10,943 research outputs found

    Sophie Claude Savage to Anne Claude Howard, 1879

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    Letter from Sophie Claude Savage to Anne Claude Howard, March 27, 1879

    Sophie Claude Savage to Abram M. and Rachel Anne Tuck Claude, 1879 and undated

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    Correspondence from Sophie Claude Savage to Abram M. and Rachel Anne Tuck Claude, 1879 and undated

    Savage residence, Olympia, Washington, approximately 1899

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    On verso of image: House, George M. Savage in Olympia-Franklin Street. Roy Savage, Ethel Savage, Anne Francis Savage (Mrs. George M.) Anne Francis Savage is grand daughter of Michael T. Simmon. PH Coll 229.105To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction Please cite the Order NumberScanned from a photographic print using a Microtek Scanmaker 9600XL at 100 dpi in JPEG format at compression rate 3 and resized to 768x512 ppi. 1999

    Anne Savage

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    Sherman recounts the milestones of the career of landscape painter Savage who is an important figure of early Canadian modernism. The author describes how the romantic and spiritual nature of her landscapes reflect a common desire amongst Canadian painters of that period (including the Group of Seven with whom she was affiliated) : to create a truly national painting style. Includes numerous quotes by the artist. Text in French and English. List of works

    The Noble Savage from Amerindian to Arab: Continuities in French Perceptions of the Other.

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    Previous discussions of the development of French racial stereotyping of the Arabs and Kabyles in Algeria overlook the continuities upon which these stereotypes were built. The archetype of the Noble Savage, particularly as inspired by the Amerindians of New France, played a critical role in the evolution of French perceptions of the Arabs. The Noble Savage influenced French perceptions of the Arabs during the Napoleonic conquest of Egypt, but his influence gained momentum during the French colonization of Algeria. Although the Arabs did not conform completely to the image of the Noble Savage, the indigenous Kabyles of Algeria appeared to be his embodiment. The French had encountered the Noble Savage in New France and his image had been disseminated further through the popular travel accounts and the 'natural man' of French intellectuals such as Jean-Jacques Rousseau. In discovering the Kabyles, the French discovered the perfect Noble Savage. The valorization of the Kabyles as Noble Savages resulted in the demonization of the Arabs as barbaric and ignorant. This led to a division in French attitudes between the 'good' Kabyle and the 'bad' Arab. Although French colonial and imperial interests in Algeria contributed to the formulation and perpetuation of this division, the long-standing and pervasive French understanding of and sympathy for the Noble Savage significantly facilitated its development

    Anne as Pagan, Anne as Queer

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    ‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa

    Elizabeth Savage Duncan, May 23, 1934 - January 20, 2025

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    Elizabeth Anne Greenwood-Barton Savage Duncan, born May 23, 1934, passed away peacefully on January 20, 2025 at the age of 90. Elizabeth served as the city gardening coordinator for Johnson Park. She was also active in Amnesty International's Palo Alto chapter

    Interview with Anne Russell

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    Interview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History

    Cleverly, Anne

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    Photograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Anne Cleverl

    Cannon, Anne

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    Photograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Anne Canno
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