1,650 research outputs found
American Women Writers: Amy M. Clark
A 2011 conversation with the author Amy M. Clark about her life and the inspiration for her work
sj-docx-1-hsb-10.1177_00221465231205549 – Supplemental material for Health Care Stereotype Threat and Sexual and Gender Minority Well-Being
Supplemental material, sj-docx-1-hsb-10.1177_00221465231205549 for Health Care Stereotype Threat and Sexual and Gender Minority Well-Being by R. Kyle Saunders, Dawn Carr and Amy M. Burdette in Journal of Health and Social Behavior</p
Sparrows can't sing : East End kith and kinship in the 1960s
Sparrows Can’t Sing (1963) was the only feature film directed by
the late and much lamented Joan Littlewood. Set and filmed in
the East End, where she worked for many years, the film deserves
more attention than it has hitherto received. Littlewood’s career
spanned documentary (radio recordings made with Ewan MacColl
in the North of England in the 1930s) to directing for the stage
and the running of the Theatre Royal in London’s Stratford East,
often selecting material which aroused memories in local audiences
(Leach 2006: 142). Many of the actors trained in her Theatre
Workshop subsequently became better known for their appearances
on film and television. Littlewood herself directed hardly any material
for the screen: Sparrows Can’t Sing and a 1964 series of television
commercials for the British Egg Marketing Board, starring Theatre
Workshop’s Avis Bunnage, were rare excursions into an area of practice
which she found constraining and unamenable (Gable 1980: 32).
The hybridity and singularity of Littlewood’s feature may answer,
in some degree, for its subsequent neglect. However, Sparrows Can’t
Sing makes a significant contribution to a group of films made in
Britain in the 1960s which comment generally on changes in the
urban and social fabric. It is especially worthy of consideration,
I shall argue, for the use which Littlewood made of a particular
community’s attitudes – sentimental and critical – to such changes and
for its amalgamation of an attachment to documentary techniques
(recording an aural landscape on location) with a preference for nonnaturalistic
delivery in performance
Funny Feminism: Reading the Texts and Performances of Viola Spolin, Tina Fey and Amy Poehler, and Amy Schemer
This study examines the feminism of Viola Spolin, Tina Fey and Amy Poehler, and Amy
Schumer, all of whom, in some capacity, are involved in the contemporary practice and performance of feminist comedy. Using various feminist texts as tools, the author contextually and theoretically situates the women within particular feminist ideologies, reading their texts, representations, and performances as nuanced feminist assertions. Building upon her own experiences and sensations of being a fan, the author theorizes these comedic practitioners in relation to their audiences, their fans, influencing the ways in which young feminist relate to themselves, each other, their mentors, and their role models. Their articulations, in other words, affect the ways feminism is contemporarily conceived, and sometimes, humorously and contentiously advocated
The air microwave yield (AMY) experiment - A laboratory measurement of the microwave emission from extensive air showers
The AMY experiment aims to measure the microwave bremsstrahlung radiation (MBR) emitted by air-showers secondary electrons accelerating in collisions with neutral molecules of the atmosphere. The measurements are performed using a beam of 510 MeV electrons at the Beam Test Facility (BTF) of Frascati INFN National Laboratories. The goal of the AMY experiment is to measure in laboratory conditions the yield and the spectrum of the GHz emission in the frequency range between 1 and 20 GHz. The final purpose is to characterise the process to be used in a next generation detectors of ultra-high energy cosmic rays. A description of the experimental setup and the first results are presented. © Copyright owned by the author(s) under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike Licence
Identification of Sensitive Outcome Measures of Participation for Children With Autism
Abstract
Date Presented 4/1/2017
Mixed methods were used to identify valid, reliable, performance-based outcome measures for daily living skills and socialization for children ages 6–9 with ASD. We chose the best measures. Feasibility and validity testing for use in a future comparative study is under way.
Primary Author and Speaker: Roseann C. Schaaf
Additional Authors and Speakers: Amy Carroll, Elizabeth M. Ridgway</jats:p
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Vassar Miller prize in poetry series
With poems that combine the self-scrutiny of Philip Larkin with the measure of Elizabeth Bishop, Amy M. Clark burnishes her first collection, Stray Home, with exquisite understatement and formal control. Sweeter than Larkin and more intimate than Bishop, these poems address the suppressed pain and shame of living as a childless woman in a world of mothers, the dissociation attendant on depression and fraught family relationships, and the search for a sense of belonging in the face of dislocation. Stray Home cuts deeply to discover the buried emotions and insights universal to all suffering and compassionate human beings. “Clark is able to imbue our small, usually overlooked moments with unexpected grandeur. A quiet humor is employed in service of her twin gifts, imagination and metaphor. This is an accomplished, deft, and important debut.”—Beth Ann Fennelly, author of Tender Hooks and judg
Review: Joseph Urban: Unlocking an Art Deco Bedroom
Review of Joseph Urban: Unlocking an Art Deco Bedroom by Amy Miller Dehan. Cincinnati Art Museum in association with D Giles Limited, February 2022. 128 p. ill. ISBN 978-1-911282-56-3 (h/c), $49.95. Reviewed July 2022 by Sara Mautino, Librarian, Oklahoma State University School of Architecture - Cunningham Architecture Library, Oklahoma State University Libraries, [email protected]
The Narrative Structure of Amy Tan’s ‘The Bonesetter’s Daughter’: Myth as a Critical Element
The article explores Amy Tan's use of ghosts and spirituality in her novel 'The Bonesetter's Daughter'. The author studies how the belief in ghosts functions in the novel as an alternative perspective through which to understand life, social relations, and the cosmos. The spirit of Gu Liu Xin, the Chinese grandmother, plays a critical role in developing the psychological integrity of Ruth Luyi Young, the American-born Chinese granddaughter. It also helps guide Lu Ling, Liu Xin's daughter and Ruth's mother, out of the hazardous situation in China and sustains Lu Ling in times of alienation and hardship in America. The article concludes that spirituality is essential for a subjugated woman character to achieve her personal and political freedom as well as her physical and spiritual wholeness
Narrative forms: Modern American short story cycles by Louise Erdrich and Amy Tan
Forrest Ingram wrote the first book-length study of the short story cycle in which he defined the form as "a book of short stories so linked to each other by their author that the reader's successive experience on various levels of the pattern of the whole significantly modifies his experience of each of its component parts." Since then, other critics and theorists have added to and argued against the specifics of Ingram's work. My study will sketch the theory of this form and then employ ideas from various theorists to examine Louise Erdrich's Love Medicine and Amy Tan's The loy Luck Club. Through multiple first- and third-person point of view, and the interaction of characters through storytelling, Erdrich and Tan build the themes of community and continuity. Just as the many characters become a community the many stories form a fictive community in the short story cycle
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