1,721,023 research outputs found
'You Make Me Sick’: An interview with Puss Johnson and Steve Eagles of Satan’s Cats
Formed in Evesham, Worcestershire, in January 1977, Satan’s Rats released three superb but commercially unsuccessful singles in a period of a little more than eighteen months before splitting up. Guitarist Steve Eagles, drummer Olly Harrison and bassist Dave Sparrow then teamed up with Wendy Wu (Wendy Yates) to form The Photos, a new wave group that achieved a major label record deal and went on to a measure of chart success in the early 1980s. The band has recently reformed with a new guest vocalist, Puss Johnson, under the moniker Satan’s Cats. Steve Eagles and Puss Johnson discuss punk histories, locality, punk and everyday sexism with Russ Bestley
Thinking Punk
In the double issue special edition of Punk & Post Punk, 4.2/4.3, Russ Bestley wrote a provocative article entitled ‘(I want some) demystification: Deconstructing punk’, reflecting on punk scholarship and the tropes and stereotypes that may be narrowing discourse on the subculture. In one section of the essay, the author questioned the value of a number of books on punk as a lifestyle and philosophy, including Craig O’Hara’s The Philosophy of Punk: More Than Noise! (1999), Lars J. Kristiansen’s Screaming For Change: Articulating a Unifying Philosophy of Punk Rock (2012) and Robin Ryde’s The Truth of Revolution, Brother: The Philosophies of Punk (2014) (Bestley 2015: 119). Robin Ryde reached out to challenge some of the points raised in the original article and exercise a right to reply. This led to an extended dialogue between the two authors, which we have decided to reproduce in edited form here, along with a ‘think piece’ essay by Ryde reflecting on a range of contemporary attitudes towards punk and questioning where our subculture might be heading
PUNK ROCK!! SO WHAT?
Exhibition of Punk graphics, curated by Russ Bestley, including material from the archives of Russ Bestley, Alastair Gordon and Andrew Morgan.
Linked to a two day conference and postgraduate symposium organised by the Punk Scholars Network, the exhibition run included several additional events, including a film screening of 'The Day the Country Died' by Roy Wallace, and public talks by Russ Bestley
Going Through the Motions: Punk Nostalgia and Conformity
Book chapter in Russ Bestley, Mike Dines, Alastair Gordon & Paula Guerra (eds.), Trans-Global Punk Scenes: The Punk Reader Vol.
Entertainment! Post Punk, New Wave and Authenticity Symposium
Exhibition of Post Punk and New Wave graphics, including material from the archives of Russ Bestley and Gary Loveridge. Two day Symposium supported by the Graphic Subcultures Research Hub along with the Punk Scholars Network and Manchester Metropolitan University. Limited edition catalogue published, including essays by Russ Bestley and Alex Ogg. Speakers included Rob O’Connor, Bill Smith, Marco Palumbo-Rodrigues, Malcolm Garrett, Richard Boon, Alex Ogg, Sean Forbes, Nicky Tesco, June Miles-Kingston, Nicky Forbes, Pauline Murray and Paul Harvey
The Art of Punk, Extended Edition
Extended and updated edition of The Art of Punk by Russ Bestley and Alex Ogg. Published by Schiffer Books 2022
The Punk Reader: Research Transmissions from the Local and the Global
Russ Bestley, Mike Dines, Alastair Gordon and Paula Guerra (eds.): The Punk Reader: Research Transmissions from the Local and the Global, published by Intellect Books and The University of Chicago Press, August 2019. Edited by Bestley, Dines, Gordon and Guerra, designed by Russ Bestley.
A first edition of this book was originally produced as a very short run proof print via the University of Porto, Portugal, in conjunction with KISMIF and the Punk Scholars Network. At that stage, the original named editors were Dines, Gordon and Guerra and Russ Bestley worked as graphic designer to pull the project together and create a final book layout. Bestley was also heavily involved in editing and proofing the various stages of the book through to printing. played a major part in not just the visual outcome of that content but also the editing (arranging and selecting material, text editing and visual editing), acting as more than simply someone who makes a graphic ‘product’ and in more of a consultancy role on how best to present the content to its audience.
Russ Bestley then represented the editors and the Punk Scholars Network in negotiations to rework the book as a new title through Intellect Books and The University of Chicago Press, with a new ISBN and some text/layout changes. This is the first volume in a contracted book series entitled Global Punk. Russ Bestley, Mike Dines, Alastair “Gords” Gordon and Paula Guerra are named series editors for Global Punk and Bestley has been added as co-editor for this (public) issue of The Punk Reader, with text and layout revisions and a new ISBN publication number
Radio On
A group exhibition of art, photography, graphic design and film by Paul Harvey, Carol Lynn, Sarah Dryden and Russ Bestley, in response to Christopher Petit’s 1979 British road movie Radio On. Part of the Whitley Bay Film Festival programme
Where Have All the Bootboys Gone? Skinhead Style and Graphic Subcultures
Exhibition of Skinhead graphics, including print material and photographs from the archives of Toby Mott, Gavin Watson and Toast. Limited edition Riso catalogue published, including essays by Garry Bushell, Tom Vague, Matt Worley, Shaun Cole, Russ Bestley and Ana Raposo
Action Time Vision: Punk & Post Punk 7" Record Sleeves #002
Collaboration with London design group Spin and publisher Unit Editions, with contributing essays by Russ Bestley and Malcolm Garrett and interviews with Daniel Miller and Mark Perry, published by Unit Editions, Autumn 2016
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