4,982 research outputs found
Directions for getting lost: or how to change your mind
No full textMark W. West (MEF Author)Architect Mark W West creates work that is incredibly delicately drawn. Here he documents the construction of his drawings, while his friend, whose name is also Mark West, contributes a commentary about the creative process behind them. The two texts reveal how the works defy the damage caused by reductive traditional architectural education and general experience, and open the viewer to a sense of greater wholeness, however disturbing this may be.WOS:000426491500018Arts and Humanities Citation IndexArticleUluslararası işbirliği ile yapılan - EVETMartYÖK - 2017-1
Evaluation of the CytoRich(R) technique for cervical smears
No full textStevens, Mark W. ; Nespolon, Walter W. ; Milne, Amanda J. ; Rowland, Rober
Dr. Mark Ellingsen, ITC, November 2011
No full textThis video is a conversation with Dr. Mark Ellingsen. Dr. Ellingsen talks about his book, "Lectionary Preaching Workbook, Series IX, Cycle B". Brad Ost, AUC Woodruff Library, is the interviewer
Dr. Mark Ellingsen, ITC, July 2011
No full textThis video is a conversation with Dr. Mark Ellingsen. Dr. Ellingsen talks about his book, "Sin Bravely: A Joyful Alternative to a Purpose-Driven Life". Brad Ost, AUC Woodruff Library, is the interviewer
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
No full textContemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Mark Shapley
No full textMark Shapley with research core from Spring Lake. Mark was a graduate student of Dan Engstrom at the University of Minnesota and the senior author of our Waubay paper published in the Holocen
Well-known trade mark protection: confusion in EU and Japan
No full textIn this thesis concerning the protection of well-known trade marks against confusion in the European Community Trade Mark (CTM) and Japanese trademark systems, the author critically considers the difficulties in comprehensively defining ‘well-known trade mark’ in the relevant international trade mark instruments. After critical analysis of various definitions of both ‘trade mark’ and ‘well-known trade mark’, she undertakes a comparison of the definitions of the parallel concepts of ‘trade mark of repute’ and ‘syuchi-syohyo’, and also undertakes an assessment as to the extent to which these trade marks are protected against confusion and kondo in the CTM and Japanese systems, respectively. It is concluded that the protection of well- known trade marks against confusion in the CTM and Japan cannot be said to be completely clear, and the author identifies some areas for legal refor
Democracy Sausage with Mark Kenny: Departure in the absence of victory?
No full textOn this episode of Democracy Sausage, political correspondent Karen Middleton, diplomacy and Afghan politics expert William Maley, and gender equity advocate Virginia Haussegger join Mark Kenny to discuss Australia’s nearly two decades in Afghanistan. Two years into the war in Afghanistan, United States President George W Bush said it was “mission accomplished”. But nearly two decades after the September 11 attacks, the Taliban has negotiated a favourable agreement with the United States and Australia has closed its embassy, citing security concerns amidst the withdrawal of Australian and international forces. So what was it all for? And, crucially, what does this mean for the Afghan people? On this episode of Democracy Sausage, journalist and author of An unwinnable war: Australia in Afghanistan Karen Middleton, scholar of Afghan politics Emeritus Professor William Maley, and gender equity advocate Virginia Haussegger join Mark Kenny to look back on Australia’s time in Afghanistan and discuss what the future may hold for the country
Buddhist Animal Wisdom Stories
No full textThis is a lovely presentation of forty-four Jataka tales. As the publisher's online advertisement says Author and painter Mark McGinnis has collected over forty of these hallowed popular tales and retold them in vividly poetic yet accessible language, their original Buddhist messages firmly intact. Each story is accompanied with a beautifully rendered full-color painting, making this an equally attractive book for children and adults, whether Buddhist or not, who love fine stories about their fellow wise (and foolish) creatures. I like particularly the lively contemporary style of the texts. The very first tale gives a good example. The drunken dung-beetle challenges the elephant to a duel, and the elephant agrees, chooses his weapon, and defecates on the beetle (9)! The art is simple but expressive. A good example is the self-sacrificing Banyan deer who puts his own head on the sacrificial block (56). There is of course a great deal of classic wisdom here, as in The Fish and the Tortoise (31). Two similar fish come to a tortoise for a judgment on their relative beauty. He describes beauty then in terms of tortoise-beauty. They give up on their argument and go their separate ways. Some classic tales are told differently here, like The Three Fish (66). All three fish are swimming downstream toward the trapping fishermen. Thoughtful cautions that they should turn back. Thoughtless plunges ahead. Over-Thoughtful cannot make up his mind and so follows him. Thoughtful has to play a trick of making both sides of the net appear torn to rescue the two when they are caught by fishermen. The Jackal and the Crow (40) is different from the traditional FC fable. Here both are insufferable flatterers. The wise owl finds their interaction sickening enough to drive her to another part of the forest.This is a hardbound book (hard cover)This book has a dust jacket (book cover)Illustrated and Retold by Mark W. McGinni
The Gospel on the Margins: The Ideological Function of the Patristic Tradition on the Evangelist Mark
No full textIn spite of the virtually unanimous patristic opinion that the evangelist Mark was the interpreter of Peter, one of the most prestigious apostolic founding figures in Christian memory, the Gospel of Mark was mostly neglected in the patristic period. Not only is the text of Mark the least well represented of the canonical Gospels in terms of the number of patristic citations, commentaries and manuscripts, the explicit comments about the evangelist Mark reveal some ambivalence about its literary or theological value. In my survey of the reception of Mark from Papias of Hierapolis until Clement of Alexandria, I will argue that the reason why the patristic writers were hesitant to embrace the Gospel of Mark was that they perceived the text to be amenable to the Christological beliefs and social praxis of rival Christian factions. The patristic tradition about Mark may have little historical basis, but it had an important ideological function in appropriating the text in the name of an apostolic authority from the margins or periphery
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