122,408 research outputs found
Autour de Clodion : variations, répétitions, imitations
No full textScherf Guilhem. Autour de Clodion : variations, répétitions, imitations. In: Revue de l'Art, 1991, n°91. pp. 47-59
David Bindman et Malcolm Baker, Roubiliac and the Eighteenth Century Monument. Sculpture as Theatre. New Haven et Londres, Yale University Press, 1995, 409 pages. 288 ill. n. et bl., 15 pl. coul., index.
No full textScherf Guilhem. David Bindman et Malcolm Baker, Roubiliac and the Eighteenth Century Monument. Sculpture as Theatre. New Haven et Londres, Yale University Press, 1995, 409 pages. 288 ill. n. et bl., 15 pl. coul., index.. In: Revue de l'Art, 1996, n°113. pp. 91-92
«De la malignité d'un microbe» : l'antique et le bas-relief moderne, de Falconet à David d'Angers
No full textScherf Guilhem. «De la malignité d'un microbe» : l'antique et le bas-relief moderne, de Falconet à David d'Angers. In: Revue de l'Art, 1994, n°105. pp. 19-32
L'oeuvre normande d'un grand sculpteur : Scherf Guilhem, dir., Clodion et la sculpture française de la fin du XVIIIe siècle, 1993
No full textChaline Olivier. L'oeuvre normande d'un grand sculpteur : Scherf Guilhem, dir., Clodion et la sculpture française de la fin du XVIIIe siècle, 1993. In: Études Normandes, 44e année, n°2, 1995. Nature et histoire Normandes. pp. 109-110
A Multi-Language Comparison of Influences on Author Verification using Character N-Grams
No full textWe create a new multi-language corpus for author verification based on Wikipedia talkpages, and evaluate the influence that differences in topic and time have on character n-gram author profiles. Topic alignment between two texts is found to increase author verification precision, and an authors writing style is found to change over time, but not more significantly after 3 years than after 1 year.Information ArchitectureWISElectrical Engineering, Mathematics and Computer Scienc
James David Draper et Guilhem Scherf : Pajou Sculpteur du Roi, 1730-1809. Catalogue de l'exposition du Musée du Louvre (20 octobre 1997-19 janvier 1998) et du Metropolitan Museum of Art à New-York (26 février-24 mai 1998), 1997 ; James David Draper et Guilhem Scherf : Augustin Pajou dessinateur en Italie, 1752-1756, (Coll. «Archives de l'Art français ».) 1997
No full textDuprat Annie. James David Draper et Guilhem Scherf : Pajou Sculpteur du Roi, 1730-1809. Catalogue de l'exposition du Musée du Louvre (20 octobre 1997-19 janvier 1998) et du Metropolitan Museum of Art à New-York (26 février-24 mai 1998), 1997 ; James David Draper et Guilhem Scherf : Augustin Pajou dessinateur en Italie, 1752-1756, (Coll. «Archives de l'Art français ».) 1997. In: Dix-huitième Siècle, n°30, 1998. La recherche aujourd'hui, sous la direction de Michel Delon. pp. 684-685
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
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The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
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