915 research outputs found
Hermann Broch Collection 1939-1967
No full textThe collection contains correspondence of Hermann Broch, as well as several manuscripts by him.Correspondence contained in the collection includes transcripts of correspondence among Hermann Broch, Georg Landauer,
and Leo Lauterbach, with discussion of poet Abraham Sonne (Avraham Ben-Yitzhak); two letters from The Viking Press to Broch with
rejections of books he submitted; 11 letters from Sibylle (Billy) Lieben, daughter of author Franz Blei, regarding efforts to secure
Blei's immigration to the United States during 1940 and 1941; and five typewritten and signed letters from Hermann Broch to
author Hans Reisiger, which contain updates from Broch on his work. Also included is correspondence between sculptor Irma Rothstein
and the Leo Baeck Institute regarding busts she made of Hermann Broch; and a photocopy of Hermann Broch's report on his
efforts to help writers escape from Europe during World War II.Manuscripts contained in the collection include :Manuscript: "An Autobiography as Program for Future Work". Undated; English, 30 p. (fragment); typed.
Exploration of philosophical theory in political science: absolutism vs. relativism in values and ethics of contemporary political
life.Manuscript: "Die Heimfahrt des Vergil. Roman". Undated; German, 3 p.; typed. Review and analysis of
his book by the same title.Manuscript: "Pros und Cons zu Prof. GURIANS Einwaenden gegen Weltstaat- Projekte". 1947; German, 6
p.; typed. Problems of the realization of a one-world state, through the United Nations, in a Cold War world.Manuscript: "The Bewitchment". Undated; English, 4 p.; typed. Summary of major issues considered in
the novel of the same title.Five letters to Hans Reisiger on permanent loan from Judaica Conservancy Foundation.On permanent loan Judaica Conservancy FoundationAuthor, born 1886 in Vienna. Died 1951 in New Haven.The original German-language inventory is available in the folderProcessed for digitizatio
Errinopsis Broch 1951
No full textGenus Errinopsis Broch, 1951a Type species. Errinopsis reticulum Broch, 1951a Included species. Errinopsis fenestrata Cairns; E. reticulum Broch Distribution. Patagonia, 42° S to 48° S; Drake Passage and Shag Rocks, 280–340 m; area between Tierra del Fuego, Burdwood Bank and Malvinas Islands, 250–771 m; South Africa: Eastern Cape Province, 174–250 m (see Río Iglesias et al. 2012, Cairns 1983a and Cairns & Zibrowius 2013). New record off Mar del Plata, 854 m and 1398 m. Diagnosis. See Cairns 1983b.Published as part of Bernal, M. C., Cairns, S. D., Penchaszadeh, P. E. & Lauretta, D., 2021, Stylasterids (Hydrozoa: Stylasteridae) from Mar del Plata submarine canyon and adjacent area (southwestern Atlantic), with a key to the species off Argentina, pp. 401-452 in Zootaxa 4969 (3) on page 19, DOI: 10.11646/zootaxa.4969.3.1, http://zenodo.org/record/475125
Orthopyxis norvegiae Broch 1948
No full textOrthopyxis norvegiae (Broch, 1948) Synonyms in the area: Campanularia (Orthopyxis) norvegiae Broch, 1948 [polyp]; Campanularia norvegiae —Blanco 1994a [polyp]. Distribution in South America: polyp—Atlantic Ocean, at South Georgia Island (Broch 1948; Blanco 1994a). Habitat: polyp—at 40m depth (Broch 1948).Published as part of M. P. Oliveira 1,16, S P. Miranda 2, *,, Es W. Mianzan 10,, Ro E. Migotto 11,, Ne B. Nascimento 2,11, Eli Nogueira Júnior 12,, Er Quiñones 13,, Izio Scarabino 14,, Tín Schiariti 10,, Io N. Stampar 15,, Tronolone 2, , Quíria B. & Onio C. Marques 2,11, 2016, Census of Cnidaria (Medusozoa) and Ctenophora from South American marine waters, pp. 1-256 in Zootaxa 4194 (1) on page 159, DOI: 10.11646/zootaxa.4194.1.
Saggio, narrazione e Storia: Die Schlafwandler di Hermann Broch
No full textEssay and novel intertwine in Broch’s trilogy The Sleepwalkers. The Austrian author and essayist is not the first who interrupts telling a storyt by introducing some essays. Other examples are Sterne or Manzoni. In so doing, Broch implements a typical trait of novel as a literary genre, that is its telling about the whole world and its totality. If narration stops and doubles itself with parallel non-fiction, the essay, it underlines the crisis of a literary genre, that, for representing the whole world needs some less fictitious parts. I will consider the rule of the non-fiction sections in Broch’s trilogy as an instrument of mind reading for shaping characters and readers. Intertwining essay and novel has a realistic purpose of plausibility with a specific rhetoric strategy that foresees, stimulates and manipulates the readers and their comprehension.Because mind reading is not far away from empathy one can analize if and how the essay within the novel helps the readers’ narrative experience by integrating the fictitious words whithin their reality or expectancy.Scrittura saggistica e scrittura narrativa si intrecciano nella trilogia di Broch Die Schlafwandler. L’interruzione della narrazione provocata dagli inserti saggistici non è una invenzione del narratore e saggista austriaco (basti pensare a Sterne o al Manzoni dei Promessi sposi, per citare solo due pietre miliari del romanzo europeo), e anzi riflette la caratteristica attitudine al molteplice propria del genere romanzesco. Se la narrazione si interrompe e si sdoppia in un racconto parallelo (quello saggistico), è però anche evidente la crisi di un genere letterario, quello del romanzo, che, per assolvere alla propria aspirazione alla totalità e costruire trame persuasive, ha bisogno di annettere tessere a una diversa intensità di finzione letteraria. Mi interessa analizzare la funzione delle componenti saggistiche nella trilogia di Broch come strumento di un mind reading orientato alla creazione dei personaggi e in definitiva al lettore.Mi pare che l’uso combinato del saggio e del romanzo risponda a un obiettivo di verosimiglianza all’interno di una precisa strategia retorica che prevede, stimola e in certa misura prova a manipolare la capacità di comprensione del lettore. Dalla prospettiva dell’empatia, che si colloca evidentemente sulla linea di una sostanziale continuità con il mind reading, si può indagare se e come il saggio all’interno del romanzo favorisca l’esperienza narrativa del lettore, integrando i mondi narrati nella sua dimensione reale o nel suo orizzonte di attesa e di conoscenza
Inferiolabiata Broch 1951
No full textGenus Inferiolabiata Broch, 1951b Type species. Errina labiata Moseley, 1879, by original designation. Included species. Inferiolabiata africana Cairns & Zibrowius; I. cervicornis (Broch); I. cestospinula Cairns; I. labiata (Moseley); I. limatula Cairns; I. lowei (Cairns); I. rhabdion Cairns; I. spinosa Cairns Distribution. Circum-Antarctic and Subantarctic, South Africa, New Zealand, New Caledonian region; 87– 2100 m (see Cairns 2015). Diagnosis. See Cairns 2015.Published as part of Bernal, M. C., Cairns, S. D., Penchaszadeh, P. E. & Lauretta, D., 2021, Stylasterids (Hydrozoa: Stylasteridae) from Mar del Plata submarine canyon and adjacent area (southwestern Atlantic), with a key to the species off Argentina, pp. 401-452 in Zootaxa 4969 (3) on pages 23-24, DOI: 10.11646/zootaxa.4969.3.1, http://zenodo.org/record/475125
Conopora pauciseptata Broch 1951
No full textConopora pauciseptata Broch, 1951 Distribution in South America: polyp—Atlantic Ocean, Argentina, from 54°S to 56°S (Cairns 1983).Published as part of M. P. Oliveira 1,16, S P. Miranda 2, *,, Es W. Mianzan 10,, Ro E. Migotto 11,, Ne B. Nascimento 2,11, Eli Nogueira Júnior 12,, Er Quiñones 13,, Izio Scarabino 14,, Tín Schiariti 10,, Io N. Stampar 15,, Tronolone 2, , Quíria B. & Onio C. Marques 2,11, 2016, Census of Cnidaria (Medusozoa) and Ctenophora from South American marine waters, pp. 1-256 in Zootaxa 4194 (1) on page 74, DOI: 10.11646/zootaxa.4194.1.
Menschsein durch Bildung: Anfragen an die Erwachsenenbildung
No full textMenschsein durch Bildung : Anfragen an d. Erwachsenenbildung / mit Beitr. von Albert Bodenmiller u. Fritz Hofmann. Zsgef. u. bearb. von Thomas Broch. - In: Arbeitshilfen für die Erwachsenenbildung / Ausgabe M. 17. 1984. S. 1-5
An Investigation of Aural Space inside Mousa Broch by Observation and Analysis of Sound and Light
No full textThis project emphasises the unique character and construction of Mousa broch, questions the model of Mousa broch as a roofed home (an interpretation adopted by Historic Scotland in 2002) and considers the way in which sound and light informs our understanding of the spaces contained within its structure. Underpinning the approach to data collection was the architectural concept of aural space. The author attempts to convey an impression of aural space inside Mousa broch by the creation of an audio-visual record supported by acoustic analysis, archaeological discussion, and an architectural breakdown of the spaces within the broch structure. Audio recordings, sound samples, photographs and movies were made on Mousa island and inside Mousa broch during the period of the Summer solstice of 2009
[The Death of Virgil by Hermann Broch, #16] : Softly lapping the reel and sides of the boat.
No full textTwo wind-swept figures standing in a small boat. Titled, signed and dated along bottom. Numbered AP2 (Artist's proof).Digital imageThe Austrian author Hermann Broch started writing his novel ‘The death of Virgil’ in Austria in 1936, but it was first published in the United States in 1945. The novel narrates the last hours of life of the Roman poet Virgil.Peter Lipman-Wulf (1905-1993) was a German artist and sculptor. Born in Berlin, he studied at the Berlin Academy. In 1933, he left Germany once the Nazis came to power. He immigrated to France in 1933 and in 1939 he was interned in the Les Milles camp in southern France. He eventually immigrated to the United States in 1947. Lipman Wulff worked mostly with wood, bronze, and ceramics in a semi-abstract style reminiscent of German Expressionism. While living in New York he won a Guggenheim fellowship, among other awards, and many commissions. He taught art at Queens College (City University of New York) and Adelphi University for many years, and published articles on art education in Leonardo and other journals. His works were exhibited at numberous galleries in New York City, including a retrospective at the Jewish Museum in 1961, and are present in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art in Washington, the British Museum in London and the National Museum in Berlin
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