1,095 research outputs found
NON SOLO CINEMA: KRACAUER INTERPRETE DI TROELTSCH E DI WEBER AI TEMPI DELLA WISSENSCHAFTSKRISIS. NOTA PRELIMINARE A UN CASO DI STUDIO
No full textDomenico Spinosa, Not only Movie: Kracauer’s Reading of Troeltsch and Weber at
the Time of the Wissenschaftskrisis. Preliminary Note on a Case Study.
This paper aims to present the main aspects of Kracauer’s critical perspectives as
reader of Troeltsch and Weber during the bitter years of the controversy around the Wissenschaftskrisis. Taking as a starting point his early short writings on cinema and
some pregnant themes from his "Soziologie als Wissenschaft" (1922), attention is then
turned to the 1923 article in which Kracauer reviews both Troeltsch’s first volume,
"Der Historismus und seine Probleme" (1922), and Weber’s "Gesammelte Aufsätze zur Wissenschaftslehre".
(1922). It is occasion for Kracauer to discuss in particular the role of
historical science and sociology, understood as empirical sciences, in the face of the
dilemma, in his view insurmountable, of their universal validity and the inevitable
risk of being ascribed to relativism
La questione dell’arte tra filosofia dei valori e Kulturkritik: su alcuni scritti di Jonas Cohn editi nei primi anni della Grande Guerra (1914-1916),
No full textDomenico Spinosa, The Question of Art between Philosophy of Values and Kulturkritik. On some Writings by Jonas Cohn published in the early Years of the Great War
(1914-1916)
This contribution proposal intends to reconstruct and then examine the reflections that Jonas Cohn elaborates in both the aesthetic spheres in the crucial time
span that goes from 1914 to 1916. As is well known, the Great War represents a
situation exceptional that causes a sort of interruption and traumatic bewilderment destined to profoundly change the neo-Kantian philosophical context and to
initiate from within it processes of revision of predominant themes and directions
already consolidated over time towards a considerable arrangement of new orientations. In this scenario, Cohn takes a position by recovering the theme dear to
him of aesthetics (in fact in 1901 – it is worth remembering – he was the author
of an Allgemeine Ästhetik which remains – it can be peacefully affirmed – the first
systematic work on the theme of the school of Baden) also and above all related to
issues related to the religious. Also for Cohn the foundational plane of reference
on which he argues these positions is that of the “critique of culture” to which the
author will also dedicate an important monograph as early as 1914. This will also
be an opportunity for the author to return to rethinking the notion of value in the
light of the changed historical-epochal situation that sanctions the decline of the
belle époque
L’estetica e la sua «doppia connessione storica». Nota introduttiva alla traduzione italiana del saggio "Hegels Ästhetik" (1902) di Jonas Cohn
No full textThe paper is an introduction to Jonas Cohn’s essay "Hegels Ästhetik" (1902), whose theses are placed in the context of the theses previously presented by Cohn in "Allgemeine Ästhetik" (1901). The paper also shows how the themes presented by Cohn anticipate the scenarios of the Hegel-Renaissance in the context of German Neo-Kantianism
Estetica e sistematica della cultura in Cohen e in Cassirer
No full textOn the one hand, the present work aims to trace some of the most salient moments concerning the reflections in the aesthetic field that mature within the problematic horizon of the thought of Hermann Cohen and Ernst Cassirer, two of the most representative figures of German Neocriticism, and on the other hand to identify the way in which the different positions are situating themselves and changing, through their particularly significant developments, in the evolution of the thought of the authors examined, especially in their close comparisons with the philosophy of Kant. Specifically, the task and the goal that we are given here are to investigate the peculiarity of the relationship between the transcendental a priori and the problem of experience, reaching the determination of the particular-manifold and the definition of the epistemological norms of Sciences of Life thanks to which unravels the crucial passage of Neocriticism from the "Critique of Reason" to the "Critique of Culture". This way allows Cohen and Cassirer to rethink the transcendental a priori in its correspondence to life and in its direction towards the concrete-manifold
La questione della tecnica tra esperienza estetica e Kulturkritik. Jaspers, Benjamin, Cassirer: tre prospettive a confronto
No full textThis contribution is intended to examine and compare some of the most significant philosophical positions on technique that emerged in the early 1930s
expressing different perspectives. In a problematic horizon defined on the one
hand by Walter Benjamin’s reflections on the profound functional variation of
the aesthetic experience for modern man, on the other hand by the valuations
of Karl Jaspers on the epochal contribution of technology in terms of a new
philosophy of history, here we finally propose to take into consideration the
neo-Kantian reflections on the theme in question advanced by Ernst Cassirer
in terms of a critique of cultur
Domenico Spinosa
No full textAmpia e approfondita biografia storico-critica del pittore Domenico Spinosa (Napoli, 1916 - 2007), corredata da una bibliografia essenziale. Si ripercorrono la storia e l'opera dell'artista nel loro insieme, dagli esordi negli anni Quaranta fino all'inizio del Duemila. Nel corso degli anni Cinquanta il suo linguaggio pittorico si volge verso un'astrazione informale di matrice impressionistica, in cui l'eco del mondo naturale non viene mai completamente meno, trasfigurandosi nelle modulazioni di una ricca sostanza cromatico-materica intrisa di luminescenze mediterranee. Al principio degli anni Sessanta si assiste in alcune opere a un intervento formativo del segno, che incide nel magma materico astraenti ed evanescenti profili di oggetti quotidiani oppure di insetti. Negli anni successivi la ricerca di Spinosa è rimasta sostanzialmente fedele a sé stessa, sviluppando ulteriormente le possibilità del linguaggio informale
J. Cohn, Estetica di Hegel
No full textPrima traduzione italiana del saggio di Jonas Cohn "Hegels Ästhetik?" di Jonas Cohn, pubblicato nel 1902 sul centoventesimo volume (secondo fascicolo) dell’«Zeitschrift für Philosophie und philosophische Kritik» (1902
J. Cohn, Fondazione psicologica o critica dell’estetica?
No full textPrima traduzione italiana del saggio di Jonas Cohn "Psychologische oder kritische Begründung der Ästhetik?" di Jonas Cohn, pubblicato nel 1904 sul decimo volume (secondo fascicolo) dell’«Archiv für systematische Philosophie»(1904
Il carattere di pretesa del valore estetico. Nota introduttiva alla traduzione italiana del saggio di Jonas Cohn sulla fondazione psicologica o critica dell’estetica
No full textThe paper underlines the thematic cores of Jonas Cohn’s essay Psychologische oder kritische Begründung der Ästhetik? (1904), translated by the authors in Italian, and also interrelates them with the main questions faced by the brilliant disciple of Windelband and Rickert in Allgemeine Ästhetik (1901)
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