1,277 research outputs found
»Verz je od nekdaj jezik poezije in proza jezik resničnosti«: kratka nemška proza v gimnazijah na Slovenskem od leta 1848 do 1918
In the context of teaching German and Slovene literature in upper secondary (grammar) schools (gimnazije) in the second half of the 19th and early 20th century, short fiction was represented by a negligible, statistically barely noticeable part, which for this very reason has been largely neglected by the few researchers of the school literary canon (Korte 2011, Samide 2012). The paper sheds light on this overlooked segment and explores the reasons for the under-representation of short prose in the curricula and for the lack of awareness on the part of the teachers of the time. The focus is on teaching German, which, after the upper secondary school reform in 1848, acquired a constitutive role in upper secondary school education. The findings are based on an analysis of 202 annual reports issued between 1849 and 1918 by three selected classical grammar schools (klasične gimnazije) in the Slovene territory: the Ljubljana Grammar School, the Maribor Grammar School and the Klagenfurt Grammar School.V okviru pouka nemške in slovenske književnosti v gimnazijah druge polovice 19. in zgodnjega 20. stoletja je kratka proza obsegala zanemarljiv, statistično komaj opazen del, ki so ga prav zato dosedanji redki raziskovalci šolskega literarnega kanona puščali praviloma ob strani. Pričujoči prispevek osvetljuje ta prezrti segment in raziskuje vzroke za slabo zastopanost kratke proze v učnih načrtih in zavesti tedanjih učiteljev. Pri tem se osredotoča na pouk nemščine, ki je po gimnazijski reformi leta 1848 dobila eno od konstitutivnih vlog v gimnazijskem izobraževanju. Izsledki temeljijo na analizi 202 letnih poročil, ki so jih med letoma 1849 in 1918 izdale tri izbrane klasične gimnazije na Slovenskem: c. kr. gimnazija v Ljubljani, c. kr. gimnazija v Mariboru in c. kr. gimnazija v Celovcu
Language and style in prosaic works written by Irena Dousková
The aim of the thesis is to provide linguistic and stylistic analysis of selected works written by Irena Dousková with focus on use of instruments of nonstandard language. A key criterion for the selection of individual texts was the presence of nonstandard language instruments in given prose. The following works were selected: a novel Hrdý Budžes (1998), a novella Někdo s nožem (2000) and a series of small proses O bílých slonech (2008). The thesis introduces Irena Dousková as a present author of both sophisticated and popular literature, summarizes the themes and critical reception of the selected works, which are further subject of linguistic and stylistic analysis. Based on the analysis results the thesis presents conclusions on trends in proses of Irena Dousková, and thus characterizes the individual style of the artist, whose main feature is a stylization of spoken communication
Last chapter of emigration literature — Irena Bączkowska (bom 12/05/1902 in Kijów, died 21/01/2006 in London). Interview with the writer from 15 years ago
The article consists of two parts. The first part contains a short summary about the life and work
of Irena Bączkowska, who died in London on 21 January 2006, a Polish senior writer, who lived as
an emigrant since the II World War has ended. The experiences of 103 years, eight months and nine
days. She is the author of novels and short stories, published since 1953 in the London “Literary
News” (“Wiadomości’'). They represent a world - in a narrative form, different from other
“reminiscing” literary forms - encompassing the times of the first decade of the 2 (r century till the
end of World War II. They describe the life of Polish landowners on the eastern side of the former
Republic of Poland as well as the fate of individuals and social groups as they relocated following
the tracks of war” after September 1939. In the second part of the article, the author reminiscences
about his meeting with the writer in London and attaches his interview with Irena Bączkowska that
has been transmitted in a literary program at Polish Section of Radio Free Europe on 26/10/1991.Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej nauk
Approaches to Karl-Markus Gauß
"Germanoslavica. Zeitschrift für germano-slawische Studien", Jg. 31 (2020), H. 1–2. Themenheft Karl-Markus Gauß. Hgg. Edgar Platen, Irena Samide, Helena Ulbrechtová. Buchbesprechung."Germanoslavica. Zeitschrift für germano-slawische Studien", Jg. 31 (2020), H. 1–2. Themenheft Karl-Markus Gauß. Hgg. Edgar Platen, Irena Samide, Helena Ulbrechtová. Buchbesprechung. Review
The problem of the „male“ language (on works by Miglena Nikolchina and Irena Ivanova)
The paper is devoted to the problem of the „male“ language which can be found in the works of two Bulgarian poets – Miglena Nikolchina and Irena Ivanova (better known by her pseudonym Rene Karabaš). The author associates them with the change that happens in literary criticism and the literary production itself after the 1990s. The author considers the synthesis of poetry and prose, poetry and theory as an intertextual „dialogue” through which is possible to analyze the texts of both poets. Thematically, the article focuses on the ways in which the woman gains „a right to have a voice“ rejecting her gender to take up the poet’s word and on how man appears to be a „quotation” in their works
Sexuality and Power around 1900: Exemplary Studies on the Dream Story, Lulu and Josefine Mutzenbacher
Magistrska naloga Spolnost in moč na prelomu stoletja 1900: eksemplarična analiza Sanjske novele, Lulu in Josefine Mutzenbacher ponuja vpogled v čas okoli leta 1900, pri čemer se osredotoča na opis dunajskega meščanstva, kulturno dogajanje ter znanstvena spoznanja na področju psihoanalize, medicine, filozofije in sociologije. Obravnava odnose med spoloma in mizogine teorije o ženskem spolu, zelo pomembno je tudi vprašanje moči, zlasti z vidika Michela Foucaulta. Osrednja vprašanja se nanašajo na odnose med spoloma in razmerje moči med njima ter področje spolnosti in erotike. V analizo so bila vključena tri dela: Lulu Franka Wedekinda, Josefine Mutzenbacher (avtor neznan) in Sanjska novela Arthurja Schnitzlerja.This master\u27s thesis Sexuality and Power around 1900: Exemplary Studies on the Dream Story, Lulu and Josefine Mutzenbacher offers an insight into the period around 1900, focusing on the characterisation of the Viennese bourgeoisie, cultural developments and scientific findings in the fields of psychoanalysis, medicine, philosophy and sociology. It deals with gender relations and misogynist theories of the female sex, while the question of power is also very important, especially as seen through the eyes of Michel Foucault. The central issues concern gender relations and the power relations between the sexes, as well as the field of sexuality and eroticism. Three works were included in the analysis: Earth Spirit/Pandora’s Box by Frank Wedekind, Josefine Mutzenbacher (author unknown) and Arthur Schnitzler\u27s Dream Story
Body, Love, Death and Whole Human Being: "The Magic Mountain" as an Anthropological Novel
In der Magisterarbeit wird Der Zauberberg als anthropologischer Roman interpretiert. Das Ziel ist die von Jutta Heinz formulierte Gattungsdefinition und die Funktionsbestimmung des anthropologischen Roman auf Zauberberg anzuwenden und gleichzeitig das Verhältnis dieses Romans zum anthropologischen Diskurs der Moderne mitzuberücksichtigen. In diesem Diskurs werden Ansätze der literarischen Moderne und der literarischen Anthropologie im 20. Jahrhundert (nach Wolfgang Riedel) in Betracht gezogen. Der Roman wurde außerdem als Bildungs-, Entwicklungs-, Gesellschafts- und nicht zuletzt als Zeitroman bezeichnet. Der Zauberberg weist zwar die einzelnen Merkmale des Bildungsromans auf, deswegen wird darin einerseits die Tradition des Bildungsroman fortgesetzt, andererseits kommt es aber zu einem Bruch mit dem klassischen Bildungsroman, indem Thomas Mann eine provokative Ästhetik zum Ausdruck bringt. Anhand der ethnologischen, psychoanalytischen und sprachkritischen Ansätze führt der Autor bisher tabuisierte Themen in die Welt des Zauberbergs ein. Das Geheimnis des Menschseins zieht sich als zentrales Thema durch den ganzen Roman.The author of the master thesis interprets the novel The Magic Mountain as an anthropological novel. This has not yet been established as a literary genre in literary studies, and its basic characteristics have so far been most precisely defined by Jutta Heinz, who focused on the period of Late Enlightenment. In addition to the literary genre, the author also examines the anthropological discourse at the turn of the 19th century, so that he points out that the anthropological novel of German modernism differs in some respects from that of the late Enlightenment. In addressing such a discourse, he focuses on ethnological, psychoanalytical, and linguistic crisis conceptions that play one of the central roles in the novel. At the same time, he places them within the perspectives of literary anthropology defined by Wolfgang Riedel
“There you feel the warmth of foreign life”: Pacifistic Epistolary Novel by Zofka Kveder (1878–1926)
The present paper addresses the novel Hanka written by Slovene writer Zofka Kveder, published in Croatian in 1917 and translated into Slovene in 1938. The paper shows that this little-known war novel differs substantially from other war narratives and that it can be ranked among the eminent pacifistic literary works of the first two decades of the 20th century. At the same time, the paper questions the role of the texts of Slovenian authors written in a foreign language, and stands up for the view that the national literary sciences should consider the more appropriate placement of these texts in the literary canon
Raw data for: "Diverse efficacy of dimethyl fumarate in alleviating the late streptozotocin-induced cognitive impairment and neuropathological features in rat"
Raw data to manuscript: Diverse efficacy of dimethyl fumarate in alleviating the late streptozotocin-induced cognitive impairment and neuropathological features in rat. by Majkutewicz I, Kurowska-Rucińska E, Ruciński J, Myślińska D, Grembecka B, Mantej J, Dzik KP corresponding author: Irena Majkutewicz: irena.majkutewicz@ug.edu.plcontent:-Supplementary data for fig4 (pdf file)-Folder named: Majkutewicz et al raw data.zip (size 1.89 GB) contains: * Photograps of Western Blots (tif files in folder: Western Blot photos) * Morris Water Maze videos from EthoVision (mpg files in folder: MWM videos) * Morris Water Maze heat maps from EthoVision (png liles in format: MWM Heat Maps) * Fluoro-Jade Photos (jpg files in folder Fluoro-Jade Photos) * Immunofluorecence p-tau photos (tif files in folder: IF p-tau photos) * Morris Water Maze numerical data in Excel file generated in EthoVision (MWM data.xlsx), * Immunofluorescence counting cells numerical data in Excel files (IF IBA1 Amyloid.xlsx, pTau IF.xlsx) * Western Blot numerical data in Excel file (Western Blot Ptau.xlsx) * Fluoro-Jade counting cells numerical data generated in Excel file (Fluoro Jade.xls)- Folder named: IF IBA1_Amyloid photos.zip (size 4.87GB) contains photographs of IBA1+Amyloid beta double immunofluorescence generated in LasX (.tif files)</p
Orfejev spev in Evridikine metamorfoze
Ensuing from the mythological tradition of the story of Orpheus and Eurydice, the article offers the possibility of a different reading of the classical myth: rather than speaking about a romantic love relationship we can instead speak about a much more prosaic productional relationship between the two protagonists, in which it is the role of Eurydice that is decisive for the creative process – the lover, the spiritual friend, the colleague, the assistant, the scribe, the collector, the patron, the muse. In spite of the fact that in (literary) history Eurydice’s voice has in the past been largely mute, for a relevant view of cultural history it is essential that we also hear her song.Izhajajoč iz mitološkega izročila zgodbe o Orfeju in Evridiki ponuja prispevek možnost drugačnega branja klasičnega mita: namesto o romantičnem ljubezenskem odnosu lahko govorimo namreč tudi o mnogo bolj prozaičnem produkcijskem odnosu med obema protagonistoma, pri čemer je za ustvarjalni proces odločilna prav vloga Evridike – ljubice, duhovne prijateljice, sodelavke, pomočnice, prepisovalke, zbiralke, mecenke, muze. Kljub temu, da je bil Evridikin glas v (literarni) zgodovini v preteklosti večinoma nem, pa je za relevanten pregled kulturne zgodovine nujno potrebno, da prisluhnemo tudi njenemu spevu
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