43,423 research outputs found
Shaw Family Folder
47 pages of family history documents containing and related to Ruma Shaw; Elmer Shaw; Clarence Shaw; Leo S Shaw; Bertha Shaw; Fannie Isabel Coonrod; Tom Shaw; Mary Catherine Shaw; Lyle Shaw - including: News Articles, Interviews, and Family Tree on the Shaw Famil
Lost Light, Kayla Shaw, Spring 2020
Kayla Shaw was the first �freshman� to enroll in SIS Seminar. She is a pre�med major from Birmingham, Alabama
The Forgotten, Kayla Shaw, Spring 2020
Kayla Shaw was the first �freshman� to enroll in SIS Seminar. She is a pre�med major from Birmingham, Alabama
Hele-Shaw Flow Near Cusp Singularities
This thesis discusses the radial version of the Hele-Shaw problem. Different from the channel version, traveling-wave solutions do not exist in this version. Under algebraic potentials, in the case that the droplets expand, in finite time, cusps will appear on the boundary and classical solutions may not exist afterwards. Physicists have suggested that for (2p+1,2)-cusps, that near cusp singularities of Hele-Shaw flow, after scaling X, Y by some powers of time t respectively, the main part of Y(X, t) is a one-parameter family and does not depend on time t. They have also suggested that the solutions of the Hele-Shaw problem are connected with dispersionless KdV (dKdV) hierarchy. In this study, we rigorously proved that this is the case for (3,2)-cusps when the droplets are simply connected and the external potentials are algebraic. We gave exact solutions and showed that the main parts of the exact solutions are some special solutions of the dispersionless string equation. More over, borrowed from the physical paper\cite{Teo} with a little more details, we showed the arguments of how these special solutions are related to dKdV hierarchy
Letter, M. S. Shaw to Extension Workers, August 12, 1954
In this letter, Associate director of Extension Services, M. S. Shaw writes to Extension workers to inform them of some personnel matters and provide a notification of Personnel Action form for their personal records.https://scholarsjunction.msstate.edu/mss-james-franklin-buchanan/1375/thumbnail.jp
Letter from Henry Shaw to his cousin Thomas Shaw
A letter written by a homesteader named Henry B. Shaw to his cousin Thomas Shaw. Henry lived in Lawrence, and Thomas lived in Norwich, New York. In this letter Henry talks about living in his cabin, gives details about Territorial Kansas, tells his cousin that he should come here to farm or find work, and describes Lawrence™s businesses.https://scholars.fhsu.edu/tj_ks_territorial_docs/1003/thumbnail.jp
Author and literary critic Donald Shaw
Author and literary critic Donald Shaw, b&w.https://mds.marshall.edu/parthenon_photo_morgue/1399/thumbnail.jp
Shaw and Feminisms On Stage and Off
When offstage actions contradict a playwright's onstage message, literary study gets messy. In his personal relationships, George Bernard Shaw was often ambivalent toward liberated women--surprisingly so, considering his reputation as one of the first champions of women's rights. His private attitudes sit uncomfortably beside his public philosophies that were so foundational to first-wave feminism. Here, Shaw's long-recognized influence on feminism is reexamined through the lens of twenty-first-century feminist thought as well as previously unpublished primary sources. New links appear between Shaw's writings and his gendered notions of physicality, pain, performance, nationalism, authorship, and politics. The book's archival material includes previously unpublished Shaw correspondence and excerpts from the works of his feminist playwright contemporaries. Shaw and Feminisms explores Shaw's strong female characters, his real-life involvement with women, and his continuing impact on theater and politics today.Cover -- Contents -- Foreword -- Acknowledgments -- Introduction -- PART I. THE WOMESN IN SHAW'S PLSYS -- 1. Shaw's Athletic-Minded Women -- 2. Shaw and Cruelty -- 3. Shutting Out Mother: Vivie Warren as the New Woman -- 4. The Politics of Shaw's Irish Women in John Bull's Other Island -- PATE II. SHAW'S RELATIONSHIP WITH WOMEN -- 5. Bernard Shaw and the Archbishop's Daughter -- 6. Writing Women: Shaw and Feminism behind the Scenes -- 7. Feminist Politics and the Two Irish "Georges": Egerton versus Shaw -- 8. The Passionate Anarchist and Her Idea Man -- PART III. SHAVLAN FEMINISM IN THE LARGER WORLD -- 9. Mrs Warren's Profession and the Development of Transnational Chinese Feminism -- 10. Shaw's Women in the World -- 11. The Energy behind the Anomaly: In Conversation with Jackie Maxwell -- Bibliography -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- X -- Y -- ZWhen offstage actions contradict a playwright's onstage message, literary study gets messy. In his personal relationships, George Bernard Shaw was often ambivalent toward liberated women--surprisingly so, considering his reputation as one of the first champions of women's rights. His private attitudes sit uncomfortably beside his public philosophies that were so foundational to first-wave feminism. Here, Shaw's long-recognized influence on feminism is reexamined through the lens of twenty-first-century feminist thought as well as previously unpublished primary sources. New links appear between Shaw's writings and his gendered notions of physicality, pain, performance, nationalism, authorship, and politics. The book's archival material includes previously unpublished Shaw correspondence and excerpts from the works of his feminist playwright contemporaries. Shaw and Feminisms explores Shaw's strong female characters, his real-life involvement with women, and his continuing impact on theater and politics today.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Shaw Sanitarium — Shaw, Edwin C. Director (1939)(JSK_BB9_F06)
Correspondence and materials relating to Edwin Shaw, director of Shaw Sanitariu
Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953)
Dudley Shaw Ashton’s flamboyant 1953 portrait of the sculptor Barbara Hepworth, Figures in a Landscape, quite literally lifts Hepworth and her sculptures from the spaces of critical reception and creative process associated to the museum, gallery or studio, to audaciously place the artist and her work in the Cornish landscape amongst its beaches, megalithic standing stones and tin mines. This chapter explores how Shaw Ashton’s use of film technology to explore scale, distance and proximity between artist, sculpture and the contours of the landscape, proposed ways of depicting the artist and the creative process on film which were at odds with contemporary art documentaries of the immediate post war period. Reinforced further through the accompanying narration scripted by the archeologist Jacquetta Hawkes, Shaw Ashton seeks instead to inscribe Hepworth’s creative process within a pre-modern landscape and to present the artist and her sculptures as the embodiment of a materially located mythic and historic continuity. Made shortly after the 1951 Festival of Britain, and funded by the British Film Institute’s Experimental Film Fund, was Shaw Ashton’s disavowal of Hepworth’s modernist credentials reflective of a transitional and short lived moment in Britain’s post war culture? When an historical turn might be seen to presage new ways forward in cultural representation
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