9 research outputs found
Utah Urban Pioneers Collection: Dave Roylance autobiography
Five page autobiography by David Roylance about his musical "avocation" and participation in the Utah folk revival scene of the 1960s (5 pages); He participated in the Urban Pioneers concert, January 24, 200
Polly Stewart Oral History Project: Interview with Dave Roylance
Recording of an interview by Polly Stewart with Dave Roylance, a participant in the Utah folk music scene of the 1960s. Jennifer Bott [now Bateman] served as sound engineer. Transcript by Laura R. Marcus [now Green]. One of the interview recordings that Polly Stewart and Jennifer Bott conducted for the Utah Folk Music Revival Oral History Project, 2004-20111. Family background/music in the family/father a professional musician; 2. Family history/origin of family names; 3. Influence (or not) of father on musical path/discovering folk music/connection between Kingston Trio version of song, "Tom Dooley" and Salt Lake City; 4. Talking about dedication to music/learning the hard way; 5. Talking about Polly and the Valley Boys/Polly Stewart\u27s story of acquiring her autoharp/Utah Urban Pioneers Concert; 6. Memorable Utah Valley Boys-Polly and the Valley Boys gigs; 7. Learning to play guitar/folk music influences; 8. Learning to play banjo; 9 Talking about Fred Reinhardt; 10. Teaching banjo at Hart Brothers Music and Southeast Music; 11. Talking about the Utah Valley Boys and Polly and the Valley Boys-band history and dynamics; 12. Playing at the Weiser Old-Time Fiddle Contest; 13. Reflecting on being young liberals in the midst of hard-line conservative players; 14. Remembering road trips (musical and otherwise) with Polly and the Valley Boys-concert, Mountain Meadows, eastern Utah hinterlands/talking about Mormons in popular culture; 15. The band after Polly\u27s departure/exchanging Bruce (Utah) Phillips stories; 16. Remembering Bruce Phillips\u27s family and connection to vaudeville theater/exchange of Bruce Phillips tales; 17. Remembering Bruce Phillips\u27s political activities, running for Senate; 18. Talking about Bruce Phillips\u27s and Dave Roylance\u27s military experiences Coming to Boston through military assignment/staying in Boston and building a career at MIT; 19. Discovering the open-back banjo/the Utah Urban Pioneers Concert 20. Incorporating music into MIT work/thinking about the generational appeal of folk music; 21. The hardships of being a professional folk musician; 22. Margaret Roylance joins the interview/interview winds dow
Scofield Mining Disaster
Sound recording of Polly and the Valley Boys, performing "Scofield Mining Disaster." One of the songs performed at the Utah Urban Pioneers Reunion concert, the only time these artists of the 1960s folk music revival performing on the same stage, January 24, 2007. Cosponsors of the event include State History, the Folklore Society of Utah, and the Intermountain Acoustic Music Associatio
Amelia Earhart\u27s Last Flight
Sound recording of Polly and the Valley Boys, performing "Amelia Earhart\u27s Last Flight." One of the songs performed at the Utah Urban Pioneers Reunion concert, the only time these artists of the 1960s folk music revival performing on the same stage, January 24, 2007. Cosponsors of the event include State History, the Folklore Society of Utah, and the Intermountain Acoustic Music Associatio
Green Rolling Hill of West Virginia
Sound recording of Polly and the Valley Boys, performing "Green Rolling Hill of West Virginia." One of the songs performed at the Utah Urban Pioneers Reunion concert, the only time these artists of the 1960s folk music revival performing on the same stage, January 24, 2007. Cosponsors of the event include State History, the Folklore Society of Utah, and the Intermountain Acoustic Music Associatio
Converging Dual-Use Export Control with Human Rights Norms: The EU’s Responses to Digital Surveillance Exports
Machiko Kanetake This chapter is based on the following publication by the author: ‘The EU’s Dual-Use Export Control and Human Rights Risks: The Case of Cyber Surveillance Technology’ (2019) 3 Europe and the World: A Law Review 1. Demand for digital surveillance technology has created a thriving market on a global scale. In his UN report entitled ‘Surveillance and Human Rights’ in May 2019, David Kaye, the Human Rights Council’s Special Rapporteur on the freedom of opinion and expression, expressed serious concerns about the status of ‘surveillance exports’. In the report, the UN’s Special Rapporteur made it clear that digital surveillance is ‘no longer the preserve of countries’ that have the ‘in-house’ resources to conduct mass and targeted surveillance. The market of surveillance technology has developed globally in order to allow a wide range of governments to make use of advanced digital surveillance. Privacy International, one of the human rights..
Converging Dual-Use Export Control with Human Rights Norms: The EU's Responses to Digital Surveillance Exports
Machiko Kanetake This chapter is based on the following publication by the author: ‘The EU’s Dual-Use Export Control and Human Rights Risks: The Case of Cyber Surveillance Technology’ (2019) 3 Europe and the World: A Law Review 1. Demand for digital surveillance technology has created a thriving market on a global scale. In his UN report entitled ‘Surveillance and Human Rights’ in May 2019, David Kaye, the Human Rights Council’s Special Rapporteur on the freedom of opinion and expression, expressed serious concerns about the status of ‘surveillance exports’. In the report, the UN’s Special Rapporteur made it clear that digital surveillance is ‘no longer the preserve of countries’ that have the ‘in-house’ resources to conduct mass and targeted surveillance. The market of surveillance technology has developed globally in order to allow a wide range of governments to make use of advanced digital surveillance. Privacy International, one of the human rights..
Hydromorphone Hydrochloride Use During Various Interventional Radiology Procedures—Pain Control and Adverse Events: A Case Series Audit Analysis
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Non-Opioid Perioperative Pain Strategies for the Clinician: A Narrative Review
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then please contact [email protected].
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visibility and readership. All features will be thoroughly peer reviewed to
ensure the content is of the highest scientific standard and all features are
marked as ‘peer reviewed’ to ensure readers are aware that the content has been
reviewed to the same level as the articles they are being presented alongside.
Moreover, all sponsorship and disclosure information is included to provide
complete transparency and adherence to good publication practices. This ensures
that however the content is reached the reader has a full understanding of its
origin. No fees are charged for hosting additional open access content.
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