57,633 research outputs found

    'The guiding hand': the progression of Milton’s thought towards Samson Agonistes

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    This thesis examines the development of Milton's purpose as his vocation of poetic legislator for his times informed the progress of his vision. In seeing Samson Agonistes as the culmination of a process, it illustrates the narrowing focus of Milton’s theological prescription for a godly society. Before any other concern, Milton desired man to repair his relationship with God, and urges his readers to achieve this; it may be observed throughout his polemical writing, reaching a pinnacle of clarity and urgency in the 1671 volume, and in Samson Agonistes in particular. From the assumption that unity with God's purpose was the informing principle of his writing, all of his other concerns may be observed in their rightful setting. As the foundation of Milton's political vision was virtue, the inculcation of virtue in his readership was arguably his primary motivation. This thesis addresses certain key works in order to assess the progression of this purpose towards Samson Agonistes: Areopagitica as an exemplar of his early brilliance in prose, and as a commentary on the significance of language as a weapon in the battle for truth; Eikonoklastes as a demonstration of the contemporary use of historical narrative for political ends, and as aesthetic as well as political iconoclasm; and the Second Defence as the nexus of poetry and prose in his career, where he rewrites the truth in order to glorify and defend his nation and himself His theological beliefs are discussed in the light of their importance to his vocation and vision of the regenerative potential of man. This is shown to be the guiding principle of his prose and the main subject of the final poems. The 1671 volume is examined as the immediate context of Samson Agonistes. The intertextual resonances reveal the concentration of Milton’s focus upon the paradise within. Samson Agonistes is examined also within the cultural contexts which Milton reworks in order to isolate the potential of man's spirit. Samson Agonistes is finally examined in the light of Milton's perennial concerns as a prescription for specific action. Firmly rooted in the political and theological debates of his life, it is nonetheless a call to inner revolution for his readership

    MILTON’S SUBVERSION OF THE GREEK TRAGIC FORM IN SAMSON AGONISTES

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    When it comes to analyzing Milton’s moral vision in his major works, his tragedy Samson Agonistes is something of a curiosity. Unlike in Milton’s other major two works, the epics Paradise Lost and Paradise Regained, where themes of morality, sins, punishment and redemption are relatively clear, the situation in Samson Agonistes becomes increasingly ambiguous the more we entangle ourselves with the enigmatic nature of the Old Testament judge Samson, here presented as a tragic protagonist in Milton’ first and only tragedy, published in 1671. An especially interesting issue to consider is Milton’s treatment of the classical tragic structure and conventions in his own play, which is the topic of this discussion. These elements which Milton subverts, modifies and adheres to give Samson Agonistes an intriguing structure that tells a story of its own, a story of a peculiar protagonist whose moral expression starts to assume a mutability which, artistically speaking, establishes Milton’s play as a seemingly inexhaustibly fertile ground for analysis of the abovementioned themes. Especially important here are the two texts, one a critical literary analysis, the other a classical tragedy which inspired Milton a lot: Aristotle’s Poetics and Sophocles’ Oedipus at Colonus. With the comparison of these two texts with Milton’s play, what emerges is a kind of a Miltonic tragic figure greatly congruous with Milton’s ideas on the complex interplay of artistic and moral expression in a literary text.Pri analizi Miltonove moralne vizije u njegovim glavnim djelima ona izražena u tragediji Samson Agonistes predstavlja određenu enigmu. Za razliku od dva velika Miltonova djela, epova Izgubljeni raj i Nanovo stečeni raj, gdje su teme o moralnosti, grijesima, kazni i iskupljenju izražene relativno jasno, situacija u Samsonu Agonistesu postaje sve dvosmislenijom što se više uplićemo u zagonetnu prirodu starozavjetnoga suca Samsona, ovdje predstavljena kao tragična protagonista u Miltonovoj prvoj i jedinoj tragediji, objavljenoj 1671. godine. Posebno je zanimljiva Miltonova obrada strukture i odlika klasične grčke tragedije što je i tema ovoga istraživanja. Ovi elementi, neki kojih se Milton vjerno pridržava, ali i neki koje prerađuje i odbacuje, daju Samsonu Agonistesu neobičnu strukturu koja i sama iskazuje određenu viziju ili ima svoju priču. To je priča o neobičnu protagonistu čiji moralni izražaj počinje poprimati promjenjivost koja, s umjetničkoga gledišta, predstavlja nepresušivo vrelo za analizu tema koje se tiču moralnosti. Pri toj analizi posebno su korisna dva teksta, jedan je rana književna kritika, a drugi klasična tragedija koja je uvelike inspirirala Miltona pri pisanju njegove drame; riječ je, naime, o Aristotelovoj Poetici i Sofoklovoj tragediji Edip kod Kolona. Ono što proizilazi pri usporedbi i analizi ovih tekstova jest svojevrsni miltonovski klasični tragični protagonist, tvorevina koja je u skladu s njegovim idejama o složenoj isprepletenosti umjetničkoga i moralnoga izričaja u književnome djelu

    Austin also must be remembered. The Augustinian legacy in Milton's work

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    When I started working on this project, with a limited knowledge of Augustine, but determined to spot his presence in Miltonâs poetry, I was little aware of the intricacy of the relationship between the two authors. At this stage of my research, I do subscribe to Savoyeâs opinion, that this relationship is pervasive. However, one could safely add, it is as pervasive as it is hidden, primarily because of changed cultural paradigms, so that Miltonâs references are no longer familiar to the reader. As I have pointed out in my presentation of the state of the art, these articulations are hardly made explicit in Miltonâs Oeuvre and also in critical literature they are hardly brought to the surface. My objective has been to make them a little more visible. I have started my own process of discovery from the works where Milton more openly (but not completely) acknowledges his Augustinian sources, although arguably mediated. As concerns Samson Agonistes, I have presented a reading through Augustinian lenses. I am by no means claiming that mine is the best of all possible readings, but through those lenses I have been able to see a coherence, in Miltonâs dramatic poem, that is not generally recognized. On the other hand, I thoroughly agree that âone cannot simply take any English poet and turn the post-structuralist critical machine loose on him or her in good faithâ. In particular, I am aware that I have read Miltonâs works against the current critical grain which, with a powerful turn impressed by Empsonâs Miltonâs God, is continually surfacing Miltonâs idiosyncrasies in order to cancel the received picture of a Christian author. Rather, I agree with Cirillo that Miltonâs perspective is that of âa professed Christian poet whose Christian consciousness, no matter how heterodox, colored virtually everything he wrote.â.We may ask, echoing Febvre on Rabelais, âMais de quel christianisme? In accordance with very traditional, even traditionalist Milton Criticism, I think it can safely be stated that Milton is a post-Reformation religious author, and one whose endeavour to âjustify the ways of God to menâ had to come to terms with the difficult task to find signs of providential history in the aftermath of a civil war and in the adverse context of the Restoration. His last published poems deal with this problem in different terms. As readers, we can come to different conclusions as to the texts. Behind them there is the man, âest abyssus humanae conscientiae,â in front of which, after Augustine, I can only say: "nescio"

    Heat shock proteins: therapeutic drug targets for chronic neurodegeneration?

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    Intra- and extracellular protein misfolding and aggregation is likely to contribute to a number of age-related central nervous system diseases (“proteinopathies”). Therefore, molecular chaperones, such as heat shock proteins (HSPs), that regulate protein folding, misfolding and adaption to cellular stress are emerging as therapeutic targets. Here we review the current knowledge of HSP-modulating drugs and discuss the opportunities and difficulties of their therapeutic use to treat proteinopathies such as Alzheimer's- and Parkinson's disease, the polyglutamine- and prion disorders and Amyotrophic Lateral Sclerosis

    A Choice collection of hymns and spiritual songs [electronic resource] : intended for the edification of sincere Christians, of all denominations. By Samson Occom, Minister of the Gospel. [Text].

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    Compiled by Samson Occom from the works of others.Signatures: [A]]4 B-T]2[-]4 U]2 (U2 verso blank)Evans,Trumbull, J.H. Connecticut,Johnson, H.A. New London,Electronic reproduction.English Short Title Catalog,Reproduction of original from Library of Congress

    View to the U: An eye on UTM Research

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    This is an audio recording from the podcast series "View to the U: An eye on UTM research".Professor David Samson is featured on this edition of VIEW to the U, on which he talks about his evolutionary biology research in UTM’s Department of Anthropology. For this season of the podcast, which is a focus on "adventures in research," David shares his stories that vividly illustrate studies are not always conducted in a lab and that researchers are sometimes literally ‘going out on a limb’ for their findings! He also lets us in on the details of the “candlelight challenge,” as well as his top tips for a good night’s sleep, based on his extensive research into understanding sleep, sleep disorders and the health implications of sleep deficiency. David Samson is an Assistant Professor at U of T Mississauga. His work has demonstrated human sleep has a unique evolutionary history distinct from other primates. A true champion of science communication and public outreach, along with agreeing to take part in this podcast, David has been featured on a number of international podcasts, as well as on many media resources – on the radio, in newspapers, and on TV – including CTV News, World News Radio, CBC radio, The New York Times, GQ Magazine, and TVO’s The Agenda with Steve Paikin. He completed his undergraduate studies and PhD at Indiana University in Biological Anthropology. Prior to joining the faculty at UofT, David was a Senior Research Scientist as well as a Postdoctoral Associate at Duke University, and a Visiting Professor of Anthropology at University of Nevada, Las Vegas

    A Dynamic Subfilter-scale Stress Model for Large Eddy Simulations Based on Physical Flow Scales

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    We propose a new definition of the length scale in an eddy-viscosity model for large-eddy simulations (LES). This formulation extends and generalizes a previous proposal [Piomelli, Rouhi and Geurts, Proc. ETMM10, 2014], in which the LES length scale was expressed in terms of the integral length-scale of turbulence determined by the flow characteristics and explicitly decoupled from the simulation grid; this approach was named Integral Length-Scale Approximation (ILSA). As in the original ILSA, the model coefficient was determined by the user, and required to maintain a desired contribution of the unresolved, subfilter scales (SFS) to the global transport. We propose a local formulation (local ILSA) in which the model coefficient is local in space, allowing a precise control over SFS activity as a function of location. This new formulation preserves the properties of the global model; application to channel flow and backward-facing step verifies its features and accuracy

    Large-eddy simulation of a separated flow with a sub-filter scale model based on the integral length-scale

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    A new sub-filter scale model for large-eddy simulations, which uses a length-scale proportional to the integral scale of the turbulence instead of the grid resolution to parametrize the modelled stresses, will be assessed in the prediction of the flow of a boundary-layer over a rough surface, which includes separation and reattachment

    Near Wall PIV-Measurements on the Windward Slope of a Hill

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    The turbulent flow over periodic hills was measured near to the wall, using planar Particle-Image-Velocimetry (PIV) at high spatial resolution. Our focus is on the near wall turbulence structure on the windward slope of the hill. For large-eddy simulation (LES) we suspect that, if this was not predicted accurately, it affects the prediction of the velocity profiles over the hill crest which in turn will affect the recirculation length downstream of the hill. Regarding the time averaged velocities, we were able to resolve the linear viscous region of the boundary layer. The velocity distribution and also the Reynolds stress does not comply with the law of the wall as it is valid for a turbulent boundary layer at equilibrium
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