mm 28 b/w digital
CRB120 Peopled Streets John Claridge 100 140mm x 200mm 28 b/w digital
CRB122 East End Graphics John Claridge 100 140mm x 200mm 28 b/w digital
CRB123 British Rituals David Levenson 100 140mm x 200mm 28 b/w digital
CRB124 Someone Else's Friends and Family Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB125 Ten ’til Late Mark McNulty 100 140mm x 200mm 28 b/w digital
CRB126 America 29.01.13 Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB127 The Burry Man David Levenson 100 140mm x 200mm 16 b/w digital
CRB128 Preston Bus Station: Lost and Found Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB129 Monoliths, Sculptures, Fun and Death John Claridge 150 140mm x 200mm 28 b/w digital
CRB130 Blitz Kids, Skins & Silver Spoons Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB132 Promise Land… Joni Sternbach 150 140mm x 200mm 28 b/w digital
CRB133 Working Men: Club and Coal Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB134 Coal Miners 1971 John Claridge 150 140mm x 200mm 28 b/w digital
CRB136 East End Shops Tony Hall 100 140mm x 200mm 28 b/w digital
CRB137 East End Panoramas Tony Hall 100 140mm x 200mm 28 b/w digital
CRB139 Brick Lane and Co: Whitechapel in the 1970s Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB140 Britannia Coco-nut Dancers David Levenson 150 140mm x 200mm 28 b/w digital
CRB141 Afternoons Well Spent John Claridge 150 140mm x 200mm 28 b/w digital
CRB142 A Tinker’s Tale John Claridge 150 140mm x 200mm 28 b/w digital
CRB143 Electric Tears and All Their Portent J A Mortram 150 140mm x 200mm 28 b/w digital
CRB145 The Gorbals John Claridge 150 140mm x 200mm 28 b/w digital
CRB146 South Liverpool 1976 - 1982 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB147 Scottish Landscapes John Claridge 150 140mm x 200mm 28 b/w digital
CRB148 East End Pubs & Markets Tony Hall 150 140mm x 200mm 28 b/w digital
CRB150 Whitechapel 1983 -1999 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB151 Someone Else’s Skiing Holiday Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB152 The Industrial Past John Claridge 150 140mm x 200mm 28 b/w digital
CRB153 Stonehenge:1970’s Counterculture Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB154 Alexandra Road Estate Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB155 Kings of Grey Luke Overin 150 140mm x 200mm 28 b/w digital
CRB156 The Common Riding Jeremy Sutton-Hibbert 150 140mm x 200mm 28 b/w digital
CRB157 Suited and Booted Peter Dench 150 140mm x 200mm 28 b/w digital
CRB158 Someone Else's Summer in Moritz Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB159 Underground Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB160 London Barbican Craig Atkinson 150 (first edition) 140mm x 200mm 28 b/w digital
CRB161 Toff’s Hat Flat Cap Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB162 Living With Epilepsy J A Mortram 150 inc 30 signed 140mm x 200mm 32 b/w digital
CRB163 London Circus Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB164 London, Nine Miles from Hounslow Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB165 Once a Year: 1970s Folklore in Britain Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB166 Sheffield Tinsley Viaduct John Darwell 150 140mm x 200mm 28 b/w digital
CRB167 Glasgow, The River Underground Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB168 Preston Bus Station: Pie and Blow Dry Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB169 Tyburn Hemp Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB170 Harris Flights Craig Atkinson / In Certain Places 150 140mm x 200mm 28 b/w digital
CRB171 “Where’s The Monkey?” David J Carol 250 140mm x 200mm 28 b/w digital
CRB172 Sheffield Meadowhall, Hyde Park, Ponds Forge John Darwell 150 140mm x 200mm 28 b/w digital
CRB173 Vintage London John Claridge 150 140mm x 200mm 28 b/w digital
CRB174 Glasgow Streets Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB175 Ribble Steam Railway John Claridge 200 140mm x 200mm 28 b/w digital
CRB177 Leiston, Suffolk 1966 Libby Hall 150 140mm x 200mm 28 b/w digital
CRB178 London, Trellick Tower Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB179 Once a Year: Folklore in Britain Now Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB180 Old Ladies of Whitechapel Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB181 Photographs Converted into Morse Code Matthew Birchall 150 140mm x 200mm 98 b/w digital
CRB182 Red Neck Land Tilney1 150 140mm x 200mm 16 b/w digital
CRB183 Glasgow Streets The New Era Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB185 Small Town Inertia Diary Entries J A Mortram 150 140mm x 200mm 28 b/w digital
CRB186 Preston Bus Station Exit Town Centre Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB187 Skelmersdale 1984 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB188 Grangemouth and the Forth Estuary John Darwell 150 140mm x 200mm 28 b/w digital
CRB189 Rotherhithe Photographs Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB190 Mayday Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB191 Electronic Music New York City 1995 Tim Soter 150 140mm x 200mm 28 b/w digital
CRB192 Saltaire 1981 Still a Model Mill Village Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB193 Preston Bus Station Up and Over Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB194 The Passengers Joni Sternbach 150 140mm x 200mm 36 b/w digital
CRB195 “Here’s the Deal…” David J Carol 150 140mm x 200mm 28 b/w digital
CRB197 Brighton Beach Stewart Weir 150 140mm x 200mm 28 b/w digital
CRB198 Annual General Meeting David Levenson 200 140mm x 200mm 28 b/w digital
CRB199 Recreation and Romance 1970’s London Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB200 Glasgow 1974-1978 Hugh Hood First edition 140mm x 200mm 36 b/w digital
CRB201 Sunderland and South Shields in the 1980’s George Plemper 150 140mm x 200mm 36 b/w digital
CRB202 Social Landscapes London in the 1970s Tony Bock 150 140mm x 200mm 28 b/w digital
CRB203 Crash Happy Grant Scott 150 140mm x 200mm 28 b/w digital
CRB204 Preston Bus Station Babies, Ladies and Gentlemen Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB205 Israel 1967 John Claridge 150 140mm x 200mm 28 b/w digital
CRB206 Modernist Revival Jonathan Mortimer 150 140mm x 200mm 28 b/w digital
CRB207 Glasgow Steamies Allan Bovill 150 140mm x 200mm 28 b/w digital
CRB208 Ocean Beach Rhyl Stephen Clarke 150 140mm x 200mm 28 b/w digital
CRB209 Manchester 42 Bus Claire Atkinson 150 140mm x 200mm 28 b/w digital
CRB210 Bristol 04.13 Craig Atkinson 200 140mm x 200mm 28 b/w digital
CRB211 Sheffield Things Seen Whilst Wandering Around Attercliffe John Darwell 150 140mm x 200mm 36 b/w digital
CRB213 Housing Estates 1979 - 1981 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB214 Social Landscapes Britain in the 1970s Tony Bock 150 140mm x 200mm 36 b/w digital
CRB215 Social X-rays New York Dafydd Jones 200 140mm x 200mm 36 b/w digital
CRB216 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB217 North of Barnet Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB219 Egypt 1963 One Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB220 Egypt 1963 Two Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB221 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB222 Millbank and That Van Marc Vallée 150 140mm x 200mm 36 b/w digital
CRB223 Holy Ireland Croagh Patrick Geoff Howard 150 140mm x 200mm 36 b/w digital
CRB224 Robin Hood Gardens Craig Atkinson 250 140mm x 200mm 36 b/w digital
CRB302 Archive One Various 10 423mm x 214mm x 210mm 100 books mixe
A strategy for corporate social responsibility : the case of the withdrawal from South Africa by Barclays Bank
No full textCranfield School of Managemen
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