1,720,965 research outputs found
Sainuk – Hahcheng Story
No full textTwo recordings in which Mr Sainuk Hahcheng tells the Hahcheng story.
This consists of one sound file and one video file:
nst-nhs_20120330_02_MD_H2_SainukHahcheng_HahchengHistory.wav
nst-nhs_20120330_02_MD_Q3_SainukHahcheng_HahchengHistory.MOV
The details of these recordings are as follows:
nst-nhs_20120330_02_MD_H2_SainukHahcheng_HahchengHistory.wav_Duration 10’59”, Hahcheng History; H2 version of nst-nhs_20120330_02_MD_Q3_SainukHahcheng_HahchengHistory.MOV
nst-nhs_20120330_02_MD_Q3_SainukHahcheng_HahchengHistory.MOV_Duration 10’43”, Hahcheng Histor
Sainuk – Mulon Song
No full textOne recording in which Mr Sainuk Hahcheng songs the Mulon song.
This consists of one sound file:
nst-hah_20140305_05_SM_H4n_Sainuk_MulonSai
The details of this recording are as follows:
nst-hah_20140305_05_SM_H4n_Sainuk_MulonSai_Duration 1’22”, Sample of the Mulon Son
Sainuk – Trickster Story
No full textOne recording in which Mr Sainuk Hahcheng tells the Trickster story.
This consists of one video file:
nst-nhs_20120229_01_MaNg_Q3__SainukHahcheng_TricksterStory.MOV
The details of this recording are as follows:
nst-nhs_20120229_01_MaNg_Q3__SainukHahcheng_TricksterStory.MOV_Duration 6’20”, Trickster Stor
Sainuk – Ngoyo Sai (love song) 2nd recording by Martin Dietzel
No full textTwo recordings in which Mr Sainuk Hahcheng sings the Ngoyo Sai love song.
This consists of one video file and one sound file:
nst-nhs_20120304_01_MD_Q3_SainukHahcheng_Ngoyosai.MOV
nst-nhs_20120304_01_MD_T_SainukHahcheng_Ngoyosai.wav
The details of these recordings are as follows:
nst-nhs_20120304_01_MD_Q3_SainukHahcheng_Ngoyosai.MOV_Duration 6’46”, Ngoyo Sai (love song)
nst-nhs_20120304_01_MD_T_SainukHahcheng_Ngoyosai.wav _Duration 6’47”, Ngoyo Sai (love song); Tascam version of nst-nhs_20120304_01_MD_Q3_SainukHahcheng_Ngoyosai.MO
Sainuk – Wihu Song, recorded by Martin Dietzel
No full textTwo recordings in which Mr Sainuk Hahcheng sings the Wihu song.
This consists of one video file and one audio file:
nst-nhs_20120226_01_MaNg_H3_SainukHahcheng_Wihusai.MOV
nst-nhs_20120226_01_MD_H2_SainukHahcheng_Wihusai.wav
The details of these recordings are as follows:
nst-nhs_20120226_01_MaNg_H3_SainukHahcheng_Wihusai.MOV_Duration 4’13”, Wihu Sai (wihu song)
nst-nhs_20120226_01_MD_H2_SainukHahcheng_Wihusai.wav_Duration 4’15”, Wihu Sai (wihu song); wav file version of nst-nhs_20120226_01_MaNg_H3_SainukHahcheng_Wihusai.MO
Sainuk – About Songs
No full textOne recording in which Mr Sainuk Hahcheng talks about songs in Hacheng.
This consists of one sound file:
nst-hah_20140305_04_SM_H4n_Sainuk_AboutSongs
The details of this recording are as follows:
nst-hah_20140305_04_SM_H4n_Sainuk_AboutSongs_Duration 1’28”, About song
Sainuk – Ngoyo Sai (love song) recorded in 2014
No full textTwo recordings in which Mr Sainuk Hahcheng sings the Ngoyo Sai love song.
This consists of one video file and one sound file:
nst-hah_20140305_03_SM_JVC_Sainuk_NgoyoSai
nst-hah_20140305_03_SM_H4n_Sainuk_NgoyoSai
The details of these recordings are as follows:
nst-hah_20140305_03_SM_JVC_Sainuk_NgoyoSai_Duration 5’06”, Ngoyo Shi. Also recorded as nst-hah_20140305_03_SM_H4n_Sainuk_NgoyoSai.wav
nst-hah_20140305_03_SM_H4n_Sainuk_NgoyoSai_Duration 5’09”, Ngoyo Shi. Also recorded as nst-hah_20140305_03_SM_JVC_Sainuk_NgoyoSai.wa
Sainuk – Sahwi Sai Story
No full textNine recordings in which Mr Sainuk Hahcheng discusses the historu og the Hacheng people.
This consists of 2 video files and 7 sound files:
nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory
nst-hah_20140305_02_SM_JVC_Sainuk_SahwiSai
nst-hah_20140305_01_SM_H4n_Sainuk_SahwiSaiStory
nst-hah_20140305_02_SM_H4n_Sainuk_SahwiSai
nst-hah_20140607_03_SM_H4n_NgoPung_SainukStoryExplanation
nst-hah_20140607_04_SM_H4n_NgoPung_SainukStoryExplanation
nst-hah_20140607_05_SM_H4n_NgoPung_SainukStoryExplanation
nst-hah_20140607_11_SM_H4n_NgoPung_SainukStoryExplanation
nst-hah_20140607_13_SM_H4n_NgoPung_SainukStoryExplanation
The details of these recordings are as follows:
nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory_Duration 7’46”, Telling the history of the Hacheng people in spoken language. The same history will be told in song language as nst-hah_20140305_02_SM_JVC_Sainuk_SahwiSai.mp3. Also recorded as nst-hah_20140305_01_SM_H4n_Sainuk_SahwiSaiStory.wav
nst-hah_20140305_02_SM_JVC_Sainuk_SahwiSai_Duration 7’36”, Sahwi Sai telling the history of the Hacheng people. Also recorded as nst-hah_20140305_02_SM_H4n_Sainuk_SahwiSai.wav
nst-hah_20140305_01_SM_H4n_Sainuk_SahwiSaiStory_Duration 7’50”, Telling the history of the Hacheng people in spoken language. The same history will be told in song language as nst-hah_20140305_02_SM_JVC_Sainuk_SahwiSai.mp3. Also recorded as nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory.wav
nst-hah_20140305_02_SM_H4n_Sainuk_SahwiSai_Duration 7’41”, Sahwi Sai telling the history of the Hacheng people. Also recorded as nst-hah_20140305_02_SM_JVC_Sainuk_SahwiSai.wav
nst-hah_20140607_03_SM_H4n_NgoPung_SainukStoryExplanation_Duration 13’47”, Explanation of the meaning of the story nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory, from line (20)
nst-hah_20140607_04_SM_H4n_NgoPung_SainukStoryExplanation_Duration 2’04”, Explanation of the meaning of the story nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory, from line (24), explanation of the form kaanz
nst-hah_20140607_05_SM_H4n_NgoPung_SainukStoryExplanation_Duration 1’34”, Explanation of the meaning of the story nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory, from line (25)
nst-hah_20140607_11_SM_H4n_NgoPung_SainukStoryExplanation_Duration 1’43”, Explanation of the meaning of the story nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory, from line (26). Discussion of the form rawx, the meaning of which we could not explain
nst-hah_20140607_13_SM_H4n_NgoPung_SainukStoryExplanation_Duration 8’51”, Explanation of the meaning of the story nst-hah_20140305_01_SM_JVC_Sainuk_SahwiSaiStory, from line (2̹7) and beyon
Sainuk – Ngoyo Sai (Love Song)
No full textThree recordings in which Sainuk Hahcheng sings and explains the ngoyo sai (Love song). These consist of one video file and two sound files:
SDM29-20111105-02_SM_JVC_Sainuk_NgoyoSai.mp4
SDM29_20111105-04_SM_T_Sainuk_NgoyoSai.wav
SDM29_20111105-06_SM_T_Sainuk_NgoyoSai_Explanation.wav
The details of these files are as follows:
SDM29-20111105-02_SM_JVC_Sainuk_NgoyoSai.mp4; Duration 1’52”; Love song (ngoyo sai). On this recording the first two words of the song, le ban, were missed, because the singer started before the camera was switched on. The Tascam recording is complete.
SDM29_20111105-04_SM_T_Sainuk_NgoyoSai.wav; Duration 1’56”; Love song (ngoyo sai). A second recording of the song recorded on video as SDM29-20111105-02_SM_JVC_Sainuk_NgoyoSai.mp4, made on the Tascam recorder
SDM29_20111105-06_SM_T_Sainuk_NgoyoSai_Explanation.wav; Duration 8’05”; Explanation of ngoyo sai.
0’00” Line 1: This line is a simile comparing to how when the wind blows the leaves fall down
1’16” Line 2: This line is a simile about the water that bubbles up from the ground like a spring, or small stream flowing down in the hills
2’00” Line 3: These songs are not sung at home; if they are sung at home some of his brothers and sisters might be there who should not hear it, so they go to the jungle to sing. (Note: Marriage or relationship with a brother or sister would be incestuous, so they should not hear this type of song from him.)
2’48” Line 4: This line means that no others should hear the song. It is the case that those who are singing these songs are in the jungle, they don’t want others to listen to it.
3’42” Line 5: By chance if any other girls hear the song, let them not curse me. This is because he is singing for one particular girl.
4’18” Line 6: He is praising the long knife (dao), comparing his personal strength to the dao.
4’55” Line 7: In this line he is talking about the dao, how he will cut with it.
5’18” Line 8: This is about comparing himself to the lance or spear paq.
5’52” Line 9: This line is about how the paq ‘lance’ is used to hunt animals.
6’20” Line 10: This line is about praising himself, that he is a man. (Note: The last few lines can be interpreted as comparing the singer’s sexual potency to that of the dao and the paq).
6’45” Line 11: This line means that girls are competing to get married with him, so strong and manly is he.
7’34” Line 12: This line means that in the river they make some dam, and this will catch the fish. This is perhaps a simile about how he would catch a girl
Sainuk – Wihu Song
No full textThree recordings in which Sainuk Hahcheng and Dungchoi Hahcheng sing the Wihu song. These consist of one video file and two sound files:
SDM29-20111105-01_SM_JVC_Sainuk_WihuSai.mp4
SDM29_20111105-03_SM_T_Sainuk_WihuSai.wav
SDM29_20111105-05_SM_T_Sainuk_WihuSai_Explanation.wav
The details of these recordings are as follows:
SDM29-20111105-01_SM_JVC_Sainuk_WihuSai.mp4; Duration 1’47”; Wihu song
SDM29_20111105-03_SM_T_Sainuk_WihuSai.wav; Duration 1’52”; Second recording of the Wihu Song recorded on video as SDM29-20111105-01_SM_JVC_Sainuk_WihuSai.mp4, made on Tascam recorder
SDM29_20111105-05_SM_T_Sainuk_WihuSai_Explanation.wav; Duration 6’53”; Explanation of Wihu song
0’00” general explanation of Wihu song. It is sung at the time of getting the crops
0’40” Line 1: the name of the ancestral grandfather is Sanwang Tai, this song comes from that time. The grandfather was something like God. It was from the time of the forefathers it was sung. (sai ‘song’)
1’35” Line 2: the ancestral grandmother, his wife, is Homyam Wi. Together they sung this song.
2’17” Line 3: our grandfather did not make any mistakes, he had no son. He was very worthy.
2’55” Line 4: our grandmother was called Homyam. She was a little bit greedy.
3’28” Line 5: lap shin is the tail of the hornbill which is pulled out and put onto the Naga helmet (khangli khuphuk).
3’57” Line 6: the wa hin is the tusk of the pig which is put onto the Naga helmet (wak ngi wa). The male is called wak ngi and the female wak ya.
4’37” Lines 7 and 8 which repeat lines 5 and 6.
5’01”: Line 9: In our Hawa custom, on the sacrifice day, the tail of the buffalo is pulled off and tied on the khang or basket. (jit laq “pull it, squeeze it”)
5’46” Line 10: On the day of the sacrifice, the women make a small piece of cloth, called saik dam. This is worn on that day. It is used to cover the cover the basket. sam laq ‘wear it!’
6’10” Line 11: Only two or three of them would wear it in that festival, In this song only two sisters wore it. (ching nai saq nya ‘their two sisters’).
6’27” Line 12: The small basket (kheng dau) was tied from the rattan (ri)
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