7,273 research outputs found
Victoria Samson
No full textVictoria Samson is the Washington Office Director for Secure World Foundation and has nearly twenty years of experience in military space and security issues.
Before joining SWF, Ms. Samson served as a Senior Analyst for the Center for Defense Information (CDI), where she leveraged her expertise in missile defense, nuclear reductions, and space security issues to conduct in-depth analysis and media commentary. Prior to her time at CDI, Ms. Samson was the Senior Policy Associate at the Coalition to Reduce Nuclear Dangers, a consortium of arms control groups in the Washington, D.C. area, where she worked with Congressional staffers, members of the media, embassy officials, citizens, and think-tanks on issues surrounding dealing with national missile defense and nuclear weapons reductions. Before that, she was a researcher at Riverside Research Institute, where she worked on war-gaming scenarios for the Missile Defense Agency\u27s Directorate of Intelligence.
Known throughout the space and security arena as a thought leader on policy and budgetary issues, Ms. Samson is often interviewed by multinational media outlets, including the New York Times, Space News, and NPR. She is also a prolific author of numerous op-eds, analytical pieces, journal articles, and updates on missile defense and space security matters. Read Ms. Samson\u27s publications.https://commons.erau.edu/stm-images/1096/thumbnail.jp
Victoria Samson
No full textVictoria Samson is the Washington Office Director for Secure World Foundation and has more than seventeen years of experience in military space and security issues.
Before joining SWF, Ms. Samson served as a Senior Analyst for the Center for Defense Information (CDI), where she leveraged her expertise in missile defense, nuclear reductions, and space security issues to conduct in-depth analysis and media commentary. Prior to her time at CDI, Ms. Samson was the Senior Policy Associate at the Coalition to Reduce Nuclear Dangers, a consortium of arms control groups in the Washington, D.C. area, where she worked with Congressional staffers, members of the media, embassy officials, citizens, and think-tanks on issues surrounding dealing with national missile defense and nuclear weapons reductions. Before that, she was a researcher at Riverside Research Institute, where she worked on war-gaming scenarios for the Missile Defense Agency\u27s Directorate of Intelligence.https://commons.erau.edu/stm-images/1060/thumbnail.jp
Austin also must be remembered. The Augustinian legacy in Milton's work
No full textWhen I started working on this project, with a limited knowledge of Augustine, but determined to spot his presence in Miltonâs poetry, I was little aware of the intricacy of the relationship between the two authors. At this stage of my research, I do subscribe to Savoyeâs opinion, that this relationship is pervasive. However, one could safely add, it is as pervasive as it is hidden, primarily because of changed cultural paradigms, so that Miltonâs references are no longer familiar to the reader.
As I have pointed out in my presentation of the state of the art, these articulations are hardly made explicit in Miltonâs Oeuvre and also in critical literature they are hardly brought to the surface. My objective has been to make them a little more visible.
I have started my own process of discovery from the works where Milton more openly (but not completely) acknowledges his Augustinian sources, although arguably mediated. As concerns Samson Agonistes, I have presented a reading through Augustinian lenses. I am by no means claiming that mine is the best of all possible readings, but through those lenses I have been able to see a coherence, in Miltonâs dramatic poem, that is not generally recognized.
On the other hand, I thoroughly agree that âone cannot simply take any English poet and turn the post-structuralist critical machine loose on him or her in good faithâ. In particular, I am aware that I have read Miltonâs works against the current critical grain which, with a powerful turn impressed by Empsonâs Miltonâs God, is continually surfacing Miltonâs idiosyncrasies in order to cancel the received picture of a Christian author. Rather, I agree with Cirillo that Miltonâs perspective is that of âa professed Christian poet whose Christian consciousness, no matter how heterodox, colored virtually everything he wrote.â.We may ask, echoing Febvre on Rabelais, âMais de quel christianisme? In accordance with very traditional, even traditionalist Milton Criticism, I think it can safely be stated that Milton is a post-Reformation religious author, and one whose endeavour to âjustify the ways of God to menâ had to come to terms with the difficult task to find signs of providential history in the aftermath of a civil war and in the adverse context of the Restoration. His last published poems deal with this problem in different terms. As readers, we can come to different conclusions as to the texts. Behind them there is the man, âest abyssus humanae conscientiae,â in front of which, after Augustine, I can only say: "nescio"
African American Storyteller, Victoria A. Casey McDonald
No full textIn the deep resonance of storyteller Victoria A. Casey McDonald’s voice, you will hear her tell stories about growing up in Western North Carolina, and the kind of Christmas she had as a child. The late Victoria was our friend, a CSA board member, author, and “Stories of Mountain Folk” interviewer
Art Forum - Lynn, Victoria
No full text4 September 2002. -- Victoria Lynn is a distinguished curator and writer who has worked in the field of contemporary and Australian visual arts over the last two decades. She has recently been appointed Director of Creative Development at the Australian Centre for the Moving Image, an innovative exhibition venue located at Federation Square in Melbourne, due to open later this year. She is currently Chair of the Visual Arts/Crafts Board of the Australia Council. From 1991 to 2001 she was Curator of Contemporary Art at the Art Gallery of New South Wales, and the numerous exhibitions she has curated have received substantial critical acclaim. She is the author of many articles, catalogue essays and edited collections, and books on artists Marion Borgelt and Eugene Carchesio. In her lecture she will discuss both Australian and International work, the challenges at the Australian Centre for the Moving Image, and the different modes and understandings of what the moving image can and might be understood as
Chinese hawker [picture] /
No full textTitle from ms. inscription below image.; Plate from: Wood engravings published in Victoria, Australia.; S4979.Wood engravings published in Victoria, Australia
Black Fashion Designers Symposium: Dr. Victoria Rovine “Fashion in Africa and Beyond”
No full textDr. Victoria Rovine, “Fashion in Africa and Beyond” at The Museum at FIT's annual fashion symposium, Black Fashion Designers, held on Monday, February 6, 2017. The one-day symposium featured talks by designers, models, journalists, and scholars on African diasporic culture and fashion.Victoria Rovine is an associate professor of art history at the University of North Carolina at Chapel Hill and author of African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear
Proposed recommendations : Mallee study area /
No full text0724109242 (paperback) (ISBN). "March 1976".; Index indicating National Library of Australia holdings, in an online version at: http://nla.gov.au/nla.map-vn2766744; Library's NL copy does not contain maps.Mallee study are
Progress of Victoria : a statistical essay / by William Henry Archer.
No full textAt head of title: Intercolonial Exhibition essays, 1866.; "Intended as an introductory handbook to the annually-published Statistics of Victoria" -- Pref.; Written by author in his capacity as Registrar-General of Victoria.; Includes index.; Ferguson, J.A. Australia, 6085; Electronic reproduction. Canberra, A.C.T. : National Library of Australia, 2009
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