106,223 research outputs found
'The guiding hand': the progression of Milton’s thought towards Samson Agonistes
No full textThis thesis examines the development of Milton's purpose as his vocation of poetic legislator for his times informed the progress of his vision. In seeing Samson Agonistes as the culmination of a process, it illustrates the narrowing focus of Milton’s theological prescription for a godly society. Before any other concern, Milton desired man to repair his relationship with God, and urges his readers to achieve this; it may be observed throughout his polemical writing, reaching a pinnacle of clarity and urgency in the 1671 volume, and in Samson Agonistes in particular. From the assumption that unity with God's purpose was the informing principle of his writing, all of his other concerns may be observed in their rightful setting. As the foundation of Milton's political vision was virtue, the inculcation of virtue in his readership was arguably his primary motivation. This thesis addresses certain key works in order to assess the progression of this purpose towards Samson Agonistes: Areopagitica as an exemplar of his early brilliance in prose, and as a commentary on the significance of language as a weapon in the battle for truth; Eikonoklastes as a demonstration of the contemporary use of historical narrative for political ends, and as aesthetic as well as political iconoclasm; and the Second Defence as the nexus of poetry and prose in his career, where he rewrites the truth in order to glorify and defend his nation and himself His theological beliefs are discussed in the light of their importance to his vocation and vision of the regenerative potential of man. This is shown to be the guiding principle of his prose and the main subject of the final poems. The 1671 volume is examined as the immediate context of Samson Agonistes. The intertextual resonances reveal the concentration of Milton’s focus upon the paradise within. Samson Agonistes is examined also within the cultural contexts which Milton reworks in order to isolate the potential of man's spirit. Samson Agonistes is finally examined in the light of Milton's perennial concerns as a prescription for specific action. Firmly rooted in the political and theological debates of his life, it is nonetheless a call to inner revolution for his readership
Austin also must be remembered. The Augustinian legacy in Milton's work
No full textWhen I started working on this project, with a limited knowledge of Augustine, but determined to spot his presence in Miltonâs poetry, I was little aware of the intricacy of the relationship between the two authors. At this stage of my research, I do subscribe to Savoyeâs opinion, that this relationship is pervasive. However, one could safely add, it is as pervasive as it is hidden, primarily because of changed cultural paradigms, so that Miltonâs references are no longer familiar to the reader.
As I have pointed out in my presentation of the state of the art, these articulations are hardly made explicit in Miltonâs Oeuvre and also in critical literature they are hardly brought to the surface. My objective has been to make them a little more visible.
I have started my own process of discovery from the works where Milton more openly (but not completely) acknowledges his Augustinian sources, although arguably mediated. As concerns Samson Agonistes, I have presented a reading through Augustinian lenses. I am by no means claiming that mine is the best of all possible readings, but through those lenses I have been able to see a coherence, in Miltonâs dramatic poem, that is not generally recognized.
On the other hand, I thoroughly agree that âone cannot simply take any English poet and turn the post-structuralist critical machine loose on him or her in good faithâ. In particular, I am aware that I have read Miltonâs works against the current critical grain which, with a powerful turn impressed by Empsonâs Miltonâs God, is continually surfacing Miltonâs idiosyncrasies in order to cancel the received picture of a Christian author. Rather, I agree with Cirillo that Miltonâs perspective is that of âa professed Christian poet whose Christian consciousness, no matter how heterodox, colored virtually everything he wrote.â.We may ask, echoing Febvre on Rabelais, âMais de quel christianisme? In accordance with very traditional, even traditionalist Milton Criticism, I think it can safely be stated that Milton is a post-Reformation religious author, and one whose endeavour to âjustify the ways of God to menâ had to come to terms with the difficult task to find signs of providential history in the aftermath of a civil war and in the adverse context of the Restoration. His last published poems deal with this problem in different terms. As readers, we can come to different conclusions as to the texts. Behind them there is the man, âest abyssus humanae conscientiae,â in front of which, after Augustine, I can only say: "nescio"
Vlvienne G. Mylne : Le Dialogue dans le roman français de Sorel à Sarraute. Éd. par Françoise Tilkin. Préface de Jean Sgard. 1994
No full textSamson Guillemette. Vlvienne G. Mylne : Le Dialogue dans le roman français de Sorel à Sarraute. Éd. par Françoise Tilkin. Préface de Jean Sgard. 1994. In: Dix-huitième Siècle, n°28, 1996. L'Orient. pp. 658-659
CHANTS DE BOURGOGNE / LA CHORALE DE LA BASILIQUE DE BEAUNE, dir : J.F. SAMSON
No full textComprend : A LA FETE D'ECHARNANT / harmJ. SAMSON - SOMMEIL, VITE, VITE, VITE / harmJ. BOUVARD - LE VIGNERON / harmJ. SAMSON - SI BENE COMMEMINI / J. SAMSON - JOYEUX ENFANTS DE LA BOURGOGNE / harmJ. SAMSON - C'EST GUIGNOLOT D'SAINT LAZOT - L'AN VA FINIR / harmSAMSON - FILLES A MARIER / G. BINCHOIS - ADIEU MES TRES BELLES AMOURS / G. BINCHOIS - BRANLE DE BOURGOGNE / anonyme - VOIZIN C'A FAIT / harmJ. SAMSONBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Steam Tractor Samson at Castle Howard Rally
No full textGarrett showman's tractor No.33459 'Samson', registration 'TC64' (built 1919). 'J. G. Tennant, Askrigg' on the canopy. Photographed at Castle Howard Rally, 1967
Hope and Despair in Milton's Samson Agonistes and Paradise Regained
No full textHope and Despair in Milton’s Samson
Agonistes and Paradise Regained
Abstract
This thesis aims to explore the notions of hope and despair in Milton’s companion poems, Paradise Regained and Samson Agonistes. In the first chapter, I will define and establish the notions of hope and despair in the Christian context by examining the configurations of these two ideas in the Bible, fathers of the church, and representative reformation theologians. A broader contextual study will include renaissance poets and prose writers and one emblem author. The second chapter presents an outline and discussion of the critical history of these two poems, and I will focus upon critics’ reading of hope and despair in these two poems. The third and fourth chapters are devoted to Samson Agonistes and Paradise Regained respectively. Samson and Christ exemplify true hope. A false hope is then embraced by Samson’s visitors, the Chorus, Manoa, Dalila, and Harapha, and the Philistines, and Jesus’ tempter, Satan. In these two chapters, a revelation of the causal relationship between other virtues, faith, patience, and confidence, and hope will enhance our understanding of Christian hope. Milton’s treatments of hope as an act and a tangible being can be evidenced in the protagonists of his two major poems. Samson conquers his near-despair, withstands temptations of false hope and despair, and eventually regains hope as God’s chosen. Jesus passes the trials of faith and patience, maturing in self-knowledge, defeating the despairing Devil, and proving himself as Hope of mankind. The epilogue of the thesis is intended to compare Milton’s representations of hope in Samson and Christ.Table of Contents
Page
Acknowledgement iii
Abstract iv
Chapter 1
Introduction: Hope and Despair in the Renaissance and Reformation: a Context...................................1
I. Definitions and Biblical Tradition
II. The Patristic Tradition: St. Augustine and St. Thomas
III. The Renaissance and the Reformation Tradition
Chapter 2
The Critical History of Samson Agonistes and Paradise Regained ............................................... 43
Chapter 3
Reading Samson Agonistes............................ 65
I. Linguistic Distinction: Hope as a Verb
II. Samson Agonistes and the Book of Judges
III. Hope and Faith
IV. Manoa’s False Hope
V. Regaining Hope: Samson Conquering Despair
Chapter 4
Reading Paradise Regained ..........................104
I. Linguistic Definition: Hope as a Noun
II. Mary and the Apostles’ Concepts of Christian Hope
III. Satan’s False Hope and Despair
IV. Hope Confirmed: Christ’s Growth
Epilogue ...............................................140
Works Cited ............................................144
Appendi
Sensitivity Analysis of the Maximum Matching Problem
No full textWe consider the sensitivity of algorithms for the maximum matching problem against edge and vertex modifications. When an algorithm A for the maximum matching problem is deterministic, the sensitivity of A on G is defined as max_{e ∈ E(G)}|A(G) △ A(G - e)|, where G-e is the graph obtained from G by removing an edge e ∈ E(G) and △ denotes the symmetric difference. When A is randomized, the sensitivity is defined as max_{e ∈ E(G)}d_{EM}(A(G),A(G-e)), where d_{EM}(⋅,⋅) denotes the earth mover’s distance between two distributions. Thus the sensitivity measures the difference between the output of an algorithm after the input is slightly perturbed. Algorithms with low sensitivity, or stable algorithms are desirable because they are robust to edge failure or attack.
In this work, we show a randomized (1-ε)-approximation algorithm with worst-case sensitivity O_ε(1), which substantially improves upon the (1-ε)-approximation algorithm of Varma and Yoshida (SODA'21) that obtains average sensitivity n^O(1/(1+ε²)) sensitivity algorithm, and show a deterministic 1/2-approximation algorithm with sensitivity exp(O(log^*n)) for bounded-degree graphs. We then show that any deterministic constant-factor approximation algorithm must have sensitivity Ω(log^* n). Our results imply that randomized algorithms are strictly more powerful than deterministic ones in that the former can achieve sensitivity independent of n whereas the latter cannot. We also show analogous results for vertex sensitivity, where we remove a vertex instead of an edge.
Finally, we introduce the notion of normalized weighted sensitivity, a natural generalization of sensitivity that accounts for the weights of deleted edges. For a graph with weight function w, the normalized weighted sensitivity is defined to be the sum of the weighted edges in the symmetric difference of the algorithm normalized by the altered edge, i.e., max_{e ∈ E(G)}1/(w(e))w (A(G) △ A(G - e)). Hence the normalized weighted sensitivity measures the weighted difference between the output of an algorithm after the input is slightly perturbed, normalized by the weight of the perturbation. We show that if all edges in a graph have polynomially bounded weight, then given a trade-off parameter α > 2, there exists an algorithm that outputs a 1/(4α)-approximation to the maximum weighted matching in O(m log_α n) time, with normalized weighted sensitivity O(1)
Fertilizing irrigated pastures
No full textBulletin no. 452 Moscow, Idaho :University of Idaho, College of Agriculture,1967. [Charles G. Painter, Ralph S. Samson and Alfred E. Slinkard]. 1 folded sheet (5 p.) :ill. ;23 cm
Multimedia courseware: Never mind the quality how much will it cost to develop?
No full textThis paper evaluates multimedia courseware costing techniques such as the US Airforce Interactive Courseware Method (Golas, 1993), CBT Analyst (Kearsley, 1985), CEAC (Schooley, 1988) and MEEM (Marshall, Samson, Dugard, & Scott, 1994) against the data from ten multimedia courseware developments. The Relative Error and Mean Absolute Relative Error (MARE) are calculated to allow comparison of the different methods
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