107,541 research outputs found
The construction of Karen Karnak: The multi-author-function
This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
Train D'Enfer Galop Pour Piano.
sectionalpianoads on back cover for Schott Freres stock2912Cover is duplicated in 059.105.
Music is duplicated in 059.105.Johns Hopkins University, Levy Sheet Music Collection, Box
059, Item 104Par G. Ludovic
Train D'Enfer Galop Pour Piano.
sectionalpianoads on back cover for Schott Freres stock2912Cover is duplicated in 059.105.
Music is duplicated in 059.105.Johns Hopkins University, Levy Sheet Music Collection, Box
059, Item 104Par G. Ludovic
Schott, David, Death Certificate, 1915
Death certificate for David Schott.
Age: 50 years
Death Date: December 17, 1915
Cause: Without medical attention
Burial Date: December 18, 1915
Location: Zion Cemetery, Tampa, Hillsborough County, Florida
Father: Nuton [sic] Schott of Florida
Mother: Mary Ann of South Carolina
Undertaker: C. W. Patterson and G. G. Hal
Pour la défense des principes : Réponses à Michael Schott
Anderson David G. Pour la défense des principes : Réponses à Michael Schott. In: Les Nouvelles de l'archéologie, n°30, Hiver 87-88 1988. pp. 28-30
Variations sur l’air "Wenn mir dein Auge strahlet"
von GelineckVorlageform der Veröffentlichungsangabe: Bei B. Schott in Mainz. Pr: 48 kr.Bibliographischer Nachweis: RISM A/I: G 1043 ; Schott, Stichbuch 1Plattendruc
A Trade Agenda for the G-20
G-20 summit planners seem to be giving trade issues short shrift on the already full agenda for their two scheduled meetings in 2010. Such complacency is unwarranted, argues Jeffrey J. Schott, given ongoing protectionist pressures fed by near double digit unemployment rates in the United States and Europe and the continuing impasse in the Doha Round negotiations. Instead, he recommends three concrete actions that G-20 leaders should take to demonstrate their commitment to deterring protectionism and advancing multilateral trade liberalization: "topping up" Doha offers, especially on services; expanding existing offers to provide duty-free/quota-free access for the poorest countries; and extending the G-20 trade standstill commitment by declaring a temporary moratorium on climate change related border measures.
Höhere Töchter : Posse mit Gesang in vier Akten
von W. Mannstädt und R. Schott. Musik von G. Steffen
Concordantz des Newen Testaments z°u teütsch
CONCORDANTZ DES NEWEN TESTAMENTS Z°U TEÜTSCH
Concordantz des Newen Testaments z°u teütsch ([1])
Title page ([1])
Vorwort ([1])
A - C ([2])
D - F ([12])
G - H ([25])
K - M ([42])
N - P ([55])
Q - S ([61])
T - W ([77]
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