1,721,079 research outputs found
Pollen profile CERINTB3, France
No full textThis dataset was archived on 2014-11-03 from the EPD database (http://www.europeanpollendatabase.net)
Lithology of sediment core CERINTB3, France
No full textThis dataset was archived on 2014-11-03 from the EPD database (http://www.europeanpollendatabase.net)
Lithology of sediment core LAUT105T, France
No full textThis dataset was archived on 2014-11-03 from the EPD database (http://www.europeanpollendatabase.net)
Lithology of sediment core LAUT105, France
No full textThis dataset was archived on 2014-11-03 from the EPD database (http://www.europeanpollendatabase.net)
Pollen profile LAUT105T, France
No full textThis dataset was archived on 2014-11-03 from the EPD database (http://www.europeanpollendatabase.net)
Pollen profile LAUT105, France
No full textThis dataset was archived on 2014-11-03 from the EPD database (http://www.europeanpollendatabase.net)
Computerizing the acquisition of archeobotanic counting (SCOPOLI - fossiles)
No full textThe Scopoli programme has been designed to computerize the acquisition of paleobotanic counts made under a microscope.
Using a digital table, pollen counts are recognized under a microscope and directly put into a data base.
formation goes directly into the data base. The
The principle is as follow : a digital table connected to a computer provides a list of pollen names. Using an optical
pencil the worker marks the required name on the list and the informa
traditional paper and pencil stage is completly eliminated.
The Scopoli programme is described and its flexibility demonstrated in various applications.Le logiciel SCOPOLI est un logiciel d'aide à la saisie des comptages d'éléments reconnus au microscope.
L'exemple traité ici s'applique aux comptages polliniques.
Ce logiciel permet par 1 intermédiaire d'une table à digitaliser de passer directement de la reconnaissance des pollens
au microscope à leur saisie dans une base de données.
Son principe est le suivant : une table à digitaliser reliée à l'ordinateur présente une liste des différents taxons. Un
pointage sur un nom de cette liste est suffisant pour saisir le pollen reconnu.
Plus de feuille de papier... et de crayons bien taillés !
Les fonctionnalités du logiciel SCOPOLI sont détaillées, sa souplesse d'utilisation est mise en évidence.
Cet article présente aussi les divers domaines d'application pour lesquels SCOPOLI peut facilement être adapté.Greffier Françoise, Richard Hervé, Ruffaldi Pascale. Computerizing the acquisition of archeobotanic counting (SCOPOLI - fossiles). In: Revue d'Archéométrie, n°16, 1992. pp. 63-69
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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