3,285,202 research outputs found

    Saunders, K., June 4, 1993, Part 4. Mark Ferguson interviewing Kenneth Saunders.

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    Part 4 of Mark Ferguson's June 4, 1993 interview with Kenneth Saunders. Mr. Saunders discusses types of boats and boatbuilding. Mr. Saunders also discusses how men would often spend the winters living and working in the woods camps, cutting wood

    Saunders, K., June 4, 1993, Part 1. Mark Ferguson interviewing Kenneth Saunders.

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    Part 1 of Mark Ferguson's June 4, 1993 interview with Kenneth Saunders. Mr. Saunders discusses fishing boats, fish merchants, sailing to Labrador for fishing, processing fish, grading fish, fishing berths, and his work in construction

    Prudence Saunders Notebook, 1863-1864

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    50 p. : bound volume ; 20 cm.Notebook, 1863-1864, of "Prudie" [Prudence] Saunders of "Rocky Hill," near Courtland, Alabama, a student at Tuscaloosa Female College, in Tuscaloosa, Alabama. The book which contains French exercises, also includes a diary, 1-23 April 1864, verses, and a list, 1 May 1864, of students at the college

    Saunders, Nov. 15, 1993, Part 2. Mark Ferguson interviewing Ettie and Ken Saunders.

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    Part 2 of Mark Ferguson's November 15, 1993 interview with Ettie and Ken Saunders. The informants discuss drying fish, fish traps, fishing, storing food and supplies for the winter, and working in woods camps during the winter

    Command of the Skies: An Airpower Dataset

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    This dataset contains original excel files as well as .dta files and the codebook used in creation of the Country Airpower Dataset by Richard Saunders and Mark Souv

    Robert Saunders Letter to Wife Lucy Saunders, September 3, 1860

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    Sent hams and shad to Marianna via Ringgold Station. Peggy is well. Mr. Botts returned to White Sulphur Springs, but didn’t see Barbara there. Betty Blair to marry W. Mosely of Buckingham County. Dr. Cabell engaged to Miss Peggy, a music teacher. Mrs. Caskie, wife of Congressman John Caskie, a debased drunkard” and sister of Marmaduke Johnson died. Rumors she was brutally treated by her husband supported by Dr. Peterkin sermon at funeral. Heard Judge Douglas speak on the Capital square and thinks he made a “forcible speech.” Mr. Botts is going to speak in Pittsylvania later in the month. Hearing that Mr. Gatewood was preaching at St. Paul’s, went to worship at St. James. Heard Dr. Peterkin preach for first time. Disappointed. Mr. Minnegerode and Mr. Woodbridge “taking water in the mountains.” Mr. Eyler returning to summer home in Hampton. Mrs. Semple returned to Brooklyn in better health. Little news from Williamsburg. Mr. Thomas Lindsey’s son died, Mr. Bunting is better. From Mss. Acc. 2007.109, Folder 5, Item 19, Robert Saunders Letters, Special Collections Research Center, Swem Library, College of William and Mary

    Saunders Theatre Program collection, 1914-1964

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    This collection contains programs and newsclipping reviews of various theatrical performances appearing in Little Rock between 1914-1962. Programs include plays, minstrel shows, movies, vaudeville shows, operas, musicals, recitals, concerts, follies, revues, local amateur shows, lectures, ballets, magic shows, readings, etc. These shows were performed by both local groups and traveling troupes. Theatres include the Kempner, Little Rock High School, and Robinson Auditorium. The newsclipping reviews are from the Arkansas Gazette, Arkansas Democrat, and the Memphis Commercial Appeal (traveling troupe usually played in Memphis before coming to Little Rock). Also included are two notebooks by Saunders: 1) List of performances at the Kempner and Robinson Auditorium, 1917-1958, and (2) personal reviews of performances, 1926-1933. There are programs (i.e., New York, Chicago, St. Louis, etc.) from performances Saunders attended in other cities. The collection also contains two scrapbooks, c. 1900-1913 covering early moving pictures and movie stars, and theatrical performances in St. Louis, Missouri. The scrapbooks were started by Mattie Dicks, mother-in-law of Earl Saunders. They were continued by Margarite Dicks Saunders while her family lived in St. Louis before moving to Little Rock.UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 1 16 flat boxes. 1914-1964. Donated Revised May 2009 jlm This collection contains programs and newsclipping reviews of various theatrical performances appearing in Little Rock between 1914-1962. Programs include plays, minstrel shows, movies, vaudeville shows, operas, musicals, recitals, concerts, follies, revues, local amateur shows, lectures, ballets, magic shows, readings, etc. These shows were performed by both local groups and traveling troupes. Theatres include the Kempner, Little Rock High School, and Robinson Auditorium. The newsclipping reviews are from the Arkansas Gazette, Arkansas Democrat, and the Memphis Commercial Appeal (traveling troupe usually played in Memphis before coming to Little Rock). Also included are two notebooks by Saunders: 1) List of performances at the Kempner and Robinson Auditorium, 1917-1958, and (2) personal reviews of performances, 1926-1933. There are programs (i.e., New York, Chicago, St. Louis, etc.) from performances Saunders attended in other cities. The collection also contains two scrapbooks, c. 1900-1913 covering early moving pictures and movie stars, and theatrical performances in St. Louis, Missouri. The scrapbooks were started by Mattie Dicks, mother-in-law of Earl Saunders. They were continued by Margarite Dicks Saunders while her family lived in St. Louis before moving to Little Rock. Born in Stuttgart, Arkansas October 20, 1892, Earl Saunders, Sr. was raised in Little Rock. Saunders married Margarite Dicks and they had one son, Earl Saunders, Jr. After working for Becks, a retail store, Saunders joined the S. M. Brooks Advertising firm. He became vice-president and stayed with the company 44 years until his death May 2, 1962. One of his responsibilities at S. M. Brooks Advertising was to prepare the programs for the theatrical performances appearing in Little Rock. Saunders served as President of the Young Business men's Association, Director of the 10th District Federation of America Advertising, and Director of the Salvation Army Board. His life-long infatuation with the circus and theatre is best characterized by his habit of watching the circus trains unload at 3:00 in the morning and his booking of four seats on the second row of every show which came to Little Rock. Arrangement: Chronological BOX TITLES Box 1 1914-1919. 119 items. [Kempner Theatre] Includes minstrel shows (black and white), plays, movies, concerts, opera, local revues, vaudeville, musicals. Note: 1914-1915 theatre season list (no programs); no programs or reviews for 1916 season. Box 2 1920-1921. 133 items. [Kempner Theatre] UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 2 Includes plays, minstrel shows, operas, recitals, local revues. Box 3 1922-1923. 140 items. [Kempner Theatre] Includes minstrel shows, negro troupes, plays, musicals, local minstrels, recitals, concerts. Box 4 1924-1925. 117 items. [Kempner Theatre] Includes minstrel shows, plays, concerts, musicals, local revues, follies, dance recitals. Box 5 1926-1927. 71 items. [Kempner Theatre] Includes minstrel shows, plays, musicals, movies, concerts, variety acts. Box 6 1928-1933, 1928 n.d. 96 items. [Kempner Theatre and Little Rock High School] Includes concerts, minstrel shows, plays, vanities, musicals, Olga Worth Players. Box 7 1934-1941. 94 items. [Little Rock High School, Community Theatre, Robinson Auditorium] Includes plays, operas, recitals, concerts, ballets, lectures, local amateur shows. Box 8 1941-1943. 64 items. [Robinson Auditorium] Includes concerts, recitals, plays, ballets, musicals, character sketches, operas. Box 9 1944-1947. 120 items. [Robinson Auditorium] Includes plays, concerts, recitals, operas, dances, magic shows, musicals. Box 10 1948-1951. 110 items. [Robinson Auditorium] Includes musicals, concerts, plays, recitals, ballets. UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 3 Box 11 1952-1955. 98 items. [Robinson Auditorium] Includes concerts, recitals, ballets, local minstrels, musicals, plays, dances, readings. Box 12 1956-1960. 126 items. [Robinson Auditorium] Includes concerts, plays, local minstrels, operas, musicals, ballets, magic shows. Box 13 1961-1962, n.d. 57 items. [Robinson Auditorium] Includes plays, concerts, ballets, musicals, operas, local minstrels, movies. Box 14 n.d. 21 items. Notebooks: (1) list of performances at the Kempner and Robinson Auditorium, 1917-1958; (2) personal reviews of performances 1926-1933; Non-Little Rock Programs: New York, Chicago, St. Louis, Oklahoma City; Theatre Arts Monthly. Box 15 Scrapbook 1900-1905. 1 item Newsclippings: photos, reviews, society column, poetry, ballads, obituaries; magazine clippings; programs: operas, plays. Box 16 Scrapbook 1911-1913 The Morning Telegraph, New York: photos anecdotes. Colored photos from programs UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 4 Theatre Season List: 1917-1925 1917 Jan. 17 "Katinka" Feb. 1 Neil O'Brien Minstrels Feb. 6 Sarah Bernhardt in a series of sketches including "Camille" Feb. 15 Julian Etinge in "Cousin Lucy" Feb. 26 Cyril Maude in "Grumpy" March 7 Tom Powell's Mintrels March 9 "Florabella" with Florence Webber March 12-14 "Daughter of the Gods" with Annette Kellerman (movie) March 26-29 "Intolerance" (movie) April 11 "It Pays to Advertise" April 16-17 Boathouse Revue (local) April 23-25 Little Rock Music Festival with St. Louis Symphony Orchestra, Oscar Seagle (5 concerts) May 21 Margaret Wilson (Pres. Wilson's daughter) soprano (reviews only) Oct. 8 "My People" (Negro Troupe) Oct. 10 Al H. Wilson in "The Irish 15th" Oct. 20 Mitzi Hajos in "Pom-Pom" with Detmar Poppen Oct. 29-30 "Experience" Oct. 31-Nov. 1 "Nothing But the Truth" Nov. 5-6 "Cheating Cheaters" Nov. 13 "The Garden of Allah" Nov. 26-28 Al G. Field Minstrels Dec. 3-4 "Ben Hur" Dec. 5 "Twin Beds" Dec. 12 "You're In Love" Dec. 25 "Chin Chin" with Doyle and Dixon 1918 Jan. 1 Harry Lauder program Jan. 8 "Oh, Boy" Jan. 19 "My Soldier Girl" Jan. 30 Neil O'Brien's Minstrels March 9 "The Bird of Paradise" March n.d. "Have a Heart" March n.d. "Everywoman" March n.d. "Fair and Warmer" Nov. 25-27 Al G. Field Minstrels Dec. 5 "Watch Your Step" UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 5 1919 Jan. n.d. "The Boomerang" Jan. 13 "Pollyanna" Feb. n.d. Neil O'Brien Minstrel Feb. 26 David Warfield in "The Auctioneer" March 5 "Daddy Longlegs" March 12 "Have a Heart" March 14 "Flo-Flo" March 17-19 Shrine Minstrels March 20 "Pom-Pom" March n.d. Creatore Opera Company in "Carmen" and "Aida" April 14 "Chin Chin" April 16 "Friendly Enemies" May 28-29 Elks Minstrels (local) August n.d. Julian Eltinge Vaudeville Revue Oct. 23 "Scandal" with Emma Bunting Oct. 29 "Going Up" Oct. 30 "Leave It to Jane" Nov. 1, 3 "Aida" and "Madame Butterfly" Chicago Opera Company with Sophie Braslau, Desire Defree, Emma Noe, Rosa Raisa (Camp Pike Theater) Nov. 6 Adelaide Thurston in "What's Your Game?" Nov. 12 "The Boomerang" Nov. 13 Mitzi Hajos in "Head Over Heels" n.d. Gus Hill's Minstrels n.d. "Up in Mabel's Room" Dec. 18 "Tea For Three" 1920 Jan. 1 "Sleeping Partners" Jan. 7 "Tiger Rose" Jan. 9 "Somebody's Sweetheart" Jan. 14 Fritzi Scheff in "Glorianna" with Al Wilson Feb. 4 "Listen Lester" Feb. 11-12 "Up in Mabel's Room" Feb. 18 Neil O'Brien's Minstrels March 3 DeWolff Hopper in "The Better 'Ole" with Harry McNaughty March 4 "Business Before Pleasure" with Harry Bannister March 11 "The Chocolate Soldier" March 25-27 Al G. Field Minstrels March 29 May Irwin in "On the Hiring Line" April 7-8 American Legion Minstrels April 21 "Turn to the Right" with Sylvia Field Oct. 4-5 "Robin Hood" Oct. 6 "Hitchy-Koo" Oct. 19 "Up in Mabel's Room" (missing) UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 6 Oct. 20-21 Minnie Maddern Fiske in "Mis' Nell of N' Orleans" Oct. 27 "The Mikado" Nov. 3-4 "The Rainbow Girl" Nov. 10-11 "Nightie Night" Nov. 15 Dunbar's White Hussar Band (reviews only) Nov. 22-24 Al G. Field Minstrels Dec. 1 Carlye Blackwell in "My Lady Friends" Dec. 2 "The Old Homestead" Dec. 7-8 Walker Whiteside in "The Master of Bllantrae" Dec. 13-15 Sonora Opera Company in "Il TrobatoreCavalleriaPagliacci" and "Faust" Dec. 22-23 "The Girl in the Limousine" with Emma Bunting Dec. 24-25 Lou Tellegen in "Blind Youth" Dec. 29-30 "Buddies" Dec. 31 "Georgia Minstrels" 1921 Jan. 5-6 "Irene" Jan. 17 Ruth St. Dnis dancers Jan. n.d. Marcus Show of 1920 Jan. 26-27 McIntyre and Heath in "Hello, Alexander" Feb. 2-3 "The Passing Show" Feb. 11 "Adam and Eva" (reviews only) Feb. 14-16 Al Amin Temple Minstrels Feb. n.d. "The Bird of Paradise" Feb. n.d. "Common Clay" Feb. n.d. "Experience" Feb. 18-19 Neil O'Brien Minstrels March 1-2 "Mary" March 10 "Three Wise Fools" with Claude Gillingwater, Helen Menken March 15-16 Al G. Field Minstrels March 21-23 "Lightnin'" March 24-26 "Stop Thief" April 26 "Taken In" with Henry Walthall May 25 "Travelers Review" (local) May 27 Mildred Reamey Dance Recital Aug. 23-26 "H.M.S. Pinafore" (local) Nov. 7 "Broadway Whirl of 1921" with Blanche Ring, Charles Winninger Nov. 8-9 Guy Bates Post in "The Masquerer" Nov. 21-23 Al G. Field Minstrels Dec. 1 "Listen Irene" Dec. 14 "Miss Lulu Bett" with Emma Bunting Dec. 29-30 DeWolf Hopper in "Erminie" UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 7 1922 Jan. 7 Georgia Minstrel (Negro) (Palace Theatre) Jan. 9 Mamie Smith (Negro Troupe) (reviews only) Jan. 10-11 "Listen Lester" (Palace Theatre) Jan. 30 Lasses White's Minstrels (reviews only) Jan. 31-Feb. 1 Greenwich Village Follies Feb. 8-9 "Take It From Me" Feb. 13 "Lions Minstrel" (local) Feb. 14 Lasses White Minstrel Feb. 15-16 "Irene" Feb. 18 "Margie" Feb. 21 "Angel Face" Feb. 22-25 Shrine Show (local) March 7-8 "Chu-Chin-Chow" March 15 Neil O'Brien Minstrels March n.d. "Clarence" (Legion, local) March 27-28 Eagle Minstrel (local) March 28-29 Jean DuToit Little Theater (Hotel Marion Ballroom) April 12 Otis Skinner in "Blood and Sand" with Cornelia Otis Skinner April 13 Lou Tellegen in "Blind Youth" (reviews only) May 19 Mildred Reamey Dance Recital Oct. 2-4 Roses's Royal Midgets Oct. 11 Mitzi Hajos in "Lady Billy" Nov. 9-10 "The Merry Widow" with Jefferson DeAngelus Nov. 17 "Eve" Nov. 29-30 "The Bat" Nov. 25 Ukranian National Chorus Dec. 5 "Bringing Up Father" Dec. 6-7 Olga Petrova in "The White Peacock" Dec. 13-14 "The Cat and the Canary" Dec. 25-26 "The Circle" with Norman Hackett, Charlotte Walker, Wilton Lackaye, Amelia Bingham Dec. 27 Cornell Glee Club 1223 Jan. 6 "Up in the Clouds" Jan. 8 Fritz Leiber in "Macbeth" and "Hamlet" Jan. 12 "Greenwich Village Follies" Jan. 17-18 Lasses White's Mintrels Jan. 20 Walker Whiteside in "The Hindu" Jan. 24-25 "Tangerine" Feb. 3 "Mutt and Jeff" Feb. 4 "Greenwich Village Follies" (Shubert-Jefferson Theatre) Feb. 16 "Take It From Me" Feb. 27-28 "Shuffle Along" (Negro Troupe) UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 8 March 1 "The Book of Job" Feb. 19-24 Richard's, "The Wizard" March 9 "The Gold Diggers" March 12-13 Lions Club Revue (local) March 15-17 "The Unloved Wife" March 19 Geraldine Farrar March 21-22 Al G. Field Minstrels March 30 Margaret Anglin in "The Woman of Bronze" April 2-3 Eagles Revue (local) April 12 Raymond Hitchcock in "Hitchy-Koo" Oct. 1-3 "The First Year" Oct. 11-13 "The Covered Wagon" movie Oct. 19-20 "Lightin'" with Thomas Jefferson Oct. 27 Irene Castle, dances and song Nov. 22 Lasses White's Minstels Nov. 24 "Bringing Up Father" Nov. 29-30 "Blossom Time" Dec. 6 Harry Lauder and Co. Dec. 7-8 "The Clinging Vine" Dec. 20 Georgia Minstrels Dec. 27-28 Crane Wilbur in "The Monster" Dec. 31 "Venus" musical revue 1924 Jan. 11-12 "Sue, Dear" Jan. 17 Lasses White Minstrels Jan. 18 "Good Morning, Dearie" Jan. 19 "Wildflower" Jan. 24-25 "The Fool" Jan. 29 "Blossom Time" Feb. 1-2 "Sally, Irene and Mary" Feb. 4 Juan Mannen, Violinist Feb. 5-6 "The Bat" Feb. 7 "The Gingham Girl" Feb. 7 Sousa and His Band (matinee) Feb. 11 "Up She Goes" Feb. 16 Frank Silver's Revue March 2 "Just Married" March 26027 Al G. Field Minstrels Oct. 22-25 "The Ten Commandments" Oct. 28 J.A. Coburn's Minstrels Oct. 29 "Meet the Wife" Nov. 17-18 Al G. Field Minstrels Nov. 29 "Models of 1925" Dec. 10 "Blossom Time" Dec. 12-13 Gallagher and Sean in "In Dutch" UALR.0104 A-107 SAUNDERS THEATRE PROGRAM COLLECTION UALR Archives & Special Collections 9 Dec. 17 "Foot-Loose" with William Faversham and Margaret Anglin Dec. 31 Lasses White's Minstrels 1925 Jan. 9-10 "Little Jesse James" Jan. 12-14 "Rain" Jan. 30 "Sally" Feb. 4 "Just Married" Feb. 6-7 "The Passing Show" with Georgie Price and Roy Cummings Feb. 10 "Blossom Time" Feb. 12 "The Cat and the Canary" Feb. 27-28 "The Unwanted Child" March 10 "White Cargo" March 12 Miriam McHaney, Hazel Brewer Toll March 1

    Facilitating learning using the Service Template Extended Process (STEP) within a Process Consultation framework

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    In this chapter we consider the use and practical value of STEP, the Service Template Extended Process, to support applied HRD research in collaboration with practitioners. Used through a process consultation framework, STEP can surface values and underlying assumptions, thereby enabling both single and double-loop learning (Saunders and Williams, 2001)

    Replication Data for: Air Superiority and Battlefield Victory

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    Replication data for: Saunders, R., & Souva, M. (2020). Air superiority and battlefield victory. Research & Politics, 7(4), 2053168020972816

    The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.

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    Contemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
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