3,066 research outputs found

    Dr. Monika Siebert – Faculty Author Interview

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    Dr. Monika Siebert, Professor of English, discusses her new book, Indians Playing Indian: Multiculturalism and Contemporary Indigenous Art in North America, published recently by the University of Alabama Press. Indians Playing Indian explores the phenomenon of multicultural misrecognition of American Indians, explaining its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production

    Lęk jako tabu nowoczesności – wariantowość tekstów filmowych

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    Directors (Hideo Nakata, Takashi Shimizu, Takashi Miike), inspired by a Japanese folklore, created the row in the figure of ghosts (onryou, of which a revenge is a sole aim of the being) and put them in “new world” – in scenery of contemporary, big and lively metropolises. As part of the recalled horror story it is possible to compose the mechanism of reconstruction of the “urban legend” and the creation of new variants – it’s conceivable that the capture effects of public replying the legend, action of mass means of communication as sources and media, as well bare the greatest taboo of the modernity fear of fear itself. In this article, author presents also how Japanese horror and their American implementations (remakes) are becoming a convergent lens, focused two popular basis of pleasure singled out by Barthes.Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00

    Monika White interview, 2000

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    White, Monika - Audio Oral History Interview - CSWA ❧ Interviewed by Hannah Hamovitch on January 23, 2000. An interview with Monika White as she discusses her entrance into social work; YWCA; various positions held; work with Regional Research Institute in Social Welfare; doctoral program; Multi-Purpose Senior Services Program; case management; and preparing for old age. ❧ Dr. Monika White earned both her Masters and a Doctorate of Social Work at the University of Southern California in Los Angeles. She has extensive experience as an educator, researcher, consultant and administrator. Since the mid-1970's, Dr. White concentrated her work on coordinating health and community-based service delivery systems for older adults and their families. A nationally-recognized author and lecturer in the aging field, Dr. White is the President and Chief Executive Officer of the Center for Healthy Aging in Santa Monica, California, and an adjunct professor at the USC Davis School of Gerontology in Los Angeles. In addition, Dr. White is the President of the California Social Welfare Archives. ❧ Monika White. Interviewed by Hannah Hamovitch Date of interview: 1-23-00. Length of interview: 1 hour and 8 minutes. Transcript of interview: 23 pp. CD containing interview and transcript

    Awareness of families regarding the methods of speech therapy prevention

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    TITLE: Awareness of families regarding the methods of speech therapy prevention AUTHOR: Monika Hroudová DEPARTMENT: Department of Special pedagogy SUPERVISOR: Mgr. Lucie Durdilová ANNOTATION: The aim of the theoretical part of this bachelor's thesis is to describe basic concepts related to the prevention of speech impediments, by using current literature, existing knowledge and research, characterize the most common forms of comminication disorder that usually occur in preschool children and inform about ways of how to prevent speech disorders, mainly primary ones (How can parents prevent the occurrence of speech defects among their children from an earliest possible age). Awareness of parents of the possibilities to prevent speech defects, of child's speech development and of thequality of related literature, will be determinated by a questionnare, this means a quantitative research method. Questionnare will be focused on parents with children between 3-4 years old

    Town Cultural Centre in Zgierz – more than Culture…

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    The articles focuses on the activity of the Town Cultural Centre in Zgierz. An examination of the provisions of the law allows us to rationally explain the aims and tasks faced by the Centre, and the methods due to which the Town Cultural Centre is perceived as a centre for alternative culture, a forum for social debate, and, primarily, as a people-friendly institution

    Final Death of the Author: Creativity in the Age of Information Society

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    Pretpostavimo da je kreativnost rezultat unutarnjeg dijaloga kreativnog pojedinca (autora) iz kojega nastaje nova informacija. No kako onda razumjeti kreativnost danas, kada je naša individualna svijest proširena elektronskim medijima i telemetrijski uključena u “globalni mozak”? Sveprisutnost informacijske i komunikacijske tehnologije omogućuje nam da stvaramo nove informacije brže negoli ikad prije i pohranjujemo ih u forme umjetne memorije, u koje može svatko ući. S obzirom na to čini se da je pojam autorstva prevladan, a unutarnji dijalog zamijenjen intersubjektivnim dijalogom. Držeći se teorije medija Viléma Flussera i Marshalla McLuhana, problematiziram novu paradigmu kreativnosti kakva se razvija u dobu informacijske tehnologije.If we assume that creativity is a result of the inner dialogue of creative individual (author), during which he creates an improbable combination of elements (i.e. new information), how can we comprehend creativity today, after we technologically extended our individual consciousness and connected it into a “global brain” via telematics? Prevalence of information and communications technology enables us to create more new information than ever, and allows us to store it in artificial memory, where it could be reused by almost anyone. In the age of ICT, author seems to be superfluous and the inner dialogue has been replaced by interpersonal dialogue. Taken into consideration Vilém Flusser’s and Marshall McLuhan’s theory of media, I will try to problematize new paradigm of creativity, as it is disclosing in information society

    I like going to Chelyabinsk and Poland”: Nikolai Kolada and the Poles – mutual fascination

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    Nikolai Kolada’s, by critics called also the “Almodovar of Russian theatre”, artistic work for years is very popular in Poland. This article is an attempt to present the profile of Nikolai Kolada and chosen aspects of his literary output and dramatist’s works reception in Poland. The author also tries to put attention to “father’s of new Russian dramaturgy” cooperation with representatives of Polish theatrical environment and to solve the secret of his popularity in Poland phenomenon

    The relation of the function of the pelvic floor to respiration

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    Author of the Thesis: Bc. Andrea Matějková Supervisor of the Thesis: doc. Ing. Monika Šorfová, Ph.D. Title of the Thesis: Relation of function of the pelvic floor to respiration Year of the presentation of the thesis : 2016 Powered by TCPDF (www.tcpdf.org

    BIOgrafia mandragory — o korporealności kobiety-rośliny

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    Mandragora is a hallucinogenic plant that has kindled people’s imaginations since the dawn of time. Its human-like root has become the subject of medical inquiry. This plant was also seen as a symbol of the occult. In an illustration of Abraham Bosse dated around 1650, the mandrake was depicted as a naked, headless woman. A similar image can be found in the series of illustrations (1946–1947) called Femme Maison by French artist Louise Bourgeois. In this article, while looking for similarities between these illustrations, the author will try to understand the corporeality and agency of the mandrake as a human-non-human hybrid. Using the tools of the new materialism, the author traces how the combined biological and cultural understanding of the mandrake can contribute to the affirmative view of its entangled presence in the world.Mandragora to halucynogenna roślina, która rozpalała wyobraźnię ludzi właściwie od zarania dziejów. Jej przypominający nieco sylwetkę człowieka korzeń stał się obiektem dociekań medyków, roślina ta była także postrzegana jako symbol okultyzmu. Na ilustracji Abrahama Bossego, datowanej około 1650 roku, mandragorę przedstawiono jako nagą, bezgłową kobietę. Podobny wizerunek można odnaleźć w powstałym w latach 1946–1947 cyklu Femme Maison francuskiej artystki Louise Bourgeois. W tym artykule, poszukując podobieństw między wspomnianymi ilustracjami, autorka stara się zrozumieć korporealność i sprawczość mandragory jako ludzko-nie-ludzkiej hybrydy. Używając narzędzi nowego materializmu, śledzi, jak splecione wzajemnie biologiczne i kulturowe rozumienie mandragory może przyczyniać się do afirmatywnego ujęcia jej uwikłanej obecności w świecie
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