689 research outputs found
Federico Vercellone, Oltre la bellezza
No full textFederico Vercellone, Oltre la bellezza, Il Mulino, Collana Intersezioni, Bologna 2008, 204 S
Bibliorum sacrorum Graecus codex Vaticanus / 2
No full textElektronische Reproduktion von: Bibliorum sacrorum Graecus codex Vaticanus / auspice Pio IX pontifice maximo collatis studiis Caroli Vercellone sodalis Barnabitae et Josephi Cozza monachi Basiliani editus - Carolum Vercellone excepit Caietanus Sergio sodalis Barnabites ; 2. Libros iudicum, Ruth, Regnorum, Paralipomenon et Esdrae. - Romae : Congregatio de Propaganda fide, 1879. - 353 S. -
Standort: Universität Marburg, Universitätsbibliothek. -
Signatur: 085 1 2014/00005. -
Bemerkungen:
Digitalisiert 202
Formation
No full textSince the first programmatic drafts devoted to MORPHOLOGY, Goethe establishes a very strong connection between the birth of the new science, a dynamic consideration of FORM, and the intent to reach the description of the procedures through which the FORM itself is produced, transformed, and perceived. In fact, the first private entry dedicated to MORPHOLOGY defines it as “Lehre von der Gestalt, der Bildung und Umbildung der organischen Körper
Introduction
No full textStarting from Goethe. Currently, there exists no discipline whose specific boundaries could be defined as MORPHOLOGY. Nevertheless, it is possible to trace out its history in ample terms and to define its scope broadly by understanding it as the place where the semantics of FORMS are defined and where they are connected to a reference IMAGE. The central link in the field of MORPHOLOGY is FORM-IMAGE, and it refers to those dynamics of the FORM and to the DYNAMIC SYSTEMS that have taken hold in late modernity and that continue to grow today
Morphology
No full textPhenomenology and ontology. In the Goethean project of MORPHOLOGY, some basic theoretical LINES can be seen which have not ceased to profoundly influence the further development of methodological reflection on living FORMS and their becoming, on the relationships between FORM and IMAGE, and not least on the configurations of knowledge in the light of the decisive encounter with FORM and IMAGE
Aesthetics
No full textAesthetics, structure and perception of the living form. Since its modern disciplinary foundation, AESTHETICS has developed a position of great interest in defining the relationship between sensitive knowledge, FORM and the question of living FORM. In fact, defining as the aim of AESTHETICS the “perfectio cognitionis sensitivae”
Structure/Structuralism
No full textThe first issue of Word, the Journal of the Linguistic Circle of New York, published in April 1945 by Roman Jakobson and André Martinet, both exiles living in the USA, features one of the first articles by Claude Lévi-Strauss (1958) (L’analyse structurale en linguistique et en anthropologie) and the last essay by Ernst Cassirer
(2002) (Structuralism in Modern Linguistics), who died a few weeks before its publi cation. This is the official birth of structuralism, a term seemingly coined by the author of Philosophie der symbolischen Formen in his posthumous essay with its testimonial quality
Estetica
No full textOrgano dell'A.I.S.E. (Associazione Italiana degli Studiosi di Estetica). Comitato scientifico internazionale che vaglia gli articoli proposti, composto da: C. Angelino, O. Breidbach, M. Cacciari, M. Donà, F. Duque, G. Figal, M. Frank, A. Giannatiempo Quinzio, D. Harth, G. Marchianò, R. Milani, J.-L. Nancy, A, Pagnini, M. Pezzella, F. Rella, M. Saison, G. Vattimo, F. Volpi, M. Vozza, S. Zecchi
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