596 research outputs found
The Fables of Aesop
No full textAfter a T of C, this book alternates verse texts of Aesop's fables on the left with strong full-page woodcuts on the right. This is more of Ryrie's lovely work that I enjoyed so much in his 2004 "Aesop -- Life and Fables." For me, his work may be at its best when his strong lines portray a jumbled and even chaotic visual field, as in "The forest deceived" (7-8). This effect extends, I believe, to illustrations where the viewer may not at fist sense the distinction of one object from others, like the boat in the water in "Enemies till death" (13-14) or the dog's reflection in the water in "The dog's reflection" (25-26). What strong lines he creates! These help to suggest the emotion in "The miser" (9-10). What a lovely booklet!96 of 500Aesop; John Ryri
Aesop -- Life and Fables
No full textNow here is a piece of ephemera I am delighted to find and include in the collection! How many Americans run into a catalogue of a university exhibit in Australia?! There are 37 black-and-white illustrations here from the life of Aesop and the fables. Most dramatic among them are two linocuts larger than many of the others: "A Mischievous Man" and "Mercury and the Sculptor," the former a dark silhouette of a person holding a bird behind his back and the latter a contemporary close encounter of the business kind. Thirty of the illustrations are smaller woodblocks on the inside covers from Ryrie's two earlier books. There is also a larger linocut of Aesop sleeping. What a lovely find!John Ryri
A Hundred Fables: Aesop (Cover: Aesop's Fables Coloring Book)
No full textHere is curious 8½" x 11" print-upon-demand paperback book that gives two pages -- one for text and one for illustration -- to 100 fables from Aesop. Outside of the covers, the book is entirely black-and-white. It hurries to begin, with only a page to acknowledge the publisher and a page to declare a title -- one of three -- and a word of explanation about Aesop and Percy Billinghurst. Similarly, at the end there are only two pages of advertisements. I miss rudiments like a T of C or AI. The three titles are "Aesops Fables Coloring Book" (front cover); "A Hundred Fables Aesop" (inside); and Aesops Fables with Illustrations by Percy J. Billinghurst: 100 Fables and Illustrations" (back cover). The texts are taken without acknowledgement from George Fyler Townsend (1867).No Autho
Book of Abstracts : Planning and Environment in Transforming Europe 7th AESOP congress Lodz, Poland 14-17 July 1993
Full text linkWe have much pleasure in providing the AESOP Congress participants with this book containing abstracts delivered for presentation during the Congress. These are all abstracts submitted before the end of May, also by the persons who expressed interest in participating without final registration. Since many abstracts were prepared much in advance, it may occur that some of them may not correspond strictly to normal Congress presentation form. This publication appears to offer quite a comprehensive overview of recent research pursuits in the field of planning. The abstracts have been placed in alphabetical order according to the family name of the first author. The preparation of this booklet was possible, thanks to the efforts of a number of persons but special appreciation should go to Marika Pirveli.
Tadeusz MARSZAŁ
Congress Chai
John Ryrie : Aesop : life and fables
No full textCatalogue of an exhibition held at Stonington Stables Museum of Art, 22 September - 30 October 2004
Giving Birth to AESOP
Full text linkAESOP would like to express sincere gratitude to Professor Klaus R. Kunzmann for generously sharing this personal reflection with the AESOP community. By entrusting us with this valuable testimony, he has helped preserve the intellectual and historical legacy of AESOP’s foundation. His vision and commitment continue to inspire generations of planners and scholars across Europe.“Giving Birth to AESOP” is a personal retrospective written in 2017 by Professor Klaus R. Kunzmann, one of the founding members of the Association of European Schools of Planning (AESOP). The text recounts the foundational meeting held in February 1987 at Schloss Cappenberg, where the idea of creating a European network of planning schools took shape. It highlights the key individuals involved, the symbolic choice of location, and the rationale behind the name “AESOP.” The author reflects on the initial ambitions of the group—such as promoting planning as an academic discipline, fostering transnational exchange, and strengthening the identity of planning education in Europe—and provides a critical commentary on the evolution of planning and its institutional status up to 2017. This document offers both historical insight and a personal vision of planning as a discipline rooted in storytelling, critical thinking, and social responsibility
Can Smart Technologies Revitalize the Ruhr? (Draft: Not to be quoted without permission of the author)
No full textBook of proceedings: Annual AESOP Congress, Definite Space – Fuzzy Responsibility, Prague, 13-16th July, 2015Recent enthusiasm about smart technologies, heavily promoted by cities such as Vienna, may nurture hope in the Ruhr that the smart city paradigm could revitalize the new smart technologies could certainly address some of the complex spatial challenges of the polycentric urban agglomeration, such as declining public see people, energy conservation or more convenient regional mobility. Though all accomplishments will undoubtedly contribute to maintain or even raise the qual residents and households, there are not nay signs that smart technologies can and attract new innovative industries and create new employment in the old ind The paper will explore whether and where smart technologies can revitalize the discuss what kind of smart technologies may have a chance to impact the region polycentric old industrial region, and it will identify the constraints, obstacle region-wide introduction of smart technologies. The ongoing project. Innovation serves as one exemplary case study.Published Versio
We Need Aesop
No full textA curious nine-page plea to publishers not to exclude Aesop from contemporary textbooks. The Argument is followed by an early illustration of Aesop, a sample fable (FG), a 1982 Los Angeles Times column on the exclusion of Aesop from textbooks, two pages of sample morals from Aesop's fables, and two helpful pages of tributes to Aesop from England and the United States.Dorothy MacLare
Aesop Naturaliz'd: in a collection of fables and stories from Aesop, Locman, Pilpay, and others
No full textThis is a standard versified Aesop from the eighteenth century featuring some one-hundred-and-eighty fables. Because it lacks all illustration, it is not in Bodemann. The naturalized of the title refers, I believe, to the rendering into English of the fables. My online dictionary offers this third meaning for to naturalize: to introduce or adopt (foreign practices, words, etc.) into a country or into general use: to naturalize a french phrase. Perhaps the most engaging part of this book for me is the preface of three pages. I find it endearing and true to the fable form. As the author has diverted himself by creating them, he intends to offer readers some little pleasure. Those who look down on these fables should try creating a fable themselves. They would find it as hard to make a good fable as most people do to practise the fable's moral! Fables form an easy and pleasant way to instruct, all the more when they are in verse. Further, fables correct people's faults without offending the guilty. A person passes sentence on his own folly before he reflects what he is doing. A final reason for a fable is that it is short and aims to teach us one point at a time. Here a picture is worth a thousand words. The author does not expect to please everyone; he is not altogether pleased with the collection himself. The worst may please some, and the best will not please all. In any case, he professes that he meant well. This printed on demand book is more carefully done than some others I have received.Fifth edition, with the addition of above fifty new fable
Twelve Fables by Aesop
No full textThis is a delightful little (3½" x 5") two-stapled pamphlet of 28 pages. Each left-hand page has an illustration featuring two colors, one olive-tan and the other a deeper green. Each right-hand page has a prose text of the Aesopic fable. The booklet is clearly made with loving care and great imagination. The contrasting colors are used unusually well in, for example, "The Fisher and the Little Fish." My prize goes to MM, both for her voluminous skirt and for the swirl of the pail's falling milk. The latter echoes the former! I am happy to see "The Dancing Monkeys" and "The Ant and the Chrysalis" included, since they seldom are. Lovely!No Autho
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