3,083 research outputs found
Headbangen of hiphoppen: wat heeft dat nou met kleur te maken?
No full textWie het terrein van een willekeurig groot muziekfestival opwandelt zoals Lowlands, Rock Werchter, Glastonburry of Coachella is geneigd te denken dat muziek verbindt. Maar waarom is rock ‘n’ roll dan vooral ‘wit’ en soul of hiphop vooral ‘zwart?’ Dat komt, onder andere, door structurele ongelijkheid in de samenleving. Die is zeer bepalend voor ‘de kleur’ van de muziek, zegt cultuursocioloog Julian Schaap
Muziek als medicijn?:Muziek, mentaal welzijn en wat kunstonderwijs daarin kan betekenen
No full textDe mentale gezondheid van jongeren staat onder druk. Tegelijkertijd beschikken zij over een directe en ongelimiteerde toegang tot muziek. Julian Schaap van de Erasmus Universiteit Rotterdam onderzoekt wat dat betekent voor de manier waarop onderwijsinstellingen muziek een plek geven in het leven van jonge mensen.[...]<br/
Headbangen of hiphoppen: wat heeft dat nou met kleur te maken?
No full textWie het terrein van een willekeurig groot muziekfestival opwandelt zoals Lowlands, Rock Werchter, Glastonburry of Coachella is geneigd te denken dat muziek verbindt. Maar waarom is rock ‘n’ roll dan vooral ‘wit’ en soul of hiphop vooral ‘zwart?’ Dat komt, onder andere, door structurele ongelijkheid in de samenleving. Die is zeer bepalend voor ‘de kleur’ van de muziek, zegt cultuursocioloog Julian Schaap
Muziek als medicijn?:Muziek, mentaal welzijn en wat kunstonderwijs daarin kan betekenen
No full textDe mentale gezondheid van jongeren staat onder druk. Tegelijkertijd beschikken zij over een directe en ongelimiteerde toegang tot muziek. Julian Schaap van de Erasmus Universiteit Rotterdam onderzoekt wat dat betekent voor de manier waarop onderwijsinstellingen muziek een plek geven in het leven van jonge mensen.[...]<br/
De terugkeer van Alledaags Racisme
Get PDFIn recent societal debates on racism in the Netherlands, cultural anthropologist Philomena Essed has become one of the key faces of Dutch research on racism. Over three decades ago, Essed published a monograph entitled Alledaags Racisme (Everyday Racism), which gave rise to substantial debate within and beyond academia on the existence of racism – especially of a more implicit, everyday variation – in the Netherlands. For the first time since 1984, Alledaags Racisme is granted a new edition and has arguably only gained in relevance in a time when issues regarding race-ethnicity are increasingly politicized (e.g. the ‘Black Pete’ debate; ethno-racial profiling by police forces). Discussing – but also going beyond – this debate, this article reports a conversation between Julian Schaap and Essed on contemporary everyday racism, the sociology of race-ethnicity, and the epistemology and methodology of research that is distinctly political
Dr. Julian Hayter – Faculty Author Interview
No full textDr. Julian Hayter, Assistant Professor of Leadership Studies, discusses The Dream Is Lost: Voting Rights and the Politics of Race in Richmond, Virginia, published recently by the University Press of Kentucky. The book describes more than three decades of national and local racial politics in Richmond and illuminates the unintended consequences of civil rights legislation
Race in practice
No full textRace is a pervasive and omnipresent dimension of inequality, both within societies and at a global scale. Yet it is the one dimension that is most difficult to talk about. Even the word itself, race, is fraught. How to use the concept of race? How is race done in practice? And how does it create and perpetuate social inequalities? We talk about this with our guests Amade M’Charek, professor in anthropology of science at the University of Amsterdam, and our regular Julian Schaap, assistant professor in the sociology of music at the Erasmus University Rotterdam. We discuss how race is done in domains like forensics and music, and what this tells us about the limits and potentialities of the concept
Race in practice
No full textRace is a pervasive and omnipresent dimension of inequality, both within societies and at a global scale. Yet it is the one dimension that is most difficult to talk about. Even the word itself, race, is fraught. How to use the concept of race? How is race done in practice? And how does it create and perpetuate social inequalities? We talk about this with our guests Amade M’Charek, professor in anthropology of science at the University of Amsterdam, and our regular Julian Schaap, assistant professor in the sociology of music at the Erasmus University Rotterdam. We discuss how race is done in domains like forensics and music, and what this tells us about the limits and potentialities of the concept
Race, ethnicity and gender in popular music
No full textIn this episode, dr. Julian Schaap (EUR)talks with dr. Jo Haynes (University of Bristol) on the role of race, ethnicity and gender in music. Of all forms of popular culture and art, popular music remains one of the primary platforms of identity formation. While music alledgedly ‘brings people together’ across various sociatal cleavag-es, in practice we see that music genres – as with many cultural genres in general – are shaped by and reflective of social divisions in society. In the session, we will focus on the relationship be-tween social categories such as gender and race/ethnicity, and popular music, to understand how cultural production and consumption play a role in the construction, maintainance and/or deconstruction of symbolic boundaries based on gender and race/ethnicity. By zooming in on cases within (popular) music – why are there relatively few people of color in rock music? Why is hip-hop often perceived to serve minority voices? – we aim to expolate to larger questions of (popular) cul-ture, difference and inequality
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