212,642 research outputs found
QuintEssence: Works by Quantz, Bach and Schubert
No full textRepertoire: Quantz: Flute concerto in E Major; Bach: Brandenburg Concerto No. 5; Schubert: String Quartet ("Rosamunde"). Performers: Lamb, E. (flute) Beer, A. (violin) Cho, Y. (violin) Samuel, D. (viola) Rummel, M (cello) Tibbles, J. (harpsichord
QuintEssence: Works by Bach, Mozart, Schubert and Kodaly
No full textRepertoire: Bach: Suite for cello solo No. 1, BWV 1007; Schubert: Salve Regina D 676; Bach: Harpsichord Concerto BWV 1052. Performers: Beer, A. (violin), Cho, Y. (violin), Samuel, D. (viola), Rummel, M. (cello), Tibbles, J. (harpsichord), Atchison, M. (soprano
Das Heimweh. Hell. July 1816 // frz. Schubert M[anu propr]ia (manuscrit autographe)
No full textTitre uniforme : Schubert, Franz (1797-1828). Compositeur. [Das Heimweh. D 456]Titre uniforme : Schubert, Franz (1797-1828). Compositeur. [Aus Diego Manazares. Ilmerine. D 458]Comprend : Aus Diego Manazares. Ilmerine. den 30. July 1816 // franz Schubert M[anu propr]iaTitre propre pris au départ. - Poème de Theodor Hell. - Contient au v° : "Aus Diego Manazares. Ilmerine". - Ms. autogr. à l'encre : mise au net. - Barré en croix. - Annotations d'une autre main : "Im Repertorium ist noch verzeichnet : // Das Heimweh, Text von J.L. Pyrker. Das Autograph hiervon, // (in Gastein geschrieben) dürfte bei Landsberg in // Berlin sich befinden. Erschien als op. 79 N. 1 bei Haslinger C." (marge gauche) ; "Eine Copie in D dur vide N. 5 Abth. VI"Lieder acc. de piano -- +* 1800......- 1899......+:19e siècle
Fragment aus dem Äschylus // Juny 1816 // franz Schubert // M[anu propr]ia (manuscrit autographe)
No full textTitre uniforme : Schubert, Franz (1797-1828). Compositeur. [Fragment aus dem Aeschylus. D 450]Titre uniforme : Schubert, Franz (1797-1828). Compositeur. [Das war ich (1816). D deest]Comprend : Das war ich. KörnerTitre propre pris au départ. - Texte d'Eschyle, extrait des "Euménides", traduit par Johann Mayrhofer. - À la suite (f. 2 r°), esquisse, abandonnée au bout de 5 mesures et raturée, pour une mise en musique de "Das war ich" de Theodor Körner, sans rapport avec le lied D 174 composé sur le même texte en 1815. - Ms. autogr. à l'encre : mise au net avec quelques ratures et corrections. - Broché dans une chemise avec titre et authentification de la main d'Eusebius Mandyczewski : "Fragment aus dem Aeschylus. // für eine Singstimme mit Begleitung des Pianoforte. // Originale // von // Franz Schubert. // Juny 1816" ; au verso : "Die Echtheit dieses Autographs // bestätigt // Eusebius Mandyczewski // Wien, am 8. Juni 1893". - F. 2 v° inutiliséLieder acc. de piano -- +* 1800......- 1899......+:19e siècle
Tantum ergo // 20. März [1]822 // frz Schubert // m[anu propr]ia (manuscrit autographe)
No full textTitre uniforme : Schubert, Franz (1797-1828). Compositeur. [Tantum ergo. D 750. Ré majeur]Titre propre pris au départ. - Ms. autogr. à l'encre ; mise au net avec ratures (notamment aux f. 4 r°- 5 v°) et corrections. - La partie d'orgue est une basse chiffrée. - Accompagné d'un feuillet (reste d'une chemise ?) avec titre et authentification de la main d'Eusebius Mandyczewski : "Tantum ergo // in D. // von // Franz Schubert // Autograph. // Sechs Blätter" ; au verso : "Die Echtheit der Handschrift bestätigt // E. Mandyczewski // Wien 19. Juni 1897"Présentation musicale : [Partition]Choeurs sacrés (voix mixtes, 5 voix) -- acc. d'orchestre -- +* 1800......- 1899......+:19e siècle:Église catholique -- +* 1800......- 1899......+:19e siècle
Des Sängers Habe. Von Schlechta. // febr. 1825 // frz. Schubert // M[anu propr]ia (manuscrit autographe)
No full textTitre uniforme : Schubert, Franz (1797-1828). Compositeur. [Des Sängers Habe. D 832]Titre propre pris au départ. - Ms. autogr. à l'encre : mise au net avec quelques ratures et corrections. - Présenté dans une chemise avec titre et authentification de la main d'Eusebius Mandyczewski : "Des Sängers Habe. // Gedicht // von Schlechta // Componirt von // Franz Schubert // Autograph. // Zwei Blätter" ; au verso : "Die Echtheit der Handschrift bestätigt // E. Mandyczewski // Wien 19. Juni 1897". - Ms. ayant servi à la gravure et portant le cotage DetC No 3704 (Vienne : A. Diabelli, 1830) ; en haut à gauche du f. 1 r° : "Fr. Schubert's Nachlass, 7tes Heft"Lieder acc. de piano -- +* 1800......- 1899......+:19e siècle
Schubert's mature operas: an analytical study
Get PDFThis thesis examines four of Franz Schubert's complete operas: Die Zwillingsbrűder D.647, Alfonso und Estrella D.732, Die Verschworenen D.787, and Fierrabras D.796. These works date from the period of 1818-1823, sometimes referred to as Schubert's 'years of crisis'. While this period saw many changes in the composer's personal situation, it is commonly thought that he underwent a process of creative re-evaluation during these years. This was also the period of Schubert's life during which he was most seriously engaged in writing music for the stage. Thus, I argue in this thesis that it is possible to understand these operas as key works within Schubert's stylistic development. Chapter 2 of this thesis studies Adorno's 1928 critique of Schubert and draws out common themes in critical writings about the composer to do with coherence, temporality and tone. These themes are then grounded in various different types of analytical observations about Schubert's emergent style. Chapter 3 examines selected numbers from the four mature operas. Through analysing these works, we find that Schubert's developing approach to form, rhythm, musical 'signs' and other structural devices is evident. Innovations in each of these fields are understood as responses to the various dramatic challenges offered by each of the libretti. Chapter 4 summarises the conclusions of our study of the operas and suggests some possibilities for interpretation of other works which are raised by these analyses
The Zero discounting and maximin optimal paths in a simple model of global warming
Get PDFFollowing Stollery [1998], we extend the Solow, Dasgupta-Heal model to analyze the effects of global warning. The rise of temperature is caused by the use of fossil resources so that the temperature level can be linked to the remaining stock of these resources. The rise of temperature affects both productivity and utility. We characterize optimal solutions for the maximin and zero-discounting cases and present closed form solutions for the case where the production function and utility function are Cobb-Douglas, and the temperature level is an exponential function of the remaining stock of resources. We show that a greater weight of temperature in the preferences or a larger intertemporal elasticity of substitution both lead to postpone resource use.Maximin ; zero discounting ; global warming
Franz Schubert (January 31, 1797-November 19, 1828) : a program of his songs (on the 125th anniversary of his death).
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan, November 19, 1978, program no. 70 of the Department of Music's 1978-1979 season.1st-2nd works: Marie E. Bailey, mezzo-soprano ; Sam Germany, piano. 3rd work: Thomas Hardie, baritone ; Barbara Kronewitter, piano. 4th-5th works: Joyce Zastrow, soprano ; Thomas Hardie, baritone ; Barbara Kronewitter, piano. 6th work: Betsy Clissold, soprano ; Mary Moore, French horn ; Sam Germany, piano. 7th-10th works: Joyce Zastrow, soprano ; Sam Germany, piano. 11th -13th works: Charles Roe, baritone ; Phyllis, Rappeport, piano.Cataloged from performance program.Reel 1: Ave Maria (1825) / text from an original poem by Sir Walter Scott -- Die Allmacht (1825) / text by Janós Lászlo Pyrker -- Der Wanderer (1816) / text by George Philipp Schmidt -- Mignon und der Harfner (1826) / text by Goethe -- Licht und Liebe (1816) / text by Mattäus Collin -- Auf dem Strom (1828) / text by Ludwig RellstabReel 2: Wanderer's Nachtlied (1815) / text by Goethe -- Die Forelle (1817) / text by Christian Schubart -- Die junge Nonne (1825) / text by Jacob Nicholas, Baron von Craigher -- Seligkeit (1816) / text by Ludwig Hölty -- Gesänge des Harners (1816). We sich der Einsamkeit ergibt ; Wer nie sein Brot mit Tränen ass ; An die Türen will ich schleichen / text by Goethe -- Antigone und Oedip (1817) / text by Johann Mayrhofer -- Mein!: from Schöne Müllerin (1823-1824) / text by Wilhelm Muller
A note on the weight spectrum of the Schubert code C-alpha(2, m)
No full textWe consider the Schubert code Ca(2, m) associated to the Fq -rational points of the Schubert variety Qa(2, m) in the Grassmannian G2, m. A correspondence between codewords of Ca(2, m) and skew-symmetric matrices of certain special form is given. Using this correspondence, we give a formula for all possible weights of codewords in Ca(2, m). It is shown that the weight of each codeword is divisible by certain power of q. Further, a formula for the weight spectrum of the Schubert code Ca(2, m) is given
- …
