1,198 research outputs found

    Castel S. Elia

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    Perceptual and bodily habits: Towards a dialogue between phenomenology and somaesthetics

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    The aim of this paper is to consider synergies between somaesthetics and phenomenology by investigating the concept of habit in lived experience. The aim of this paper is to examine synergies between somaesthetics and phenomenology by investigating the concept of habit in lived experience. The first section will compare the notion of habit in John Dewey’s aesthetic philosophical-pedagogical project with Maurice Merleau-Ponty’s phenomenology. The second section will demonstrate this link through a comparison between critical phenomenology and Richard Shusterman’s somaesthetics, showing a synergy in their respective understanding of the transformative dimension of bodily habits. The first part will compare the notion of habit in Dewey’s aesthetic philosophical-pedagogical project with Merleau-Ponty’s phenomenology. The second part will demonstrate this link through a comparison between critical phenomenology and Schulsterman’s somaesthetics, showing a synergy in their respective understanding of the open plasticity of bodily habits

    Poesia, Musica, Memoria. Bachmann, Henze e i Canti di un'Isola

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    Vengono illustrate nel programma di sala del Teatro S. Carlo le circostanze dell'incontro e del sodalizio artistico tra Ingeborg Bachmann e Hans-Werner Henze

    III. Le recenti esplorazioni nel cimitero di S. Ciriaco al VII° miglio della via Ostiense (pl. II)

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    Fornari Francesco. III. Le recenti esplorazioni nel cimitero di S. Ciriaco al VII° miglio della via Ostiense (pl. II). In: Mélanges d'archéologie et d'histoire, tome 36, 1916. pp. 57-72

    Die ‚noethische‘ Funktion von Wissenschaftssprache und -mustern bei Ulrike Draesner

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    Ulrike Draesner, in her multifaceted activity as a scholar, translator, essayist, but above all author of poetry and prose, develops a discourse on the body, landscapes and memory that is always polyphonic and cross- linguistic. Memory travels through unexpected connections between areas of knowledge and experience, capable of linking organic and inorganic nature, ancient world memory, individual and collective historical memory and post-memory, theory of knowledge and ethics of living together among people, between humans and things, between human kind and nature. In my contribution I will be trying, through case-studies, to highlight the poetic, ethical, creative, therefore po(i)ethical role played by scientific languages and lexika in Ulrike Draesner's writing. As a “poeta docta”, Draesner is an artist and not as a scientist or philosopher. The aggregations of sense and memory do not only travel on the logic of images and themes, but also on the surprising intersections between sense and sound, as well as between different languages
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