5,060 research outputs found
An Interview with Tony David Sampson: Author of Virality: Contagion Theory in the Age of Networks
No full textTony D. Sampson is Reader in Digital Culture and Communication in the School of Arts and Digital Industries (ADI) at the University of East London, where he directs the EmotionUX lab, supervising research on the cognitive, emotional, and affective aspects of user experience. In 2013, he co-founded Club Critical Theory, an organization dedicated to the application of critical theory in everyday life in Southend-on-Sea, Essex. Tony is the author of Virality: Contagion Theory in the Age of Networks and The Assemblage Brain: Sense Making in Neuroculture, both from the University of Minnesota Press. He blogs at viralcontagion.wordpress.com.
The editors of this special NANO issue are delighted to have the opportunity to talk with Tony about how his work touches on issues of imitation and contagion—a loaded term unpacked within his 2012 book
Samuel K. Eddy, The Minting of Antoniniani A.D. 238-249 and the Smyrna Hoard
No full textHackens Tony. Samuel K. Eddy, The Minting of Antoniniani A.D. 238-249 and the Smyrna Hoard. In: L'antiquité classique, Tome 37, fasc. 1, 1968. pp. 366-368
Tony Tulathimutte: 48th Annual ODU Literary Festival
No full textTony Tulathimutte is the author of Private Citizens and Rejection. A graduate of Stanford University and the Iowa Writers’ Workshop, he’s received a Whiting Award and an O. Henry Award, was longlisted for the National Book Award, and has written for The Paris Review, N+1, The New York Times, Playboy, The Nation, and others. He also runs CRIT, a writing class in Brooklyn
Samuel Beckett and the Writers of Port-Royal
Get PDFIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Tokyo Burning Interview with Tony Barnstone
No full textInterview with Tony Barnstone about adapting his poetry to music. Tokyo\u27s Burning is a CD that tells history from the inside, telling stories of the Pacific theater of WWII not from the God\u27s eye view but from the points of view of American and Japanese civilians and soldiers who lived and suffered through Pearl Harbor and Iwo Jima, the firebombing of Tokyo and the atom bomb drop on Hiroshima. Songs in the CD are based upon 15 years of research into the Pacific theater of WWII by Tony Barnstone—poet, author, and professor at Whittier College in Los Angeles. Tony worked with oral histories, histories, diaries, letters, and memoirs, and did his own interviews with vets and their families to write a book of poems titled Tongue of War: From Pearl Harbor to Nagasaki (BkMk Press, 2009). Though many of the songs deal with atrocity—sex slavery, torture, internment camps, even cannibalism—the CD itself is meant to take a neutral stance, allowing each character to speak his or her view, without judgment, assuming that the readers will find their own moral paths through these competing voices and viewpoints. As one character says, Seems everyone has a point of view, but no one has perspective. L.A.-based songwriters John Clinebell and Ariana Hall, who work together under the name Genuine Brandish, were commissioned by Tony to work with him to translate his book into 15 songs (with the essential help of producer Andrew Bush). What if history had a human face? What if the people who lived history could speak to it? This CD is an attempt to amplify the smaller voices, the human voices, of those who lived through the war and help them to sing history to us
Tony Ardizzone, 3rd Annual ODU Literary Festival
No full textFrom the training grounds of Chicago and Bowling Green, Tony Ardizzone serves as running guard for the creative writing program at ODU. Author of a novel ( In the Name of the Father ) and a collection of short stories ( Idling ), he is also the editor of Intro, an annual journal of the best writing from college workshops around the country. In a nearly completed accompanying volume to In the Name of the Father, Ardizzone traces the route by which the character Vito Scaparelli reaches Vietnam. Ardizzone has published 15 short stories in distinguished fiction quarterlies. He believes that the writing of fiction is the crafting of interiorized drama
Improving urban planning: the case of New South Wales. by Tony Sorensen
No full texttag=1 data=Improving urban planning: the case of New South Wales. by Tony Sorensen
tag=2 data=Sorensen, Tony
tag=3 data=Policy,
tag=4 data=8
tag=5 data=2
tag=6 data=Winter 1992
tag=7 data=31-36.
tag=8 data=PLANNING
tag=10 data=The NSW Department of Planning is proposing changes to the Environmental Planning and Assessment Act. The author reviews the proposals and highlights the difficulties of making urban planning efficient and equitable.
tag=11 data=1992/4/10
tag=12 data=92/0672
tag=13 data=CABThe NSW Department of Planning is proposing changes to the Environmental Planning and Assessment Act. The author reviews the proposals and highlights the difficulties of making urban planning efficient and equitable
Policing serious public disorder: the search for principles, policies and operational lessons. [In two volumes]
No full textThe paper examines the influence of central government on the police response to serious public disorder; the effectiveness or otherwise of the law and the way in which it is used by the police in their response to such disorder, and searches for sone principles which need to be followed if the police are to maintain the general support of the communities in which they are required to act. Some comparisons are made, and differences highlighted, between the police commander in his response to serious public disorder, once it has broken out, and the military commander in battle. But, guided by lessons from history, the paper principally concentrates on the environment in which the operational police commander is required to act in responding to actual or potential serious public disorder, pointing out that he is dependant for his success on firstly, an effective system of command and control; secondly, on an intelligence system which feeds relevant and accurate information on which he can make sound and informed decisions; and thirdly, the physical resources, e.g. personnel and equipment, and the approved tactics which enable him to restore public tranquility once disorder has broken out. But before he can use the physical resources effectively, he must have a sound strategy for dealing with actual or potential disorder
Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Tony Pawson OC OOnt CH FRS FRSC
No full textIt is with feelings of great sadness and loss that friends and colleagues at McGill University note the passing of Tony Pawson of the Samuel Lunenfeld Research Institute at Mount Sinai Hospital and the University of Toronto. [...
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